This blog is defunct.
New posts will be published at TheWalterAng.blogspot.com
Here are some sections you can still read at Theaterbator blog by Walter Ang:
Directory of Manila (and a few regional) theater and dance groups
Timeline history of (some) theater groups in Metro Manila
Past shows of theater groups:
- Past shows of Philippine Educational Theater Association (PETA) here.
- Past shows of Repertory Philippines here.
- Past shows of Teatro Pilipino here.
- Past shows of Dulaang Unibersidad ng Pilipinas (Dulaang UP or DUP) here.
- Past shows of Tanghalang Ateneo here.
- Past shows of Tanghalang Pilipino here.
- Past shows of Atlantis Theatricals Entertainment Group (formerly Atlantis Productions) here.
- Past shows of 9 Works Theatrical here.
Filipino translations and adaptations of Shakespeare plays
Guide to reviewing or reporting on theater productions
Blogs about Philippine theater
Books about Philippine theater
Thank you and keep on theaterbatoring!
Jay Españo Does Movement for 'At The Flash'
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Yay! My article on the production of "At The Flash" presented by Pride Films and Plays was published in www.broadwayworld.com on Dec. 6, 2012.
http://groups.yahoo.com/group/iwroteit/message/378
Jay Españo Does Movement for 'At The Flash'
By Walter Ang
Chicago, December 6, 2012 — Former Tanghalang Pilipino actor Jay Españo has taken assistant director and movement coordinator responsibilities in the recently opened "At the Flash," a one-actor, five-character play that condenses LGBTQ (lesbian, gay, bisexual, transgender, and queer) history from the 1960s to the 2000s.
Written by Sean Chandler and David Leeper, this comedy features a closeted man in the 1960s, a black drag queen in the 1970s, a club kid in the 1980s, a budding lesbian activist in the 1990s, and a family man/entrepreneur in the 2000s as they relate their stories in the gay club The Flash.
For its world premiere, presented by Pride Films and Plays (PFP), co-playwright Leeper stars under the direction of David Zak, PFP's executive director.
Leeper's acting credits include roles in David Mamet's "Oleanna" and Lanford Wilson's "Fifth of July."
Españo collaborated with the Leeper and Zak to create distinct physical silhouettes, mannerisms, and behavior for each of the five characters. Españo received his yoga teaching certification in Singapore and has a graduate certificate in Laban Movement Analysis from Columbia College, Chicago.
Read the whole article at:
http://chicago.broadwayworld.com/article/Jay-Espao-Does-Movement-for-AT-THE-FLASH-Runs-Thru-1216-20121206#ixzz2ENjIzCna
Yay! My article on the production of "At The Flash" presented by Pride Films and Plays was published in www.broadwayworld.com on Dec. 6, 2012.
http://groups.yahoo.com/group/iwroteit/message/378
Jay Españo Does Movement for 'At The Flash'
By Walter Ang
 |
| Jay Españo |
Written by Sean Chandler and David Leeper, this comedy features a closeted man in the 1960s, a black drag queen in the 1970s, a club kid in the 1980s, a budding lesbian activist in the 1990s, and a family man/entrepreneur in the 2000s as they relate their stories in the gay club The Flash.
For its world premiere, presented by Pride Films and Plays (PFP), co-playwright Leeper stars under the direction of David Zak, PFP's executive director.
Leeper's acting credits include roles in David Mamet's "Oleanna" and Lanford Wilson's "Fifth of July."
Españo collaborated with the Leeper and Zak to create distinct physical silhouettes, mannerisms, and behavior for each of the five characters. Españo received his yoga teaching certification in Singapore and has a graduate certificate in Laban Movement Analysis from Columbia College, Chicago.
Read the whole article at:
http://chicago.broadwayworld.com/article/Jay-Espao-Does-Movement-for-AT-THE-FLASH-Runs-Thru-1216-20121206#ixzz2ENjIzCna
The 25th Aliw Awards (2012) nominees and winners of theater and performing arts categories
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The 25th Aliw Awards (2012) nominees and winners of theater and performing arts categories
Here you have it! This year's winners!
The 25th Aliw Awards (2012) had its awarding ceremony on Nov. 26, 2012 at Manila Hotel's Centennial Pavilion.
The information below was culled from different news websites and blogs:
- The Aliw Awards "honors the best in Philippine live entertainment" and was founded in 1976 by Alice H. Reyes.
- Frank Rivera is chair of the screening committee with Sonny Valencia as vice-chair.
- Aliw Awards members are not voting members except for the president.
- The Board of Judges is invited by the Aliw Awards Foundation and it deliberates and chooses the winners.
- This year's awards were given to productions staged from Oct. 1, 2011 to Sept. 30, 2012.
LIFETIME ACHIEVEMENT AWARD
University of the Philippines Concert Chorus
Danny Dolor
Jose Mari Chan
Imelda Papin
HALL OF FAME
UP Singing Ambassadors
Quezon City Performing Arts
============================
BEST CHILD PERFORMER
Alon Severino (Totong Hilot/Virgin Labfest 8)
Other nominees:
Atasha Muhlach (Sound of Music/Resorts World Manila)
Anton Posadas (The King and I/RWM)
Annika Allado (Sound of Music/RWM)
BEST ACTOR (NON MUSICAL)
Edgar Allan Guzman (Bona/Philippine Educational Theater Association)
Other nominees:
Jeremy Domingo (Woman In Black/Dulaang Kalay, Kalayaan College)
Marco Viana (Kafatiran/Virgin Labfest 8)
Paul Jake Paule (Kuneho/Virgin Labfest 8)
Leo Rialp (Forsaken House/Dulaang Unibersidad ng Pilipinas, University of the Philippines)
Kalil Almonte (Sintang Dalisay/Tanghalang Ateneo, Ateneo De Manila University)
BEST ACTRESS (NON MUSICAL)
Eugene Domingo (Bona/PETA)
Other nominees:
Menchu Lauchengco Yulo (God of Carnage/Atlantis Productions)
Sherry Lara (Isa Pang Soap Opera/Virgin Labfest 8)
Mosang (Pobreng Alindanaw/Teatrong Gala)
Frances Makil Ignacio (Ang Tagak/ Dulaang UP)
Anna Abad Santos (The Seagull/Dulaang UP)
BEST ACTOR (MUSICAL)
Leo Valdez (The King and I/RWM)
Other nominees:
Ariel Rivera (Sound of Music/RWM)
Ivan Nery (Noli Me Tangere: the Opera/Dulaang UP)
Bimbo Cerrudo (The King and I/RWM)
Lucky Mercado (Jack at ang Mahiwagang Beanstalk/Gantimpala Theater Foundation)
Patrick Libao (Joe: Filipino Rock’sical/Philippine Stagers Foundation)
BEST ACTRESS (MUSICAL)
Joanna Ampil (Sound of Music/RWM)
Other nominees:
Monique Wilson (King and I/RWM)
Liesl Batucan (Forbidden Broadway/Upstart Productions)
Sheila Valderama (King and I/RWM)
Myramae Meneses (Noli Me Tangere, the Opera/ Dulaang UP)
Cris Villongco (Sound of Music/RWM)
BEST ACTOR IN A FEATURED ROLE
Phil Noble (Bona/PETA)
Other nominees:
Joey Paras (Bona/PETA)
Abner Delina Jr. (Jack at ang Mahiwagang Beanstalk/Gantimpala Theater Foundation)
Franco Laurel (You’re A Good Man Charlie Brown/9 Works Theatrical)
Brian Sy (Sintang Dalisay/Tanghalang Ateneo)
Fred Lo (Sound of Music/RWM)
BEST ACTRESS IN A FEATURED ROLE
Aiza Seguerra (Rock of Ages/Atlantis)
Other nominees:
Pinky Amador (Sound of Music/RWM)
Pinky Marquez (Sound of Music/RWM)
Peewee O’Hara (Isa Pang Soap Opera/Virgin Labfest 8)
Gina Respall (The King and I/RWM)
Tanya Manalang (The King and I/RWM)
============================
BEST CLASSICAL DANCER
Lisa Macuja (Swan Song Series/Ballet Manila)
Other nominees:
Carissa Adea (Songs/Ballet Philippines)
Emmanuel Guillermo (Songs/Ballet Philippines)
Cyril Fallar (Songs/Ballet Philippines)
BEST CLASSICAL PERFORMER
Randy Gilongo
Other nominees:
Dondi Ong
Arthur Espiritu
Andrew Fernando
Clarissa Ocampo
Jonathan Badon
============================
BEST PRODUCTION FOR CHILDREN
Wizard of Oz (Repertory Philippines)
Other nominees:
Pobreng Alindanaw (Teatrong Gala)
Jack and the Beanstalk (Kids Act Philippines)
Umaaraw, Umuulan, Kinakasal ang Tikbalang (UP Playwrights Theater, University of the Philippines)
BEST NON MUSICAL PRODUCTION
Sintang Dalisay (Tanghalang Ateneo)
Other nominees:
Bona (PETA)
Totong Hilot (Virgin Labfest 8)
Kafatiran (Virgin Labfest 8 )
The Seagull/Ang Tagak (Dulaang UP)
Unang Ulan ng Mayo (Harlequin Theater Guild, De La Salle University)
