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Announcement from Teatro Expedicion de Filipinas
Teatro Expedicion de Filipinas' Theater Arts Workshop offers a variety of programs for aspiring actors aged 18-45 years old to explore, learn, imagine, dream and most importantly enjoy the following courses:
STAGE ACTING (Musical and Straight Plays)
SCRIPT ANALYSIS
VOICE, MOVEMENT
PRODUCTION DESIGN (Costume Making, Make-Up, Set Design).
Teatro Expedicion Artistic Director, JOEY PARAS facilitates this workshop
which will be held EVERY SATURDAY of the MONTH
starting August 6, 2011 from 5PM until 10PM
at United Church of Christ of the Philippines Chapel, West Triangle, Quezon City.
Guest teachers:
2009 Philstage Gawad Buhay! awardee for Outstanding female lead performance in a play
Shamaine Centenera Buencamino
for ACTING
CCP Virgin Labfest founding artistic director and dramaturg
Rodolfo Vera
for SCRIPT ANALYSIS
2009 Philstage Gawad Buhay! awardee for Outstanding Choreography for Play or Musical
Carlon Matobato
for DANCE AND MOVEMENT
Workshop FEE:
Php 3,500.00 ONLY for a MONTH (4 sessions)
For FIVE HOURS of RIGID TRAINING Each session
Schedule of Workshop: (5PM until 10PM)
August 6, 13, 20, 27
September 3, 10, 17, 24
October 1, 8, 15, 22, 29
November 5, 12, 19
RECITAL:
November 26, 2011
College Assurance Plan Auditorium, College Assurance Plan Building,
126 Amorsolo St. cor. Rufino St., Legaspi Village, Makati City
Contact 0915-323-4521 or 0915-2918144.
What do you think of this workshop? Share your comments.
Theaterbator blog by Walter Ang features news on the theater industry in Manila, Philippines.
Philippine Normal University's Speech and Theater Arts Guild in Education's twinbill production Aug 4-5, 2011
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Announcement from Philippine Normal University's Speech and Theater Arts Guild in Education
PNU S.T.A.G.E.
presents
a twin bill production
Estrella Alfon's "FOREVER WITCHES"
and
Luis Gatmaitan's "SANDOSENANG SAPATOS"
Directed by Gia Marie Ensima and Guadalupe Bejer.
Aug. 4 and 5, 2011 10 am, 1pm , 4 pm
Philippine Normal University A.V. Theater
P15 for PNUans
P30 for non-PNUans
Forever Witches
“Having what one wants can be so deadly!” exclaims the very impulsive young girl named Marrise when her two equally beautiful spinster aunts Lourdes and Andiya teaches her witchcraft just to make Julius fall in love with her.
Sandosenang Sapatos
Sapatero ang tatay ni Karina at tuwing may okasyon ay ginagawan siya ng tatay ng bagong sapatos. Habang pinagbubuntis ng nanay ni Karina ang bunso nilang si Susie pinangarap ng tatay nila na maging isang balerina siya, ngunit sa kasamaang palad ay pinanganak si Susie ng walang paa. Dahil sa kagustuhan ni Karina na maging masaya ang kanilang pamilya ay siya na lang ang nag-aral ng ballet, ngunit kahit ano gawin niya hindi bagay sa kanya ang pag-ba-ballet.
Contact 0916-228-5558.
What do you think of this production? Share your comments.
Announcement from Philippine Normal University's Speech and Theater Arts Guild in Education
PNU S.T.A.G.E.
presents
a twin bill production
Estrella Alfon's "FOREVER WITCHES"
and
Luis Gatmaitan's "SANDOSENANG SAPATOS"
Directed by Gia Marie Ensima and Guadalupe Bejer.
Aug. 4 and 5, 2011 10 am, 1pm , 4 pm
Philippine Normal University A.V. Theater
P15 for PNUans
P30 for non-PNUans
Forever Witches
“Having what one wants can be so deadly!” exclaims the very impulsive young girl named Marrise when her two equally beautiful spinster aunts Lourdes and Andiya teaches her witchcraft just to make Julius fall in love with her.
Sandosenang Sapatos
Sapatero ang tatay ni Karina at tuwing may okasyon ay ginagawan siya ng tatay ng bagong sapatos. Habang pinagbubuntis ng nanay ni Karina ang bunso nilang si Susie pinangarap ng tatay nila na maging isang balerina siya, ngunit sa kasamaang palad ay pinanganak si Susie ng walang paa. Dahil sa kagustuhan ni Karina na maging masaya ang kanilang pamilya ay siya na lang ang nag-aral ng ballet, ngunit kahit ano gawin niya hindi bagay sa kanya ang pag-ba-ballet.
