Announcement from Philippine Educational Theater Association
in partnership with
Stella Adler Studio of Acting
Intensive Advanced Class for Professional Actors (55-hours)
Conducted by two of Stella Adler's finest and in-demand faculty members:
Andrew Wade and Don Williams
Nov 25 to Dec 2, 2011 (Please check detailed schedule below)
Peta Theater Center, 5 Eymard Drive, New Manila, Quezon City
This workshop aims to equip and edify the Filipino actor with skills in Voice, Text and Scene Study.
1. Actors with at least one professional acting experience (whether in theater, television or film)
2. Must be able to communicate in English
How to apply:No auditions are required; interested applicants should send their resumes to email@example.com.
Put on the subject line: STELLA ADLER - [YOUR NAME]
Confirmation emails will be sent to accepted applicants.
Reserve your slot through 725-6244 or 0906-211-5003.
The course is limited to only 20 slots.
Fee and payment terms:The workshop fee is Php35,000.00 inclusive of a showcase performance at the end of the workshop.
Initial payment of Php10,000.00 to reserve your slot.
Initial payment is non-refundable. Reservation period is until September 30, 2011.
Partial payment of Php10,000.00 on or before October 15, 2011.
Full payment on or before November 11, 2011.
Failure to comply with the payment scheme may result in the cancellation of the reservation.
Reservation cancellations are made at the discretion of PETA Marketing and Public Relations Director.
Payments can be made payable to our bank account:
Philippine Educational Theater Association
Account Number: 6871-00-1799
BPI Family Bank, E. Rodriguez Branch
Fax us the bank in slip for confirmation.
Fax number is 410-0821, Attn to Meann Espinosa
We will send you the receipt through fax or email
Andrew Wade joined the Royal Shakespeare Company as assistant voice director in 1987 and in 1990 became head of voice, a position he would hold for more than ten years. Mr. Wade recorded Working Shakespeare, a series of voice and text work featuring Helen Hunt, Samuel L. Jackson and Claire Danes. He also served as text consultant for the movie Shakespeare In Love. Now, Mr. Wade continues to work all over the world in a freelance capacity. Aside from the Stella Adler Studio, he also teaches at the Delaware University, the National Theater School in Montreal, and the Guthrie Theater in Minneapolis. He is also currently teaching Master Classes at The Juilliard School in New York.
Don Williams is the Associate Head of Stella Adler Acting Studio. He has directed numerous off- and off-off Broadway productions such as Turn of the Screw, The Tempest, Macbeth, Miss Julie, and many others. Some of the productions he has directed at the Stella Adler Acting Studio are Death of a Salesman, Twelve Angry Jurors, Suddenly Last Summer, The Blue Room—all sold out weeks before the opening. As a professional actor Mr. Williams has performed for the Harold Clurman Lab Theater, The Denver Theater Company, and the California Shakespeare Fest, among others.
ABOUT STELLA ADLER STUDIO OF ACTING
Stella Adler believes that "Growth as an actor and growth as a human being are synonymous." Adler's philosophy has served as a guiding light to many prominent actors in the business today.
The Stella Adler Studio of Acting, based in New York and Los Angeles, is committed to create an environment that nurtures theater artists who value humanity—their own and others'—as their first priority while providing art and education to the greater community. Stella Adler's holistic approach strengthens and develops the actor's intellect, body, voice, spirit, and imagination.
Among the actors who studied in the Stella Adler Studio of Acting are Marlon Brando, Robert De Niro, Warren Beatty, Candice Bergen, Kevin Costner, Benicio Del Toro, Salma Hayek, Mark Ruffalo, Susan Sarandon, and Cybill Shepard.
ABOUT PHILIPPINE EDUCATIONAL THEATER ASSOCIATION
Founded in 1967, Philippine Educational Theater Association (PETA) is an organization of creative and critical artist-teacher-cultural workers committed to artistic excellence and a people’s culture that casts shackles and fosters both personal fulfillment and social transformations. It roots its foundation in the use of theater that is distinctly Filipino as a tool for social change and development. The company has lived by this principle as it evolves with the changes that occurred within and around it. It continues to push first-rate quality theater while never taking for granted that the art it produces and teaches always serves a greater purpose.
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