BEST MUSICAL PRODUCTION
The King and I (RWM)
Other nominees:
Sound of Music (RWM)
Walang Sugat (Tanghalang Pilipino)
Jack at Mahiwagang Beanstalk (Gantimpala Theater Foundation)
Noli Me Tangere, The Opera (Dulaang UP)
============================
BEST STAGE DIRECTOR (NON-MUSICAL)
Ricardo Abad (Sintang Dalisay/Tanghalang Ateneo)
Other nominees:
Soxie Topacio (Bona/PETA)
Bobby Garcia (God of Carnage/Atlantis)
Roeder Camanag (Alejandro/Virgin Labfest 8)
JK Anicoche (Kafatiran/Virgin Labfest 8)
Romualdo Tejada (Unang Ulan ng Mayo/Harlequin Theater Guild)
BEST STAGE DIRECTOR (MUSICAL)
Freddie Santos (The King and I/RWM)
Other nominees:
Chari Arespacochaga (Rock of Ages/Atlantis)
Alex Cortez (Noli Me Tangere, the Opera/Dulaang UP)
Arthur Casanova (Seussical The Musical/Brent International)
Jeffrey Camanag/Allain De Leon (Jack at ang Mahiwagang Beanstalk/Gantimpala Theatre Foundation)
============================
BEST DANCE COMPANY
Ballet Manila
Other nominees:
G Force
St Dominic Savio Dance Troupe
Dangoan Pangasinan
Bungkos Palay, Science City of Munoz, Nueva Ecija
Kaloob Music and Dance Ministry
BEST CHORAL GROUP
Saint Louis University Chorale (Baguio City)
Other nominees:
Samiweng Singers (Ilocos Norte)
SDS Chorale (Tandag City, Surigao del Sur)**
University of Santo Tomas Singers
University of the Visayas Chorale
BEST CULTURAL GROUP
Tanghalang Saint Louis University (Baguio City)
Other nominees:
Sipat Lawin Ensemble (PHSA)*
Harlequin Theater Guild (DLSU)
RPSA Cultural Troupe, Angono Rizal**
PUP Bataan Banda Kawayan**
============================
*Theaterbator is confused because Sipat Lawin Ensemble is not the same group as Dulaang Sipat Lawin, which is the theater group of the Philippine High School for the Arts. Theaterbator wonders which group is the nominated group.
**What do these acronyms stand for? Theaterbator is unable to Google the groups' full names.
Contact:
Aliw Awards Foundation
Website: http://aliwawards.com/
Facebook account: https://www.facebook.com/pages/ALIW-Awards-Foundation/319542288056354
The Facebook account also lists the ff. contact information for the foundation:
Cell: +63 916 292 6036
Email: aliwawardsfoundation@yahoo.com
What do you think of this award-giving body? Share your comments.
The 25th Aliw Awards (2012) nominees and winners of theater and performing arts categories
Here you have it! This year's winners!
The 25th Aliw Awards (2012) had its awarding ceremony on Nov. 26, 2012 at Manila Hotel's Centennial Pavilion.
The information below was culled from different news websites and blogs:
- The Aliw Awards "honors the best in Philippine live entertainment" and was founded in 1976 by Alice H. Reyes.
- Frank Rivera is chair of the screening committee with Sonny Valencia as vice-chair.
- Aliw Awards members are not voting members except for the president.
- The Board of Judges is invited by the Aliw Awards Foundation and it deliberates and chooses the winners.
- This year's awards were given to productions staged from Oct. 1, 2011 to Sept. 30, 2012.
LIFETIME ACHIEVEMENT AWARD
University of the Philippines Concert Chorus
Danny Dolor
Jose Mari Chan
Imelda Papin
HALL OF FAME
UP Singing Ambassadors
Quezon City Performing Arts
============================
BEST CHILD PERFORMER
Alon Severino (Totong Hilot/Virgin Labfest 8)
Other nominees:
Atasha Muhlach (Sound of Music/Resorts World Manila)
Anton Posadas (The King and I/RWM)
Annika Allado (Sound of Music/RWM)
BEST ACTOR (NON MUSICAL)
Edgar Allan Guzman (Bona/Philippine Educational Theater Association)
Other nominees:
Jeremy Domingo (Woman In Black/Dulaang Kalay, Kalayaan College)
Marco Viana (Kafatiran/Virgin Labfest 8)
Paul Jake Paule (Kuneho/Virgin Labfest 8)
Leo Rialp (Forsaken House/Dulaang Unibersidad ng Pilipinas, University of the Philippines)
Kalil Almonte (Sintang Dalisay/Tanghalang Ateneo, Ateneo De Manila University)
BEST ACTRESS (NON MUSICAL)
Eugene Domingo (Bona/PETA)
Other nominees:
Menchu Lauchengco Yulo (God of Carnage/Atlantis Productions)
Sherry Lara (Isa Pang Soap Opera/Virgin Labfest 8)
Mosang (Pobreng Alindanaw/Teatrong Gala)
Frances Makil Ignacio (Ang Tagak/ Dulaang UP)
Anna Abad Santos (The Seagull/Dulaang UP)
BEST ACTOR (MUSICAL)
Leo Valdez (The King and I/RWM)
Other nominees:
Ariel Rivera (Sound of Music/RWM)
Ivan Nery (Noli Me Tangere: the Opera/Dulaang UP)
Bimbo Cerrudo (The King and I/RWM)
Lucky Mercado (Jack at ang Mahiwagang Beanstalk/Gantimpala Theater Foundation)
Patrick Libao (Joe: Filipino Rock’sical/Philippine Stagers Foundation)
BEST ACTRESS (MUSICAL)
Joanna Ampil (Sound of Music/RWM)
Other nominees:
Monique Wilson (King and I/RWM)
Liesl Batucan (Forbidden Broadway/Upstart Productions)
Sheila Valderama (King and I/RWM)
Myramae Meneses (Noli Me Tangere, the Opera/ Dulaang UP)
Cris Villongco (Sound of Music/RWM)
BEST ACTOR IN A FEATURED ROLE
Phil Noble (Bona/PETA)
Other nominees:
Joey Paras (Bona/PETA)
Abner Delina Jr. (Jack at ang Mahiwagang Beanstalk/Gantimpala Theater Foundation)
Franco Laurel (You’re A Good Man Charlie Brown/9 Works Theatrical)
Brian Sy (Sintang Dalisay/Tanghalang Ateneo)
Fred Lo (Sound of Music/RWM)
BEST ACTRESS IN A FEATURED ROLE
Aiza Seguerra (Rock of Ages/Atlantis)
Other nominees:
Pinky Amador (Sound of Music/RWM)
Pinky Marquez (Sound of Music/RWM)
Peewee O’Hara (Isa Pang Soap Opera/Virgin Labfest 8)
Gina Respall (The King and I/RWM)
Tanya Manalang (The King and I/RWM)
============================
BEST CLASSICAL DANCER
Lisa Macuja (Swan Song Series/Ballet Manila)
Other nominees:
Carissa Adea (Songs/Ballet Philippines)
Emmanuel Guillermo (Songs/Ballet Philippines)
Cyril Fallar (Songs/Ballet Philippines)
BEST CLASSICAL PERFORMER
Randy Gilongo
Other nominees:
Dondi Ong
Arthur Espiritu
Andrew Fernando
Clarissa Ocampo
Jonathan Badon
============================
BEST PRODUCTION FOR CHILDREN
Wizard of Oz (Repertory Philippines)
Other nominees:
Pobreng Alindanaw (Teatrong Gala)
Jack and the Beanstalk (Kids Act Philippines)
Umaaraw, Umuulan, Kinakasal ang Tikbalang (UP Playwrights Theater, University of the Philippines)
BEST NON MUSICAL PRODUCTION
Sintang Dalisay (Tanghalang Ateneo)
Other nominees:
Bona (PETA)
Totong Hilot (Virgin Labfest 8)
Kafatiran (Virgin Labfest 8 )
The Seagull/Ang Tagak (Dulaang UP)
Unang Ulan ng Mayo (Harlequin Theater Guild, De La Salle University)
BEST MUSICAL PRODUCTION
The King and I (RWM)
Other nominees:
Sound of Music (RWM)
Walang Sugat (Tanghalang Pilipino)
Jack at Mahiwagang Beanstalk (Gantimpala Theater Foundation)
Noli Me Tangere, The Opera (Dulaang UP)
============================
BEST STAGE DIRECTOR (NON-MUSICAL)
Ricardo Abad (Sintang Dalisay/Tanghalang Ateneo)
Other nominees:
Soxie Topacio (Bona/PETA)
Bobby Garcia (God of Carnage/Atlantis)
Roeder Camanag (Alejandro/Virgin Labfest 8)
JK Anicoche (Kafatiran/Virgin Labfest 8)
Romualdo Tejada (Unang Ulan ng Mayo/Harlequin Theater Guild)
BEST STAGE DIRECTOR (MUSICAL)
Freddie Santos (The King and I/RWM)
Other nominees:
Chari Arespacochaga (Rock of Ages/Atlantis)
Alex Cortez (Noli Me Tangere, the Opera/Dulaang UP)
Arthur Casanova (Seussical The Musical/Brent International)
Jeffrey Camanag/Allain De Leon (Jack at ang Mahiwagang Beanstalk/Gantimpala Theatre Foundation)
============================
BEST DANCE COMPANY
Ballet Manila
Other nominees:
G Force
St Dominic Savio Dance Troupe
Dangoan Pangasinan
Bungkos Palay, Science City of Munoz, Nueva Ecija
Kaloob Music and Dance Ministry
BEST CHORAL GROUP
Saint Louis University Chorale (Baguio City)
Other nominees:
Samiweng Singers (Ilocos Norte)
SDS Chorale (Tandag City, Surigao del Sur)**
University of Santo Tomas Singers
University of the Visayas Chorale
BEST CULTURAL GROUP
Tanghalang Saint Louis University (Baguio City)
Other nominees:
Sipat Lawin Ensemble (PHSA)*
Harlequin Theater Guild (DLSU)
RPSA Cultural Troupe, Angono Rizal**
PUP Bataan Banda Kawayan**
============================
*Theaterbator is confused because Sipat Lawin Ensemble is not the same group as Dulaang Sipat Lawin, which is the theater group of the Philippine High School for the Arts. Theaterbator wonders which group is the nominated group.