Contact 0916-228-5558.
What do you think of this production? Share your comments.
Music Theater Foundation's "Applause, a musical retrospect" Aug 4-5, 2011
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Announcement from Music Theater Foundation of the Philippines
Music Theater Foundation of the Philippines
in cooperation with University of the Philippines College of Music
presents
Applause, a musical retrospect
Excerpts from the lyrics/libretti of Fides Cuyugan-Asensio
August 4 at 3:00 PM and August 5, 2011 at 7:00 PM
Directors: Behn Cervantes, Alex Cortez, Nazer Salcedo, Henry Tejero, Noel Cabazor, Tony Mabesa and Alegria Ferrer.
“Amy” (work in progress);
“Larawan at Kababaihan: Mukha at Maskara” music by Dr. Lucrecia Kasilag;
“Mayo-Bisperas ng Liwanag” (inspired from Mayday Eve of Nick Joaquin) music by Rey Paguio;
“Spoliarium- an opera on the life of Juan Luna” music by Ryan Cayabyab;
“Why Flowers Bloom in May” music by Dr. Lucrecia Kasilag;
“Song of Joseph - a musical on the life, love and death of St. Joseph” music by Raymond Roldan;
“La Loba Negra” music by Francisco Feliciano
This production is Cuyugan-Asensio's "gesture of thanking the artists, supporters and friends who have been supporting her through the years."
Announcement from Music Theater Foundation of the Philippines
Music Theater Foundation of the Philippines
in cooperation with University of the Philippines College of Music
presents
Applause, a musical retrospect
Excerpts from the lyrics/libretti of Fides Cuyugan-Asensio
August 4 at 3:00 PM and August 5, 2011 at 7:00 PM
Abelardo Hall, University of the Philippines College of Music
University of the Philippines Diliman Campus, Quezon City
Directors: Behn Cervantes, Alex Cortez, Nazer Salcedo, Henry Tejero, Noel Cabazor, Tony Mabesa and Alegria Ferrer.
“Amy” (work in progress);
“Larawan at Kababaihan: Mukha at Maskara” music by Dr. Lucrecia Kasilag;
“Mayo-Bisperas ng Liwanag” (inspired from Mayday Eve of Nick Joaquin) music by Rey Paguio;
“Spoliarium- an opera on the life of Juan Luna” music by Ryan Cayabyab;
“Why Flowers Bloom in May” music by Dr. Lucrecia Kasilag;
“Song of Joseph - a musical on the life, love and death of St. Joseph” music by Raymond Roldan;
“La Loba Negra” music by Francisco Feliciano
This production is Cuyugan-Asensio's "gesture of thanking the artists, supporters and friends who have been supporting her through the years."
Fides Cuyugan Asensio was born on August 1, 1939 in Lucena, Quezon. After graduating from Philippine Women’s University's College of Music and Arts, where she studied with Dean Felicing Tirona, she became the first Filipina to receive a scholarship and to study at the Curtis Institute of Music in Philadelphia.
In 1954 she married Manuel D. Asensio, Jr. and returned to Manila. She made her professional opera debut as Adele in "Die Fledermaus" at the Far Eastern University Auditorium. Two years later, she sang the role of Sisa in the world premiere of Felipe De Leon's opera "Noli Me Tangere" (which will be restaged by Dulaang UP later this year) with the Manila Symphony Orchestra. From then on, she was recognized as the premier coloratura soprano of the country for three decades.
In 1986, Fides Asensio formed "The Music Theater Foundation of the Philippines," a non-profit organization dedicated to promote, stage, and give scholarships to young classical performers. Two years later, in 1988, she was appointed Chairman of Voice and Music Theater Department at the U.P. College of Music, a position she held until she retired in 1997. She was later given the title of Professor Emeritus by the U.P. Board of Regents.
"We look forward to your patronage and generosity to make this show possible to enable us to continue our ongoing scholarship program/s to students and scholars in the field of arts, music and music theatre," she says. "Your valued and continuous support has always revitalized the cultural tradition of the Philippine theatre and has promoted the cultural heritage of the Filipino people."
Contact 412-1575, 929-6963, 0919-657-7961, or mtfp_jr@yahoo.com.
What do you think of this production? Share your comments.
Deadline of voting of PETA's "Create a Shakespeare Icon Contest" July 30, 2011
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Announcement from Philippine Educational Theater Association
Voting for "Hu Art Daw? Create a Rockin' Shakespeare Icon Contest"
will close on July 30, 2011 6:00 P.M.
(Voting is done via clicking "Like")
LIKE YOUR FAVORITE SHAKESPEARE ICON NOW!
http://www.facebook.com/media/set/?set=a.10150254407282088.341463.723562087
The winning artwork will become the official icon of PETA’s Shakespeare Season and shall appear in PETA’s posters,flyers, merchandise and other collaterals.
The winner will be given: Php 5,000 plus (20) complimentary tickets for PETA’s William and Haring Lear as well as complimentary playbills for both productions.
Winners will be notified by PETA via phone call and public announcement on PETA’s Facebook Page. Good luck to all!
For its 44th Theater Season, PETA produces modern, educational and entertaining plays and events that reintroduces Shakespeare and his works.
Help us demystify the Bard - make him less fearsome, easier to understand, and lovable for all. Create a modern icon that will capture PETA’s hip, fun, young and modern interpretation of Shakespeare that will appeal to the youth!
Winners will be announced on August 2, 2011
Winners will be notified by PETA via phone call and public announcement on PETA’s Facebook Page.
For details, contact petatheater@gmail.com.
What do you think of this contest? Share your comments.
Announcement from Philippine Educational Theater Association
Voting for "Hu Art Daw? Create a Rockin' Shakespeare Icon Contest"
will close on July 30, 2011 6:00 P.M.
(Voting is done via clicking "Like")
LIKE YOUR FAVORITE SHAKESPEARE ICON NOW!
http://www.facebook.com/media/set/?set=a.10150254407282088.341463.723562087
The winning artwork will become the official icon of PETA’s Shakespeare Season and shall appear in PETA’s posters,flyers, merchandise and other collaterals.
The winner will be given: Php 5,000 plus (20) complimentary tickets for PETA’s William and Haring Lear as well as complimentary playbills for both productions.
Criteria for Judging
30% Popularity measured via Facebook Likes
30% Creativity
40% Originality & Adherance to PETA’s hip, fun, young and modern theme
Winners will be notified by PETA via phone call and public announcement on PETA’s Facebook Page. Good luck to all!
For its 44th Theater Season, PETA produces modern, educational and entertaining plays and events that reintroduces Shakespeare and his works.
Help us demystify the Bard - make him less fearsome, easier to understand, and lovable for all. Create a modern icon that will capture PETA’s hip, fun, young and modern interpretation of Shakespeare that will appeal to the youth!
Winners will be announced on August 2, 2011
Winners will be notified by PETA via phone call and public announcement on PETA’s Facebook Page.
For details, contact petatheater@gmail.com.
What do you think of this contest? Share your comments.
Sipat Lawin Ensemble's "Haring Tubu-l" re-run July 29-30, 2011
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I wrote about Sipat Lawin Ensemble's "Haring Tubu-l" last year (2010) here.
And now there's going to be a re-run in July 2011.
Announcement from Sipat Lawin Ensemble
Sipat Lawin Ensemble
in cooperation with De La Salle College of St. Benilde's School of Design and Art's
Musuem of Contemporary Art and Design
presents
Haring Tubu-l
July 29 Fri 7pm
July 30 Sat 3pm and 7pm
I wrote about Sipat Lawin Ensemble's "Haring Tubu-l" last year (2010) here.
And now there's going to be a re-run in July 2011.
Announcement from Sipat Lawin Ensemble
Sipat Lawin Ensemble
in cooperation with De La Salle College of St. Benilde's School of Design and Art's
Musuem of Contemporary Art and Design
presents
Haring Tubu-l
July 29 Fri 7pm
July 30 Sat 3pm and 7pm
Musuem of Contemporary Art and Design
De La Salle College of St. Benilde School of Design and Art Building
Pablo Ocampo St. (formerly Vito Cruz St.), Malate, Manila
Featuring: Acey Aguilar, Abner Delina, Sheenly Gener, Adrienne Vergara, Dorothy Marabut-Yrastorza
Direction: JK Anicoche
Music and sound design: Teresa Barrozo
Production design: Leeroy New and Eisa Jocson
Contact 0917-500-8753 or sipatlawin.ensemble@gmail.com
What do you think of this production? Share your comments.
Direction: JK Anicoche
Music and sound design: Teresa Barrozo
Production design: Leeroy New and Eisa Jocson
Contact 0917-500-8753 or sipatlawin.ensemble@gmail.com
What do you think of this production? Share your comments.
Ateneo Blue Repertory's "Little Shop of Horrors" POSTPONED to Aug 10-27, 2011
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Announcement from Ateneo Blue Repertory
Ateneo Blue Repertory's "Little Shop of Horrors"
originally slated for a run from Jul 27-Aug 13, 2011
has POSTPONED its run to Aug. 10-27, 2011.
Details about the show here.
Contact 0917-890-8795.
What do you think about this production? Share your comments.