**What do these acronyms stand for? Theaterbator is unable to Google the groups' full names.
Contact:
Aliw Awards Foundation
Website: http://aliwawards.com/
Facebook account: https://www.facebook.com/pages/ALIW-Awards-Foundation/319542288056354
The Facebook account also lists the ff. contact information for the foundation:
Cell: +63 916 292 6036
Email: aliwawardsfoundation@yahoo.com
What do you think of this award-giving body? Share your comments.
'Nutcracker' ballet gets modern treatment
[Share this news by using the Facebook "Share," Twitter "Tweet this," and Google+ "+1" buttons found at the bottom of this post.]
Yay! My article on the upcoming production of "Nutcracker Swit" by Myra Beltran's Dance Forum was published in www.abs-cbnnews.com on November 22, 2012.
http://groups.yahoo.com/group/iwroteit/message/377
'Nutcracker' ballet gets modern treatment
By Walter Ang
Ballet audiences are familiar with "The Nutcracker" as it is usually staged during the year-end holidays.
Set to Peter Tchaikovsky's music and originally choreographed by Marius Petipa, the ballet's libretto is based on E.T.A. Hoffmann's story "The Nutcracker and the Mouse King."
The story is about a girl who receives a nutcracker carved in the shape of a soldier on Christmas Eve. After she goes to bed, the Nutcracker comes to life and battles the evil Mouse King. The Nutcracker transforms into a handsome prince and takes the girl to the Land of Sweets where she meets the Sugar Plum Fairy and different sweets from around the world.
Tchaikovsky's score has been given other ballet choreographies, such as by George Balanchine in the US and Noordin Jumalon (after Petipa and Ivanov) in the Philippines. Local companies sometimes set the production design in a Filipino setting.
The story has been remade into other mediums such as film, including excerpts in Disney's "Fantasia" and even a Barbie movie.
A new Filipino contemporary dance version of "The Nutcracker" presented by Myra Beltran’s Dance Forum takes off from a similar point: paper dolls of American icons.
Read the full article at:
http://www.abs-cbnnews.com/lifestyle/11/22/12/nutcracker-ballet-gets-modern-treatment
What do you think of this production? Share your comments.
Yay! My article on the upcoming production of "Nutcracker Swit" by Myra Beltran's Dance Forum was published in www.abs-cbnnews.com on November 22, 2012.
http://groups.yahoo.com/group/iwroteit/message/377
'Nutcracker' ballet gets modern treatment
By Walter Ang
Ballet audiences are familiar with "The Nutcracker" as it is usually staged during the year-end holidays.
Set to Peter Tchaikovsky's music and originally choreographed by Marius Petipa, the ballet's libretto is based on E.T.A. Hoffmann's story "The Nutcracker and the Mouse King."
The story is about a girl who receives a nutcracker carved in the shape of a soldier on Christmas Eve. After she goes to bed, the Nutcracker comes to life and battles the evil Mouse King. The Nutcracker transforms into a handsome prince and takes the girl to the Land of Sweets where she meets the Sugar Plum Fairy and different sweets from around the world.
Tchaikovsky's score has been given other ballet choreographies, such as by George Balanchine in the US and Noordin Jumalon (after Petipa and Ivanov) in the Philippines. Local companies sometimes set the production design in a Filipino setting.
The story has been remade into other mediums such as film, including excerpts in Disney's "Fantasia" and even a Barbie movie.
A new Filipino contemporary dance version of "The Nutcracker" presented by Myra Beltran’s Dance Forum takes off from a similar point: paper dolls of American icons.
Read the full article at:
http://www.abs-cbnnews.com/lifestyle/11/22/12/nutcracker-ballet-gets-modern-treatment
What do you think of this production? Share your comments.
25th Aliw Awards 2012 list of theater and performing arts nominees, awarding ceremony on Nov. 26, 2012
[Share this news by using the Facebook "Share," Twitter "Tweet this," and Google+ "+1" buttons found at the bottom of this post.]
The Aliw Awards Foundation has announced its nominees for the 25th Aliw Awards 2012 and will hold the awarding ceremony on Nov. 26, 2012 at Manila Hotel.
The information below was culled from different news websites:
- The Aliw Awards "honors the best in Philippine live entertainment" and was founded in 1976 by Alice H. Reyes. Its current president is Jeatte Palabrica. Frank Rivera and Sonny Valencia head Aliw's screening committee.
- Aliw Awards members are not voting members except for the president.
- The Board of Judges is invited by the Aliw Awards Foundation and it deliberates and chooses the winners.
Last year, Theaterbator discussed how the Aliw Awards Foundation did not have a website. This year, it seems, it now has a website (http://aliwawards.com/), a static one-pager, and a Facebook account (https://www.facebook.com/pages/ALIW-Awards-Foundation/319542288056354).
Its Facebook account lists the ff. information:
Aliw Awards' mission is to elevate the standards of Philiippine live entertainment through a system of awards and workshops and seminars. The foundation is a non-stock,non-profit private organization founded in 1976 by a group of newspersons headed by Alice H. Reyes and was created to give due recognition to entertainers who perform live in the Philippines and abroad. Annually, the AAFI presents its Applause trophy to the winners of the different categories.
The Facebook account also lists the ff. contact information for the foundation:
Cell: +63 916 292 6036
Email: aliwawardsfoundation@yahoo.com
Last year, Theaterbator was able to Google Aliw Awards' announcement to accept nominations for 2011. It seems that they did not announce the same process for this year. Googling different news sites and blogs, we found out that for this year's awards, performances held from Oct. 1, 2011 to Sept. 30, 2012 are eligible. We find this strange because for the 2011 awards, performances held from Sept. 2010 to Oct. 15, 2011 were eligible. Why was there a need to extend this year's eligibility to overlap with Oct. 1 to 15, 2011? Shouldn't the eligibility have started at Oct. 16, 2011?
The list of nominees below for the 25th Aliw Awards 2012 was compiled from different news websites and only includes theater/performing arts-related categories. :
BEST CHILD PERFORMER
Alon Severino (Totong Hilot/Virgin Labfest 8)
Atasha Muhlach (Sound of Music/Resorts World Manila)
Anton Posadas (The King and I/RWM)
Annika Allado (Sound of Music/RWM)
============================
BEST ACTOR (NON MUSICAL)
Edgar Allan Guzman (Bona/Philippine Educational Theater Association)
Jeremy Domingo (Woman In Black/Dulaang Kalay, Kalayaan College)
Marco Viana (Kafatiran/Virgin Labfest 8)
Paul Jake Paule (Kuneho/Virgin Labfest 8)
Leo Rialp (Forsaken House/Dulaang Unibersidad ng Pilipinas, University of the Philippines)
Kalil Almonte (Sintang Dalisay/Tanghalang Ateneo, Ateneo De Manila University)
BEST ACTRESS (NON MUSICAL)
Eugene Domingo (Bona/PETA)
Menchu Lauchengco Yulo (God of Carnage/Atlantis Productions)
Sherry Lara (Isa Pang Soap Opera/Virgin Labfest 8)
Mosang (Pobreng Alindanaw/Teatrong Gala)
Frances Makil Ignacio (Ang Tagak/ Dulaang UP)
Anna Abad Santos (The Seagull/Dulaang UP)
============================
BEST ACTOR (MUSICAL)
Leo Valdez (The King and I/RWM)
Ariel Rivera (Sound of Music/RWM)
Ivan Nery (Noli Me Tangere: the Opera/Dulaang UP)
Bimbo Cerrudo (The King and I/RWM)
Lucky Mercado (Jack at ang Mahiwagang Beanstalk/Gantimpala Theater Foundation)
Patrick Libao (Joe: Filipino Rock’sical/Philippine Stagers Foundation)
BEST ACTRESS (MUSICAL)
Joanna Ampil (Sound of Music/RWM)
Monique Wilson (King and I/RWM)
Liesl Batucan (Forbidden Broadway/Upstart Productions)
Sheila Valderama (King and I/RWM)
Myramae Meneses (Noli Me Tangere, the Opera/ Dulaang UP)
Cris Villongco (Sound of Music/RWM)
============================
BEST ACTRESS IN A FEATURED ROLE
Aiza Seguerra (Rock of Ages/Atlantis)
Pinky Amador (Sound of Music/RWM)
Pinky Marquez (Sound of Music/RWM)
Peewee O’Hara (Isa Pang Soap Opera/Virgin Labfest 8)
Gina Respall (The King and I/RWM)
Tanya Manalang (The King and I/RWM)
BEST ACTOR IN A FEATURED ROLE
Phil Noble (Bona/PETA)
Joey Paras (Bona/PETA)
Abner Delina Jr. (Jack at ang Mahiwagang Beanstalk/Gantimpala Theater Foundation)
Franco Laurel (You’re A Good Man Charlie Brown/9 Works Theatrical)
Brian Sy (Sintang Dalisay/Tanghalang Ateneo)
Fred Lo (Sound of Music/RWM)
BEST PRODUCTION FOR CHILDREN
Pobreng Alindanaw (Teatrong Gala)
Wizard of Oz (Repertory Philippines)
Jack and the Beanstalk (Kids Act Philippines)
Umaaraw, Umuulan, Kinakasal ang Tikbalang (UP Playwrights Theater, University of the Philippines)
BEST NON MUSICAL PRODUCTION
Bona (PETA)
Sintang Dalisay (Tanghalang Ateneo)
Totong Hilot (Virgin Labfest 8)
Kafatiran (Virgin Labfest 8 )
The Seagull/Ang Tagak (Dulaang UP)
Unang Ulan ng Mayo (Harlequin Theater Guild, De La Salle University)
BEST MUSICAL PRODUCTION
Sound of Music (RWM)
Walang Sugat (Tanghalang Pilipino)
Jack at Mahiwagang Beanstalk (Gantimpala Theater Foundation)
Noli Me Tangere, The Opera (Dulaang UP)
The King and I (RWM)
============================
BEST MUSICAL DIRECTOR
Mike Villegas/Ria Osorio (Aiza Seguerra Bente Singko)
Mel Villena (Swings Out with AMP Band)
Edru Abrahan (Sintang Dalisay)
RJ Jimenez (Jack at ang Mahiwagang Beanstalk)
BEST STAGE DIRECTOR (NON-MUSICAL)
Ricardo Abad (Sintang Dalisay/Tanghalang Ateneo)
Soxie Topacio (Bona/PETA)
Bobby Garcia (God of Carnage/Atlantis)
Roeder Camanag (Alejandro/Virgin Labfest 8)
JK Anicoche (Kafatiran/Virgin Labfest 8)
Romualdo Tejada (Unang Ulan ng Mayo/Harlequin Theater Guild)
BEST STAGE DIRECTOR (MUSICAL)
Freddie Santos (The King and I/RWM)
Chari Arespacochaga (Rock of Ages/Atlantis)
Alex Cortez (Noli Me Tangere, the Opera/Dulaang UP)
Arthur Casanova (Seussical The Musical/Brent International)
Jeffrey Camanag/Allain De Leon (Jack at ang Mahiwagang Beanstalk/Gantimpala Theatre Foundation)
============================
BEST DANCE COMPANY
G Force
Ballet Manila
St Dominic Savio Dance Troupe
Dangoan Pangasinan
Bungkos Palay, Science City of Munoz, Nueva Ecija
Kaloob Music and Dance Ministry
BEST CHORAL GROUP
Saint Louis University Chorale (Baguio City)
Samiweng Singers (Ilocos Norte)
SDS Chorale (Tandag City, Surigao del Sur)**
University of Santo Tomas Singers
University of the Visayas Chorale
BEST CULTURAL GROUP
Tanghalang Saint Louis University (Baguio City)
Sipat Lawin Ensemble (PHSA)*
Harlequin Theater Guild (DLSU)
RPSA Cultural Troupe, Angono Rizal**
PUP Bataan Banda Kawayan**
Danny Dolor
Jose Mari Chan
UP Concert Chorus
Imelda Papin
HALL OF FAME
UP Singing Ambassadors
QC Performing Arts
============================
*Theaterbator is confused because Sipat Lawin Ensemble is not the same group as Dulaang Sipat Lawin, which is the theater group of the Philippine High School for the Arts. Theaterbator wonders which group is the nominated group.
**What do these acronyms stand for? Theaterbator is unable to Google the groups' full names.
What do you think of this award-giving body? Share your comments.
The Aliw Awards Foundation has announced its nominees for the 25th Aliw Awards 2012 and will hold the awarding ceremony on Nov. 26, 2012 at Manila Hotel.
The information below was culled from different news websites:
- The Aliw Awards "honors the best in Philippine live entertainment" and was founded in 1976 by Alice H. Reyes. Its current president is Jeatte Palabrica. Frank Rivera and Sonny Valencia head Aliw's screening committee.
- Aliw Awards members are not voting members except for the president.
- The Board of Judges is invited by the Aliw Awards Foundation and it deliberates and chooses the winners.
Last year, Theaterbator discussed how the Aliw Awards Foundation did not have a website. This year, it seems, it now has a website (http://aliwawards.com/), a static one-pager, and a Facebook account (https://www.facebook.com/pages/ALIW-Awards-Foundation/319542288056354).
Its Facebook account lists the ff. information:
Aliw Awards' mission is to elevate the standards of Philiippine live entertainment through a system of awards and workshops and seminars. The foundation is a non-stock,non-profit private organization founded in 1976 by a group of newspersons headed by Alice H. Reyes and was created to give due recognition to entertainers who perform live in the Philippines and abroad. Annually, the AAFI presents its Applause trophy to the winners of the different categories.
The Facebook account also lists the ff. contact information for the foundation:
Cell: +63 916 292 6036
Email: aliwawardsfoundation@yahoo.com
Last year, Theaterbator was able to Google Aliw Awards' announcement to accept nominations for 2011. It seems that they did not announce the same process for this year. Googling different news sites and blogs, we found out that for this year's awards, performances held from Oct. 1, 2011 to Sept. 30, 2012 are eligible. We find this strange because for the 2011 awards, performances held from Sept. 2010 to Oct. 15, 2011 were eligible. Why was there a need to extend this year's eligibility to overlap with Oct. 1 to 15, 2011? Shouldn't the eligibility have started at Oct. 16, 2011?