Announcement from Ateneo Blue Repertory
Ateneo Blue Repertory's "Little Shop of Horrors"
originally slated for a run from Jul 27-Aug 13, 2011
has POSTPONED its run to Aug. 10-27, 2011.
Details about the show here.
Contact 0917-890-8795.
What do you think about this production? Share your comments.
De La Salle College of St. Benilde's "Titus Andronicus" Aug 3-5, 2011
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De La Salle College of St. Benilde's School of Design and Arts'
Production Design and Technical Theater programs
present
William Shakespeare's
TITUS ANDRONICUS
Translated into Tagalog and directed by George de Jesus III
Production design: Production Design graduating class
Lighting design: Technical Theater graduating class
The direction for this production is based on the design thesis of the students. "In effect, I direct it based on how they visualize the play. Instead of the usual way when the director has a vision for a play and then the designers design based on that vision," says de Jesus III. "For this production, their thesis is about 'decay,' so part of it is the fall of the Roman empire and the look is a decaying civilization."
August 3, 4, 5, 2011
1:00 and 7:00 PM
De La Salle College of St. Benilde School of Design and Arts Theater
5th floor, De La Salle College of St. Benilde School of Design and Arts Building
905 Pablo Ocampo St. (formerly Vito Cruz), Malate, Manila
Cast:
Joel Saracho as Titus Andronicus, a Roman general
Paolo O'Hara as Marcus, brother of Titus
Gwyn Salazar as Saturninus, son of the late emperor of Rome
Mike Estevez as Bassianus, brother of Saturninus, in love with Lavinia
Kalila Aguilos as Tamora, queen of the Goths
Joshua Deocareza as Aaron, lover of Tamora
Titus's children
Mara Marasigan as Lavinia
Christian Parado as Mutius
Rico del Rosario as Martius
GA Fallarme as Quintus
Russel Legaspi as Lucius
Gab Santos as Chiron
De La Salle College of St. Benilde's School of Design and Arts'
Production Design and Technical Theater programs
present
William Shakespeare's
TITUS ANDRONICUS
Translated into Tagalog and directed by George de Jesus III
Production design: Production Design graduating class
Lighting design: Technical Theater graduating class
The direction for this production is based on the design thesis of the students. "In effect, I direct it based on how they visualize the play. Instead of the usual way when the director has a vision for a play and then the designers design based on that vision," says de Jesus III. "For this production, their thesis is about 'decay,' so part of it is the fall of the Roman empire and the look is a decaying civilization."
August 3, 4, 5, 2011
1:00 and 7:00 PM
De La Salle College of St. Benilde School of Design and Arts Theater
5th floor, De La Salle College of St. Benilde School of Design and Arts Building
905 Pablo Ocampo St. (formerly Vito Cruz), Malate, Manila
Cast:
Joel Saracho as Titus Andronicus, a Roman general
Paolo O'Hara as Marcus, brother of Titus
Gwyn Salazar as Saturninus, son of the late emperor of Rome
Mike Estevez as Bassianus, brother of Saturninus, in love with Lavinia
Kalila Aguilos as Tamora, queen of the Goths
Joshua Deocareza as Aaron, lover of Tamora
Titus's children
Mara Marasigan as Lavinia
Christian Parado as Mutius
Rico del Rosario as Martius
GA Fallarme as Quintus
Russel Legaspi as Lucius
Tamora's sons
Dax Alejandro as Alarbus
Paul Jake Paule as Demetrius
Contact 09178387285 / 09155059439 / 09175020531 / 09163256772.
What do you think of this production? Share your comments.
Contemporary Dance Network Philippines' "Rites" July 23, 2011
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Announcement from Contemporary Dance Network Manila
"RITES"
Contemporary solo/duo works
and "the rites of spring" from the choreography classes
of Myra Beltran, Raul Alcoseba and Denisa Reyes
July 23, 2011 Saturday 8:00 pm
Dance Forum Studio
36-E West Ave., Quezon City
with the support of the National Commission for Culture and the Arts
Contact 373-2947 or 0917-526-9724.
What do you think of this production? Share your comments.
Announcement from Contemporary Dance Network Manila
"RITES"
Contemporary solo/duo works
and "the rites of spring" from the choreography classes
of Myra Beltran, Raul Alcoseba and Denisa Reyes
July 23, 2011 Saturday 8:00 pm
Dance Forum Studio
36-E West Ave., Quezon City
with the support of the National Commission for Culture and the Arts
Contact 373-2947 or 0917-526-9724.
What do you think of this production? Share your comments.