The list of nominees below for the 25th Aliw Awards 2012 was compiled from different news websites and only includes theater/performing arts-related categories. :
BEST CHILD PERFORMER
Alon Severino (Totong Hilot/Virgin Labfest 8)
Atasha Muhlach (Sound of Music/Resorts World Manila)
Anton Posadas (The King and I/RWM)
Annika Allado (Sound of Music/RWM)
============================
BEST ACTOR (NON MUSICAL)
Edgar Allan Guzman (Bona/Philippine Educational Theater Association)
Jeremy Domingo (Woman In Black/Dulaang Kalay, Kalayaan College)
Marco Viana (Kafatiran/Virgin Labfest 8)
Paul Jake Paule (Kuneho/Virgin Labfest 8)
Leo Rialp (Forsaken House/Dulaang Unibersidad ng Pilipinas, University of the Philippines)
Kalil Almonte (Sintang Dalisay/Tanghalang Ateneo, Ateneo De Manila University)
BEST ACTRESS (NON MUSICAL)
Eugene Domingo (Bona/PETA)
Menchu Lauchengco Yulo (God of Carnage/Atlantis Productions)
Sherry Lara (Isa Pang Soap Opera/Virgin Labfest 8)
Mosang (Pobreng Alindanaw/Teatrong Gala)
Frances Makil Ignacio (Ang Tagak/ Dulaang UP)
Anna Abad Santos (The Seagull/Dulaang UP)
============================
BEST ACTOR (MUSICAL)
Leo Valdez (The King and I/RWM)
Ariel Rivera (Sound of Music/RWM)
Ivan Nery (Noli Me Tangere: the Opera/Dulaang UP)
Bimbo Cerrudo (The King and I/RWM)
Lucky Mercado (Jack at ang Mahiwagang Beanstalk/Gantimpala Theater Foundation)
Patrick Libao (Joe: Filipino Rock’sical/Philippine Stagers Foundation)
BEST ACTRESS (MUSICAL)
Joanna Ampil (Sound of Music/RWM)
Monique Wilson (King and I/RWM)
Liesl Batucan (Forbidden Broadway/Upstart Productions)
Sheila Valderama (King and I/RWM)
Myramae Meneses (Noli Me Tangere, the Opera/ Dulaang UP)
Cris Villongco (Sound of Music/RWM)
============================
BEST ACTRESS IN A FEATURED ROLE
Aiza Seguerra (Rock of Ages/Atlantis)
Pinky Amador (Sound of Music/RWM)
Pinky Marquez (Sound of Music/RWM)
Peewee O’Hara (Isa Pang Soap Opera/Virgin Labfest 8)
Gina Respall (The King and I/RWM)
Tanya Manalang (The King and I/RWM)
BEST ACTOR IN A FEATURED ROLE
Phil Noble (Bona/PETA)
Joey Paras (Bona/PETA)
Abner Delina Jr. (Jack at ang Mahiwagang Beanstalk/Gantimpala Theater Foundation)
Franco Laurel (You’re A Good Man Charlie Brown/9 Works Theatrical)
Brian Sy (Sintang Dalisay/Tanghalang Ateneo)
Fred Lo (Sound of Music/RWM)
============================
BEST CLASSICAL DANCER
Lisa Macuja (Swan Song Series/Ballet Manila)
Carissa Adea (Songs/Ballet Philippines)
Emmanuel Guillermo (Songs/Ballet Philippines)
Cyril Fallar (Songs/Ballet Philippines)
BEST CLASSICAL PERFORMER
Dondi Ong
Arthur Espiritu
Andrew Fernando
Randy Gilongo
Clarissa Ocampo
Jonathan Badon
============================Lisa Macuja (Swan Song Series/Ballet Manila)
Carissa Adea (Songs/Ballet Philippines)
Emmanuel Guillermo (Songs/Ballet Philippines)
Cyril Fallar (Songs/Ballet Philippines)
BEST CLASSICAL PERFORMER
Dondi Ong
Arthur Espiritu
Andrew Fernando
Randy Gilongo
Clarissa Ocampo
Jonathan Badon
BEST PRODUCTION FOR CHILDREN
Pobreng Alindanaw (Teatrong Gala)
Wizard of Oz (Repertory Philippines)
Jack and the Beanstalk (Kids Act Philippines)
Umaaraw, Umuulan, Kinakasal ang Tikbalang (UP Playwrights Theater, University of the Philippines)
BEST NON MUSICAL PRODUCTION
Bona (PETA)
Sintang Dalisay (Tanghalang Ateneo)
Totong Hilot (Virgin Labfest 8)
Kafatiran (Virgin Labfest 8 )
The Seagull/Ang Tagak (Dulaang UP)
Unang Ulan ng Mayo (Harlequin Theater Guild, De La Salle University)
BEST MUSICAL PRODUCTION
Sound of Music (RWM)
Walang Sugat (Tanghalang Pilipino)
Jack at Mahiwagang Beanstalk (Gantimpala Theater Foundation)
Noli Me Tangere, The Opera (Dulaang UP)
The King and I (RWM)
============================
BEST MUSICAL DIRECTOR
Mike Villegas/Ria Osorio (Aiza Seguerra Bente Singko)
Mel Villena (Swings Out with AMP Band)
Edru Abrahan (Sintang Dalisay)
RJ Jimenez (Jack at ang Mahiwagang Beanstalk)
Ricardo Abad (Sintang Dalisay/Tanghalang Ateneo)
Soxie Topacio (Bona/PETA)
Bobby Garcia (God of Carnage/Atlantis)
Roeder Camanag (Alejandro/Virgin Labfest 8)
JK Anicoche (Kafatiran/Virgin Labfest 8)
Romualdo Tejada (Unang Ulan ng Mayo/Harlequin Theater Guild)
BEST STAGE DIRECTOR (MUSICAL)
Freddie Santos (The King and I/RWM)
Chari Arespacochaga (Rock of Ages/Atlantis)
Alex Cortez (Noli Me Tangere, the Opera/Dulaang UP)
Arthur Casanova (Seussical The Musical/Brent International)
Jeffrey Camanag/Allain De Leon (Jack at ang Mahiwagang Beanstalk/Gantimpala Theatre Foundation)
============================
BEST DANCE COMPANY
G Force
Ballet Manila
St Dominic Savio Dance Troupe
Dangoan Pangasinan
Bungkos Palay, Science City of Munoz, Nueva Ecija
Kaloob Music and Dance Ministry
Saint Louis University Chorale (Baguio City)
Samiweng Singers (Ilocos Norte)
SDS Chorale (Tandag City, Surigao del Sur)**
University of Santo Tomas Singers
University of the Visayas Chorale
BEST CULTURAL GROUP
Tanghalang Saint Louis University (Baguio City)
Sipat Lawin Ensemble (PHSA)*
Harlequin Theater Guild (DLSU)
RPSA Cultural Troupe, Angono Rizal**
PUP Bataan Banda Kawayan**
============================
LIFETIME ACHIEVEMENT AWARDDanny Dolor
Jose Mari Chan
UP Concert Chorus
Imelda Papin
HALL OF FAME
UP Singing Ambassadors
QC Performing Arts
============================
*Theaterbator is confused because Sipat Lawin Ensemble is not the same group as Dulaang Sipat Lawin, which is the theater group of the Philippine High School for the Arts. Theaterbator wonders which group is the nominated group.
**What do these acronyms stand for? Theaterbator is unable to Google the groups' full names.
What do you think of this award-giving body? Share your comments.
UP performing groups win at int’l fests
[Share this news by using the Facebook "Share," Twitter "Tweet this," and Google+ "+1" buttons found at the bottom of this post.]
Yay! My article on the international performances of several performing groups from University of the Philippines was published in Philippine Daily Inquirer's November 5, 2012 issue.
http://groups.yahoo.com/group/iwroteit/message/376
University of the Philippines performing groups win at int’l fests
By Walter Ang
University of the Philippines Concert Chorus has won three awards on the international scene: 1st Prize in the Folk category of the Festival Internacional de Musica de Cantonigros in Vic, Spain; and the gold diploma and the Audience Prize (People’s Choice Award) at the 9th Cantemus International Choir Festival at Nyíregyháza, Hungary.
In Spain, the group sang “Kruhay” (Beny Castilon); “Pasigin” (arranged by Eudenice Palaruan); and “Ilay Gandangan” (Rodolfo Delarmente) for the Folk category.
The contingent had 28 singers and one pianist. The chorus, celebrating its 50th anniversary, was led by director Jai Sabas-Aracama.
In Hungary, under the baton of president and assistant conductor Emmanuel de Leon Jr., the group sang “Ama Namin” (John August Pamintuan); “Jezus es a Kufarok” (Zoltán Kodály); and “Ilay Gandangan.”
For the Folk concert, the basis for the Audience Prize, Sabas-Aracama led the choir in singing “Gabaq-An” (Ruben Federizon), “Pasigin” and “Kruhay.”
“At the gala concert and awarding ceremony, UPCC performed a tribute to the King of Pop, Eman de Leon, where it received a rousing standing ovation from the audience and festival participants of nearly 2,000 people from all over the world,” says Sabas-Aracama.
The group had performed in several cities in the US before joining the festival in Spain. From September to October, it will give performances in Switzerland, Germany, Finland, Sweden, Italy, Malaysia and Singapore.
France
UP Arco String Ensemble, after a struggle to raise funds, made it after all to the Festival International de Music Universitaire in Belfort, France.
It was the first time a Filipino group had joined the festival. Under musical director Edna Martinez, the group was composed of 27 students, all majors of the Strings and Chamber Music Department of the UP College of Music.
Before the festival, Arco performed twice in Paris, at Saint Bernadette Church, organized by the Philippine Catholic Mission in France; and at Unesco Miollis Building, hosted by the Philippine Embassy in France.
After the festival, Arco also performed in Geneva, Switzerland, at Notre Dame Church.
Robert Belot, Belfort’s vice mayor and the city’s cultural head, said the group “has fine quality sound, [is] technically adroit, and brought to the festival something unique and fresh.”
Arco’s repertoire included the Tsaikovsky Serenade for Strings; Serenade for Strings by Elgar; and Concerto Grosso by Corelli. Filipino masterpieces Rombino from the Children’s Quartet by Bueneventura and Buencamino’s Pizzicato Caprice were also performed.
“In its second and last concert at Belfort, the audience gave a prolonged feisty applause and standing ovation,” says Ruben Defeo, head of the UP Diliman Office for Initiatives in Culture and the Arts. “UP Arco had to reciprocate the warm reception by giving two encores. The organizers invited UP Arco to render another concert on the last day of the festival.”
Taiwan
UP's Department of English and Comparative Literature’s production of “Screen: Macbeth” was performed at National Taiwan University, Taipei, for the 6th Conference of the NTU Shakespeare Forum.
This production of Shakespeare’s “Macbeth” premiered last year and features video projections as part of its staging, thus the inclusion of the word “Screen” in the title.
The conference theme “Shakespeare across Media” aimed to explore how Shakespeare had been translated in various forms of media.
“The production’s use of film fitted the conference theme superbly,” says cast member Ricky Abad.
The contingent had seven actors in multiple roles, with direction by Anton Juan; dramaturgy by Judy Ick (who also played Lady Macbeth); technical direction by Meliton Roxas; and video design by Winter David.
“The show was received very well. The organizers were pleased, and look forward to more Philippine participation in the future. The biggest achievement, I think, was that ‘Screen: Macbeth’ identified the Philippines as the Asian country that could do Shakespeare in English well. The acting was praised. It was deemed passionate.”
For details of UP Concert Chorus’ touring performances, visit www.upconcertchorus.org or call 9296963, 9818500, 0927-4284629 or 0917-6283739.
Also published online:
http://lifestyle.inquirer.net/74546/up-performing-groups-win-at-intl-fests
What do you think of these productions? Share your comments.
Yay! My article on the international performances of several performing groups from University of the Philippines was published in Philippine Daily Inquirer's November 5, 2012 issue.
University of the Philippines performing groups win at int’l fests
By Walter Ang
 |
| UP Concert Chorus |
In Spain, the group sang “Kruhay” (Beny Castilon); “Pasigin” (arranged by Eudenice Palaruan); and “Ilay Gandangan” (Rodolfo Delarmente) for the Folk category.
The contingent had 28 singers and one pianist. The chorus, celebrating its 50th anniversary, was led by director Jai Sabas-Aracama.
In Hungary, under the baton of president and assistant conductor Emmanuel de Leon Jr., the group sang “Ama Namin” (John August Pamintuan); “Jezus es a Kufarok” (Zoltán Kodály); and “Ilay Gandangan.”
For the Folk concert, the basis for the Audience Prize, Sabas-Aracama led the choir in singing “Gabaq-An” (Ruben Federizon), “Pasigin” and “Kruhay.”
“At the gala concert and awarding ceremony, UPCC performed a tribute to the King of Pop, Eman de Leon, where it received a rousing standing ovation from the audience and festival participants of nearly 2,000 people from all over the world,” says Sabas-Aracama.
The group had performed in several cities in the US before joining the festival in Spain. From September to October, it will give performances in Switzerland, Germany, Finland, Sweden, Italy, Malaysia and Singapore.
France
 |
| UP Arco String Ensemble |
It was the first time a Filipino group had joined the festival. Under musical director Edna Martinez, the group was composed of 27 students, all majors of the Strings and Chamber Music Department of the UP College of Music.
Before the festival, Arco performed twice in Paris, at Saint Bernadette Church, organized by the Philippine Catholic Mission in France; and at Unesco Miollis Building, hosted by the Philippine Embassy in France.
After the festival, Arco also performed in Geneva, Switzerland, at Notre Dame Church.
Robert Belot, Belfort’s vice mayor and the city’s cultural head, said the group “has fine quality sound, [is] technically adroit, and brought to the festival something unique and fresh.”
Arco’s repertoire included the Tsaikovsky Serenade for Strings; Serenade for Strings by Elgar; and Concerto Grosso by Corelli. Filipino masterpieces Rombino from the Children’s Quartet by Bueneventura and Buencamino’s Pizzicato Caprice were also performed.
“In its second and last concert at Belfort, the audience gave a prolonged feisty applause and standing ovation,” says Ruben Defeo, head of the UP Diliman Office for Initiatives in Culture and the Arts. “UP Arco had to reciprocate the warm reception by giving two encores. The organizers invited UP Arco to render another concert on the last day of the festival.”
Taiwan
 |
| Scene from "Screen: Macbeth" |
This production of Shakespeare’s “Macbeth” premiered last year and features video projections as part of its staging, thus the inclusion of the word “Screen” in the title.
The conference theme “Shakespeare across Media” aimed to explore how Shakespeare had been translated in various forms of media.
“The production’s use of film fitted the conference theme superbly,” says cast member Ricky Abad.
The contingent had seven actors in multiple roles, with direction by Anton Juan; dramaturgy by Judy Ick (who also played Lady Macbeth); technical direction by Meliton Roxas; and video design by Winter David.
“The show was received very well. The organizers were pleased, and look forward to more Philippine participation in the future. The biggest achievement, I think, was that ‘Screen: Macbeth’ identified the Philippines as the Asian country that could do Shakespeare in English well. The acting was praised. It was deemed passionate.”
For details of UP Concert Chorus’ touring performances, visit www.upconcertchorus.org or call 9296963, 9818500, 0927-4284629 or 0917-6283739.
Also published online:
http://lifestyle.inquirer.net/74546/up-performing-groups-win-at-intl-fests
What do you think of these productions? Share your comments.
British dance company does outreach in the Philippines
[Share this news by using the Facebook "Share," Twitter "Tweet this," and Google+ "+1" buttons found at the bottom of this post.]
Yay! My article on British dance companies doing charity work in the Philippines was published in Philippine Daily Inquirer's October 15, 2012 issue.
http://groups.yahoo.com/group/iwroteit/message/375
British dance company does outreach in the Philippines
By Walter Ang
Big Dance Company (BDC), based in Cornwall, England, sent a delegation to Manila for outreach and interaction activities with three charity groups that assist street children.
The group spent a day visiting the Philippine Community Fund (PCF) School in Tondo; Childhope Asia Philippines in Paco; and Pangarap Shelter for Street Children in Pasay.
The group gave workshops, performances, and danced with the children.
BDC founder Fiona Richardson said: “We can’t save the world with our dance outreach, but we can help get rid of a lot of ignorance, we can help build compassion.”
Reaching out
BDC first visited the country in 2010 upon the invitation of Shirley Halili Cruz, whom the group met at the Dance Excellence festival for young dancers in Los Angeles in 2009, to participate in the annual Dance Xchange Philippine International Dance Festival.
BDC brought over its most popular dance group, Flava, a hip-hop group which was a semifinalist in “Britain’s Got Talent” in 2008.
BDC visited children on the Smokey Mountain dumpsite in Tondo for an outreach with Philippine Community Fund, a charity group founded by British national Jane Walker. BDC has returned annually since to conduct outreach activities at the site.
Flava has won competitions and represented the UK at the World Hip-Hop Championships. Last year it performed with Halili Cruz Ballet Company in Cornwall.
BDC works with young people in the UK to tackle antisocial behavior and gun and knife crime.
This year
This year BDC brought over a group of younger dancers.
“Some of the Flava dancers came, but we included dancers from Tricky Crew, our under-14 group, and Sweet Flava, our girl group. The youngest in our group this year is 11 years old. It’s important to let young people see what’s going on in the world,” said Richardson.
With BCD this year is UK-based DanceAid, a charity group that raises funds for charities through dance-related activities such as performances.
Laura Wilson, founder and CEO of DanceAid, said: “BDC is one of the many dance schools working with DanceAid to raise the UK to its feet to dance to make a difference for suffering children in the UK, Africa and Asia.”
“[Laura] knew we would be performing in Manila, and thought that we might want to help them out, and we have been ever since,” said Richardson. “I am hoping to plan a big project next year with these charities to help more and get these talented young people on a stage with a captive audience.”
Ongoing aid
Wilson, who has a master’s degree in Conflict, Governance and Development from the University of York, founded DanceAid as a way to bring together her passions in developmental work and dance.