FREE ADMISSION Artisang Artlets's "Fin" July 20-22, 2011
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Announcement from Artisang Artlets
Artisang Artlets
the official theater guild of
the Faculty of Arts and Letters of the University of Santo Tomas
presents
"FIN"
a trilogy of one-act plays directed by Jem Ferrer
Alberto Florentino's "Palaver"
Inside the Heneral's office, he plans to make love. What he do not know is that his lover is not someone who he thinks she is. Love for pleasure. Pleasure for death. A story of power, governance and death. Will the Heneral step down or will he stay in power till death? An example of a political satire.
Carlo Pacolor Garcia's "Divine"
When you have no lighter to light your cigarette, what would you do? Hoping to light his cigarette, a young man approaches two homosexual strangers. The story unfolds as the two tries to take the young man's money. Will you still choose to light your cigarette even if it'll be your last?
George de Jesus III's "Kung Paano Maghiwalay"
A typical conversation between the old couple Ben and Anita. The flow of the story will change as Ben mentions to Anita that he won't be going home. The story will continue, a glimpse of their past will be revealed. Emotions will burst, questions will be answered.
July 20, 21 and 22, 2011 (10am, 1pm, and 3pm)
Albertus Magnus Auditorium, Education Bldg., University of Santo Tomas
Free admission
Fin is part of AA's Theater Literacy Program.
This show is part of its 31st season (2011-2012).
For details, contact artistangartlets_official@yahoo.com or 0916-385-5073.
What do you think of this production? Share your comments.
Announcement from Artisang Artlets
Artisang Artlets
the official theater guild of
the Faculty of Arts and Letters of the University of Santo Tomas
presents
"FIN"
a trilogy of one-act plays directed by Jem Ferrer
Alberto Florentino's "Palaver"
Inside the Heneral's office, he plans to make love. What he do not know is that his lover is not someone who he thinks she is. Love for pleasure. Pleasure for death. A story of power, governance and death. Will the Heneral step down or will he stay in power till death? An example of a political satire.
Carlo Pacolor Garcia's "Divine"
When you have no lighter to light your cigarette, what would you do? Hoping to light his cigarette, a young man approaches two homosexual strangers. The story unfolds as the two tries to take the young man's money. Will you still choose to light your cigarette even if it'll be your last?
George de Jesus III's "Kung Paano Maghiwalay"
A typical conversation between the old couple Ben and Anita. The flow of the story will change as Ben mentions to Anita that he won't be going home. The story will continue, a glimpse of their past will be revealed. Emotions will burst, questions will be answered.
July 20, 21 and 22, 2011 (10am, 1pm, and 3pm)
Albertus Magnus Auditorium, Education Bldg., University of Santo Tomas
Free admission
Fin is part of AA's Theater Literacy Program.
This show is part of its 31st season (2011-2012).
For details, contact artistangartlets_official@yahoo.com or 0916-385-5073.
What do you think of this production? Share your comments.
Campus-based theater groups unveil 2011-2012 season lineups
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Yay! My article on the 2011-2012 season lineups of Manila's two major campus-based theater groups was used by the Philippine Daily Inquirer for its July 18, 2011 issue.
The article was prepared back in May. Dulaang UP has since confirmed that it will also stage a children's play "Umaaraw, Umuulan, Kinakasal ang Tikbalang" to be directed by Jose Estrella for the November-December months.
http://groups.yahoo.com/group/iwroteit/message/303
Campus-based theater groups unveil season lineups
By Walter Ang
Manila's two major campus-based theater groups announce their season offerings for the school year 2011-2012.
Both groups will commemorate Philippine national hero José Rizal's sesquicentennial by staging his works and each will stage its own Filipino adaptation of a William Shakespeare play.
Rizalania Dulaang UP, the University of the Philippines' official performing theater arts group, is on its 36th season. From July to August, it will stage "Rizal X," a production that aims to rediscover and reintroduce the relevance of Rizal.
"It will compile different points of view toward Rizal, his works and his life, in a collaboration of text, dance, music, film, visual arts," says director Dexter Santos.
Based on a concept by Santos, this original production will feature the works of different poets, playwrights, choreographers, filmmakers and artists.
"The show will not be written by a single playwright," he says. "Our process may be considered as devised theater. The actors and the artistic and production staff will play a pivotal role in the creation of the show."
In September, Tanghalang Ateneo, one of the longest-running theater groups of Ateneo de Manila University and now on its 33rd season, will stage "Mga Kuwento Ni Rizal Para Sa Bata." The production will be a devised piece conceptualized and directed by Ronan Capinding.
From November to December, DUP will stage "Noli Me Tangere: Isang Opera," to be directed by the group's artistic director, Alexander Cortez. A grand-scale production to be staged at the UP Theater, the opera is composed by National Artist for Music Felipe Padilla de Leon with libretto by National Artist for Visual Arts Guillermo Tolentino.
Indigenized Shakespeare
In July, TA will stage "Ang Sintang Dalisay ni Julieta at Romeo," an awit (using dodesyllabic or 12-syllable verse) version of Shakespeare's "Romeo and Juliet" (which is written in iambic pentameter, or five pairs of alternating unstressed and stressed syllables per line), written by G.D. Roke to be directed by Ricardo Abad and designed by National Artist for Theater Design Salvador Bernal.
Abad found the text in the Project Gutenberg website, which states it was written in 1901. "Roke is such a mystery," Abad says. "Shakespeare scholar Judy Ick has searched all over the place and hasn't found a trace."
From September to October, DUP will stage the Philippine premiere of William Shakespeare's "Titus Andronicus." Tuxqs Rutaquio will direct using Layeta Bucoy's Tagalog translation. "Tuxqs is a graduate of our theater program and this is the first time he will direct for DUP since he graduated," says Cortez.
Considered Shakespeare's bloodiest and most violent work, this tragedy of ancient Roman general Titus Andronicus and his revenge against Tamora, Queen of the Goths, will be adapted to be "set in the Philippines with the violent Muslim clan wars as backdrop."
Looking forward
TA ends its season in February 2012, with "Orestaya," a Tagalog adaptation by B.J. Crisostomo of the plays of Aeschylus, Sophocles and Euripides. To be directed in tandem by Abad and Crisostomo, the production will combine related Greek myths of the cursed family of Atreus, locked into constant murders of each other.
ADMU offers a Bachelor of Fine Arts Major in Theater Arts, with concentration in disciplines such as acting, directing or production design. The program has student performances throughout the year. "There are plans to make TA the theater company of the Theater Arts degree program in the same way DUP is the theater company of UP's Theater Arts certificate and degree programs," says Abad. "The construction of a black box theater for the group's use is also underway."
Looking back
To celebrate the centennial of National Artist for Theater Wilfrido Ma. Guerrero, DUP's season ends February to March next year with his "Forsaken House," a play that deals with a family and its controlling patriarch in post-World War II in Manila.
In 1947, Ma. Guerrero founded the UP Dramatics Club which became the precursor of DUP. The theater where he staged most of his productions, then known as Liberal Arts Lecture Hall, was renamed after him in 1976. DUP uses the Guerrero Theater to this day.
Dulaang UP is under the university's Department of Speech Communication and Theater Arts, which offers certificate and degree programs in Theater Arts. The group also stages its students' thesis productions under its Dulaang Laboratoryo series throughout the year.
Whole shows or rows of seats can be bought at bulk discounts. Sponsorships always welcome.
For Dulaang UP, call 9818500 loc. 2449, 9261349, 4337840.
For Tanghalang Ateneo, call 4266001 loc. 5427, 0917-8560787.
Also published online:
http://lifestyle.inquirer.net/5945/campus-based-theater-groups-unveil-season-lineups
What do you think of these lineups? Share your comments.
Yay! My article on the 2011-2012 season lineups of Manila's two major campus-based theater groups was used by the Philippine Daily Inquirer for its July 18, 2011 issue.
The article was prepared back in May. Dulaang UP has since confirmed that it will also stage a children's play "Umaaraw, Umuulan, Kinakasal ang Tikbalang" to be directed by Jose Estrella for the November-December months.
http://groups.yahoo.com/group/iwroteit/message/303
Campus-based theater groups unveil season lineups
By Walter Ang
Manila's two major campus-based theater groups announce their season offerings for the school year 2011-2012.
Both groups will commemorate Philippine national hero José Rizal's sesquicentennial by staging his works and each will stage its own Filipino adaptation of a William Shakespeare play.
Rizalania Dulaang UP, the University of the Philippines' official performing theater arts group, is on its 36th season. From July to August, it will stage "Rizal X," a production that aims to rediscover and reintroduce the relevance of Rizal.
"It will compile different points of view toward Rizal, his works and his life, in a collaboration of text, dance, music, film, visual arts," says director Dexter Santos.
Based on a concept by Santos, this original production will feature the works of different poets, playwrights, choreographers, filmmakers and artists.
"The show will not be written by a single playwright," he says. "Our process may be considered as devised theater. The actors and the artistic and production staff will play a pivotal role in the creation of the show."
In September, Tanghalang Ateneo, one of the longest-running theater groups of Ateneo de Manila University and now on its 33rd season, will stage "Mga Kuwento Ni Rizal Para Sa Bata." The production will be a devised piece conceptualized and directed by Ronan Capinding.
From November to December, DUP will stage "Noli Me Tangere: Isang Opera," to be directed by the group's artistic director, Alexander Cortez. A grand-scale production to be staged at the UP Theater, the opera is composed by National Artist for Music Felipe Padilla de Leon with libretto by National Artist for Visual Arts Guillermo Tolentino.