“We were inspired by the work being done by another charity we work alongside, Hope for Children,” said Wilson.
Among other projects for Manila charities, Hope for Children collects donations for PCF’s school (built from recycled shipping containers), which gives free education to street children in the Smokey Mountain area; for Pangarap Shelter for Street Children, a shelter and recovery center for homeless and at-risk boys aged 8-17 years; and for Childhope Asia Philippines’ Street Education Program, where 20 full-time street educators are deployed to teach street children on-site.
Hope for Children’s projects in the Philippines are monitored by its representative Kevin Connolly, who has been living here since 1996.
This was Wilson’s first time in Manila. She came over to help set up funding protocols from DanceAid to its Hope for Children Manila charities.
“We visited to see what the situation is here, and how DanceAid can help more and organize a DanceAid day for the children, who, we already know, love to dance!”
Also published online:
http://lifestyle.inquirer.net/71590/british-dance-company-does-outreach-in-the-philippines
What do you think of these projects? Share your comments.
Yay! My article on British dance companies doing charity work in the Philippines was published in Philippine Daily Inquirer's October 15, 2012 issue.
http://groups.yahoo.com/group/iwroteit/message/375
British dance company does outreach in the Philippines
By Walter Ang
 |
| Photo by Ige Ramos. Hope for Children Philippine representative Kevin Connolly, DanceAid founder and CEO Laura Wilson, Pangarap Shelter for Street Children resident Erick Soberano, Flava lead member Kyle Richardson, Big Dance Company founder Fiona Richardson, Pangarap Shelter for Street Children executive director Br. Francisco Tanega. |
The group spent a day visiting the Philippine Community Fund (PCF) School in Tondo; Childhope Asia Philippines in Paco; and Pangarap Shelter for Street Children in Pasay.
The group gave workshops, performances, and danced with the children.
BDC founder Fiona Richardson said: “We can’t save the world with our dance outreach, but we can help get rid of a lot of ignorance, we can help build compassion.”
Reaching out
BDC first visited the country in 2010 upon the invitation of Shirley Halili Cruz, whom the group met at the Dance Excellence festival for young dancers in Los Angeles in 2009, to participate in the annual Dance Xchange Philippine International Dance Festival.
BDC brought over its most popular dance group, Flava, a hip-hop group which was a semifinalist in “Britain’s Got Talent” in 2008.
BDC visited children on the Smokey Mountain dumpsite in Tondo for an outreach with Philippine Community Fund, a charity group founded by British national Jane Walker. BDC has returned annually since to conduct outreach activities at the site.
Flava has won competitions and represented the UK at the World Hip-Hop Championships. Last year it performed with Halili Cruz Ballet Company in Cornwall.
BDC works with young people in the UK to tackle antisocial behavior and gun and knife crime.
This year
This year BDC brought over a group of younger dancers.
“Some of the Flava dancers came, but we included dancers from Tricky Crew, our under-14 group, and Sweet Flava, our girl group. The youngest in our group this year is 11 years old. It’s important to let young people see what’s going on in the world,” said Richardson.
With BCD this year is UK-based DanceAid, a charity group that raises funds for charities through dance-related activities such as performances.
Laura Wilson, founder and CEO of DanceAid, said: “BDC is one of the many dance schools working with DanceAid to raise the UK to its feet to dance to make a difference for suffering children in the UK, Africa and Asia.”
“[Laura] knew we would be performing in Manila, and thought that we might want to help them out, and we have been ever since,” said Richardson. “I am hoping to plan a big project next year with these charities to help more and get these talented young people on a stage with a captive audience.”
Ongoing aid
Wilson, who has a master’s degree in Conflict, Governance and Development from the University of York, founded DanceAid as a way to bring together her passions in developmental work and dance.
“We were inspired by the work being done by another charity we work alongside, Hope for Children,” said Wilson.
Among other projects for Manila charities, Hope for Children collects donations for PCF’s school (built from recycled shipping containers), which gives free education to street children in the Smokey Mountain area; for Pangarap Shelter for Street Children, a shelter and recovery center for homeless and at-risk boys aged 8-17 years; and for Childhope Asia Philippines’ Street Education Program, where 20 full-time street educators are deployed to teach street children on-site.
Hope for Children’s projects in the Philippines are monitored by its representative Kevin Connolly, who has been living here since 1996.
This was Wilson’s first time in Manila. She came over to help set up funding protocols from DanceAid to its Hope for Children Manila charities.
“We visited to see what the situation is here, and how DanceAid can help more and organize a DanceAid day for the children, who, we already know, love to dance!”
Also published online:
http://lifestyle.inquirer.net/71590/british-dance-company-does-outreach-in-the-philippines
What do you think of these projects? Share your comments.
Tanghalang Pilipino’s silver anniversary coffee-table book now available
[Share this news by using the Facebook "Share," Twitter "Tweet this," and Google+ "+1" buttons found at the bottom of this post.]
Yay! My article on Tanghalang Pilipino's silver anniversary coffe-table book was published in Philippine Daily Inquirer's October 8, 2012 issue.
http://groups.yahoo.com/group/iwroteit/message/374
Tanghalang Pilipino’s silver anniversary coffee-table book now available
By Walter Ang
Tanghalang Pilipino has produced a coffee-table book, “Tanghalang Pilipino: Celebrating 25 Years of Philippine Theater,” to commemorate its recently concluded silver anniversary.
Spearheaded by artistic director Fernando “Nanding” Josef and written by Inquirer contributing writer Amadis Ma. Guerrero, the 171-page hardcover features a jacket with the image of actress Noemi Manikan-Gomez in costume as the character Angelita from “Dalagang Bukid,” the company’s inaugural production in June 1987.
Her photo is stylized with sketches of the production’s set design in a manner that recalls the style of TP founding artistic director Felix “Nonon” Padilla’s woodprint designs for many of the company’s early souvenir-program covers.
The book is divided into chapters which “deal with material that provided the company with its unique identity.”
It begins with the group’s history; its objectives of “developing a national theater [group] that would develop original Filipino plays and mount translated foreign works”; and the rationale behind its original and updated logos.
The different theater forms that TP has staged are discussed: sarsuwela (the indigenized Filipino theater form “with songs and dances” that evolved from the Spanish zarzuela); original musicals (with subject matter or themes that range from historical pieces and films to indigenous epics and oral-narrative chants; and even comic-book gender-changing superheroines), and plays that mirror societal issues (from political milieus to personal relationships and everything in between).
Guerrero gives summaries and histories of selected scripts or librettos; quotes from interviews with the productions’ respective directors and other collaborators; and excerpts of reviews published at the time of the productions.
The book reveals the inner workings and processes undergone by the backstage disciplines, featuring composers, translators, set designers, costume designers, and lighting designers who have worked on TP productions.
The book concludes with a section that showcases the actor, specifically the kind of actor molded in the TP spirit.
Padilla’s creation of the Actors Company (AC), the group’s pool of resident actors who perform in season productions and continuously train in performance methods, has since been one of the defining elements of TP.
Josef was part of the pioneer batch of AC (personally invited by Padilla). Former TP artistic director Herbert “Herbie” Go was also an AC member. Other former AC members have gone on to acclaim as actors for stage, TV and film, or administrators of other theater groups.
Call 8321125 loc. 1620-21, 0917-7500107, 0918-9593949, 2183791. E-mail tanghalangpilipinomarketing@yahoo.com.ph.
Also published online:
http://lifestyle.inquirer.net/70476/tanghalang-pilipinos-silver-anniversary-coffee-table-book-now-available
What do you think of this book? Share your comments.
Yay! My article on Tanghalang Pilipino's silver anniversary coffe-table book was published in Philippine Daily Inquirer's October 8, 2012 issue.
http://groups.yahoo.com/group/iwroteit/message/374
Tanghalang Pilipino’s silver anniversary coffee-table book now available
By Walter Ang
Spearheaded by artistic director Fernando “Nanding” Josef and written by Inquirer contributing writer Amadis Ma. Guerrero, the 171-page hardcover features a jacket with the image of actress Noemi Manikan-Gomez in costume as the character Angelita from “Dalagang Bukid,” the company’s inaugural production in June 1987.
Her photo is stylized with sketches of the production’s set design in a manner that recalls the style of TP founding artistic director Felix “Nonon” Padilla’s woodprint designs for many of the company’s early souvenir-program covers.
The book is divided into chapters which “deal with material that provided the company with its unique identity.”
It begins with the group’s history; its objectives of “developing a national theater [group] that would develop original Filipino plays and mount translated foreign works”; and the rationale behind its original and updated logos.