Indigenized Shakespeare
In July, TA will stage "Ang Sintang Dalisay ni Julieta at Romeo," an awit (using dodesyllabic or 12-syllable verse) version of Shakespeare's "Romeo and Juliet" (which is written in iambic pentameter, or five pairs of alternating unstressed and stressed syllables per line), written by G.D. Roke to be directed by Ricardo Abad and designed by National Artist for Theater Design Salvador Bernal.
Abad found the text in the Project Gutenberg website, which states it was written in 1901. "Roke is such a mystery," Abad says. "Shakespeare scholar Judy Ick has searched all over the place and hasn't found a trace."
From September to October, DUP will stage the Philippine premiere of William Shakespeare's "Titus Andronicus." Tuxqs Rutaquio will direct using Layeta Bucoy's Tagalog translation. "Tuxqs is a graduate of our theater program and this is the first time he will direct for DUP since he graduated," says Cortez.
Considered Shakespeare's bloodiest and most violent work, this tragedy of ancient Roman general Titus Andronicus and his revenge against Tamora, Queen of the Goths, will be adapted to be "set in the Philippines with the violent Muslim clan wars as backdrop."
Looking forward
TA ends its season in February 2012, with "Orestaya," a Tagalog adaptation by B.J. Crisostomo of the plays of Aeschylus, Sophocles and Euripides. To be directed in tandem by Abad and Crisostomo, the production will combine related Greek myths of the cursed family of Atreus, locked into constant murders of each other.
ADMU offers a Bachelor of Fine Arts Major in Theater Arts, with concentration in disciplines such as acting, directing or production design. The program has student performances throughout the year. "There are plans to make TA the theater company of the Theater Arts degree program in the same way DUP is the theater company of UP's Theater Arts certificate and degree programs," says Abad. "The construction of a black box theater for the group's use is also underway."
Looking back
To celebrate the centennial of National Artist for Theater Wilfrido Ma. Guerrero, DUP's season ends February to March next year with his "Forsaken House," a play that deals with a family and its controlling patriarch in post-World War II in Manila.
In 1947, Ma. Guerrero founded the UP Dramatics Club which became the precursor of DUP. The theater where he staged most of his productions, then known as Liberal Arts Lecture Hall, was renamed after him in 1976. DUP uses the Guerrero Theater to this day.
Dulaang UP is under the university's Department of Speech Communication and Theater Arts, which offers certificate and degree programs in Theater Arts. The group also stages its students' thesis productions under its Dulaang Laboratoryo series throughout the year.
Whole shows or rows of seats can be bought at bulk discounts. Sponsorships always welcome.
For Dulaang UP, call 9818500 loc. 2449, 9261349, 4337840.
For Tanghalang Ateneo, call 4266001 loc. 5427, 0917-8560787.
Also published online:
http://lifestyle.inquirer.net/5945/campus-based-theater-groups-unveil-season-lineups
What do you think of these lineups? Share your comments.
2011 is the year of the Titus Andronici
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It was because of watching HBO's two-season-only historical series "Rome" that I discovered you could pluralize the names of ancient Roman families. One of the characters said "I am so-and-so of the Julii," referring to her being part of Julius Caesar's family, and I was like "Whaaat?"
So now, with this knowledge, I say to you all that 2011 is the year of the Titus Andronici!
"Titus Andronicus" is considered William Shakespeare's bloodiest and goriest play. I don't know what's going on with the stars, but as it turns out, audiences in Manila this year will have the chance to watch not one, but two productions of it.
Andronicus 1 and 2
In August, a thesis production will be done by some students from De La Salle-College of St. Benilde's theater programs (production design and technical theater majors). Because this is the students' thesis, the staging, translated and directed by George De Jesus III, will stem from the student's concept of "decay" rather than having the director set the vision/tone.
From September to October, DUP will stage Layeta Bucoy's Tagalog translation. Tuxqs Rutaquio will direct and the duo will adapt the work to be "set in the Philippines with the violent Muslim clan wars as backdrop."
- video screens enclosing four sides of the venue
It was because of watching HBO's two-season-only historical series "Rome" that I discovered you could pluralize the names of ancient Roman families. One of the characters said "I am so-and-so of the Julii," referring to her being part of Julius Caesar's family, and I was like "Whaaat?"
So now, with this knowledge, I say to you all that 2011 is the year of the Titus Andronici!
"Titus Andronicus" is considered William Shakespeare's bloodiest and goriest play. I don't know what's going on with the stars, but as it turns out, audiences in Manila this year will have the chance to watch not one, but two productions of it.
Andronicus 1 and 2
In August, a thesis production will be done by some students from De La Salle-College of St. Benilde's theater programs (production design and technical theater majors). Because this is the students' thesis, the staging, translated and directed by George De Jesus III, will stem from the student's concept of "decay" rather than having the director set the vision/tone.
From September to October, DUP will stage Layeta Bucoy's Tagalog translation. Tuxqs Rutaquio will direct and the duo will adapt the work to be "set in the Philippines with the violent Muslim clan wars as backdrop."
Andronicus 3
A few months ago, I was able to catch a staging of "Degustacion de Titus Andronicus" in a city that was born from a settlement founded by Romans: Barcelona. It was staged by experimental theater group La Fura dels Baus and I wrote about it here.
A few months ago, I was able to catch a staging of "Degustacion de Titus Andronicus" in a city that was born from a settlement founded by Romans: Barcelona. It was staged by experimental theater group La Fura dels Baus and I wrote about it here.
Do theater people all think the same way all over the world?
It's kind of funny to have theater groups across the world staging the same material during the same year. Maybe theater people's brains are on the same frequency and they feel the same urge or motivation to stage the same material at the same time.
Either that or maybe there are some plays have an inexplicable force and energy that seek their own (re)staging time, (re)surfacing when they want to be (re)staged?
Theater and the production/making of theater is not limited by geography/nation/culture. For example, for fun, here is a listing of some staging devices used in "Degustacion de Titus Andronicus" that I've already seen done by Philippine theater groups:
(Which is not to say that "we did it first" or "I've seen that before," but more of "theater is theater when ever and where ever!")
- video screens enclosing four sides of the venue
---> done in UP's Department of English and Comparative Literature's "Screen: Macbeth"
- food (and the eating of it) as an element in the staging
---> done in Tangahalang Pilipino's "Yun na nga! (Kung yun na nga)"
- fluids spewing out of the body
---> done in Sipat Lawin Ensemble's "Haring Tubu-l"
---> done in Sipat Lawin Ensemble's "Haring Tubu-l"
- actors on top of moving scaffolding
---> done in Dulaang UP's 2011 restaging of "Orosman at Zafira"
- Tamora, Chiron and Demetrius as the spirits of Revenge, Murder, and Rape, moving their torsos inside black stretchy cloth
---> okay, this last one I've not seen in local productions, but the black stretchy cloth is very Martha Graham (whose works I have also not seen, but I've seen photos of some of her works.)
---> done in Dulaang UP's 2011 restaging of "Orosman at Zafira"
- Tamora, Chiron and Demetrius as the spirits of Revenge, Murder, and Rape, moving their torsos inside black stretchy cloth
---> okay, this last one I've not seen in local productions, but the black stretchy cloth is very Martha Graham (whose works I have also not seen, but I've seen photos of some of her works.)
Andronici in Manila, drama in Barcelona
Filipinos interested in exploring Barcelona's theater scene can take low-cost carrier Air Asia from Diosdado Macapagal Airport in Angeles City, Pampanga to Kuala Lumpur and transfer to their long-haul carrier Air Asia X to Paris' Orly Airport. From there, a flight on Veuling, one of Spain's low-cost carriers, allows one to land in Barcelona in as short as an hour.
The website of the city's tourism office, Barcelona Turisme (www.barcelonaturisme.cat/en), has comprehensive information and many products (maps, guidebooks, tour packages, etc.) for visitors to the coastal city. Tourist information about Spain can be found at www.spain.info.
What do you think of all these Andronici? Share your comments.
Auditions for DUP's "Titus Andronicus" July 20-21, 2011
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I would like to audition for the role of Alarbus, the son of Tamora, Queen of the Goths, because he dies about ten minutes into the play. That way, if I get the role, I get to rest backstage for the rest of the play, kekeke! Unless the director makes me do double duty as taong bayan number 16, kekeke!
Announcement from Dulaang UP
Prepare a dramatic monologue in Filipino.
I would like to audition for the role of Alarbus, the son of Tamora, Queen of the Goths, because he dies about ten minutes into the play. That way, if I get the role, I get to rest backstage for the rest of the play, kekeke! Unless the director makes me do double duty as taong bayan number 16, kekeke!
Announcement from Dulaang UP
AUDITIONS
on July 20 and 21, 6pm
for
Dulaang UP's
Sept-Oct 2011 staging
of
William Shakespeare's
TITUS ANDRONICUS
Halaw ni Layeta Bucoy
Direksiyon ni Tuxqs Rutaquio
Teatro Hermogenes Ylagan, Faculty Center Bldg., University of the Philippines
Diliman, Quezon City
Call 981-8500 local 2449 or 926-1349.
What do you think of this production? Share your comments.
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