The different theater forms that TP has staged are discussed: sarsuwela (the indigenized Filipino theater form “with songs and dances” that evolved from the Spanish zarzuela); original musicals (with subject matter or themes that range from historical pieces and films to indigenous epics and oral-narrative chants; and even comic-book gender-changing superheroines), and plays that mirror societal issues (from political milieus to personal relationships and everything in between).
Guerrero gives summaries and histories of selected scripts or librettos; quotes from interviews with the productions’ respective directors and other collaborators; and excerpts of reviews published at the time of the productions.
The book reveals the inner workings and processes undergone by the backstage disciplines, featuring composers, translators, set designers, costume designers, and lighting designers who have worked on TP productions.
The book concludes with a section that showcases the actor, specifically the kind of actor molded in the TP spirit.
Padilla’s creation of the Actors Company (AC), the group’s pool of resident actors who perform in season productions and continuously train in performance methods, has since been one of the defining elements of TP.
Josef was part of the pioneer batch of AC (personally invited by Padilla). Former TP artistic director Herbert “Herbie” Go was also an AC member. Other former AC members have gone on to acclaim as actors for stage, TV and film, or administrators of other theater groups.
Call 8321125 loc. 1620-21, 0917-7500107, 0918-9593949, 2183791. E-mail tanghalangpilipinomarketing@yahoo.com.ph.
Also published online:
http://lifestyle.inquirer.net/70476/tanghalang-pilipinos-silver-anniversary-coffee-table-book-now-available
What do you think of this book? Share your comments.
Tony-winner David Gallo designs set of "Nine"
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Yay! My interview with David Gallo, the set designer of Atlantis Productions' "Nine," was published in Philippine Daily Inquirer's October 3, 2012 issue.
http://groups.yahoo.com/group/iwroteit/message/373
Tony-winner David Gallo designs set of "Nine," closes Oct. 7
By Walter Ang
Atlantis Productions' staging of the musical "Nine" features a set designed by Tony Award winning set designer David Gallo.
"Nine," based on Federico Fellini's semi-autobiographical film "8½," focuses on Italian filmmaker Guido Contini, who, dreading his imminent 40th birthday, gets entangled in a web of romantic difficulties in early-1960s Venice.
With book by Arthur Kopit and music and lyrics by Maury Yeston, the musical was made into a movie in 2009, directed by Rob Marshall (“Chicago”) and starring Daniel Day-Lewis as Contini.
Directed by Bobby Garcia, Atlantis’ “Nine” features Jett Pangan as Contini with an ensemble of popular theater actresses, recording artists, and TV/film actresses: Menchu Lauchengco-Yulo plays Contini’s wife, Cherie Gil plays his film producer, Eula Valdez plays his muse, Carla Guevara-Laforteza plays his mistress, Ima Castro plays a prostitute he encounters, and Jay Glorioso plays his mother.
Distances
Gallo met Garcia in Broadway Asia Entertainment’s touring production of Rodgers and Hammerstein’s “Cinderella” in the late ’00s, where he designed the set while Garcia directed. The show opened in Manila and toured several Asian countries.
“I’ve always enjoyed working in the Philippines, so naturally when he rang me asking if I was interested in working on the production of the great musical ‘Nine,’ I jumped at the chance,” Gallo says.
Based in the US, Gallo worked with Atlantis’ production staff via the Internet. “[Since] it’s become the norm to design shows almost entirely using technology, most of the things I design are communicated via the Internet. Everyone can open and share even the largest files with ease.”
The only drawback, Gallo notes, is the loss of personal interaction, though a situation that’s mediated by this familiarity with Garcia.
“Theater is a business of emotion and feeling. It’s then that having a great bond with someone such as Bobby truly pays its dividends.”
New
Gallo has not seen the film version and has only seen one staging “many years ago.” He emphasizes the need to “approach every project as a new beginning.”
He researched on various bath houses and spas around the world. “I found some particularly interesting images from India, which I was then able to spin into a Viennese look. I find that capturing a feeling, a mood or style is more important than attempting to replicate a place, either real or imagined.”
“One of the interesting things about being a scenic designer is the fact that every production naturally finds its own way to a particular style.”
Costumes are designed by New York-based Filipino fashion designer Robin Tomas.
“Nine” runs until Oct. 7, at Carlos Romulo Auditorium, RCBC Plaza Bldg., Makati. Call 8927078, 8401187 or Ticketworld at 8919999.
Also published online:
http://lifestyle.inquirer.net/69688/tony-winner-david-gallo-designs-set-of-nine-which-closes-oct-7
What do you think about this production? Share your comments.
Yay! My interview with David Gallo, the set designer of Atlantis Productions' "Nine," was published in Philippine Daily Inquirer's October 3, 2012 issue.
http://groups.yahoo.com/group/iwroteit/message/373
Tony-winner David Gallo designs set of "Nine," closes Oct. 7
By Walter Ang
 |
| Gallo's computer sketch of his set design for "Nine." |
"Nine," based on Federico Fellini's semi-autobiographical film "8½," focuses on Italian filmmaker Guido Contini, who, dreading his imminent 40th birthday, gets entangled in a web of romantic difficulties in early-1960s Venice.
With book by Arthur Kopit and music and lyrics by Maury Yeston, the musical was made into a movie in 2009, directed by Rob Marshall (“Chicago”) and starring Daniel Day-Lewis as Contini.
Directed by Bobby Garcia, Atlantis’ “Nine” features Jett Pangan as Contini with an ensemble of popular theater actresses, recording artists, and TV/film actresses: Menchu Lauchengco-Yulo plays Contini’s wife, Cherie Gil plays his film producer, Eula Valdez plays his muse, Carla Guevara-Laforteza plays his mistress, Ima Castro plays a prostitute he encounters, and Jay Glorioso plays his mother.
Distances
Gallo met Garcia in Broadway Asia Entertainment’s touring production of Rodgers and Hammerstein’s “Cinderella” in the late ’00s, where he designed the set while Garcia directed. The show opened in Manila and toured several Asian countries.
“I’ve always enjoyed working in the Philippines, so naturally when he rang me asking if I was interested in working on the production of the great musical ‘Nine,’ I jumped at the chance,” Gallo says.
Based in the US, Gallo worked with Atlantis’ production staff via the Internet. “[Since] it’s become the norm to design shows almost entirely using technology, most of the things I design are communicated via the Internet. Everyone can open and share even the largest files with ease.”
The only drawback, Gallo notes, is the loss of personal interaction, though a situation that’s mediated by this familiarity with Garcia.
“Theater is a business of emotion and feeling. It’s then that having a great bond with someone such as Bobby truly pays its dividends.”
New
Gallo has not seen the film version and has only seen one staging “many years ago.” He emphasizes the need to “approach every project as a new beginning.”
He researched on various bath houses and spas around the world. “I found some particularly interesting images from India, which I was then able to spin into a Viennese look. I find that capturing a feeling, a mood or style is more important than attempting to replicate a place, either real or imagined.”
“One of the interesting things about being a scenic designer is the fact that every production naturally finds its own way to a particular style.”
Costumes are designed by New York-based Filipino fashion designer Robin Tomas.
“Nine” runs until Oct. 7, at Carlos Romulo Auditorium, RCBC Plaza Bldg., Makati. Call 8927078, 8401187 or Ticketworld at 8919999.
Also published online:
http://lifestyle.inquirer.net/69688/tony-winner-david-gallo-designs-set-of-nine-which-closes-oct-7
What do you think about this production? Share your comments.
Tanghalang Pilipino's suspense thriller 'Walang Kukurap' runs until Oct. 7
[Share this news by using the Facebook "Share," Twitter "Tweet this," and Google+ "+1" buttons found at the bottom of this post.]
Yay! My article on Tanghalang Pilipino's upcoming production of "Walang Kukurap" was published in Philippine Daily Inquirer's September 24, 2012 issue.
http://groups.yahoo.com/group/iwroteit/message/372
Tanghalang Pilipino's suspense thriller 'Walang Kukurap' runs until Oct. 7
By Walter Ang
Tanghalang Pilipino is staging "Walang Kukurap," a suspense thriller about the pervasive shady politics and unethical business practices in the Philippines today.
Suzette Ranillo plays Cristina, a first-time vice mayor candidate who is sucked into corruption, deceit and murder.
"We always connect corruption with the big fish, like the case of former Chief Justice [Renato] Corona as an example, but what's more frightening are the corruption done by the `small fish'—the towns and barangay, the grass roots," says TP associate artistic director Tuxqs Rutaquio, who is directing the production.
Written by Layeta Bucoy, the title is a play on words, with kurap homophonous to "corrupt," explains Rutaquio, as well as a play on notions of vigilance.
The material started off as a devised performance piece by TP's Actors Company, its resident pool of actors. "As a group, we started asking ourselves, Why do we want to do a play about corruption? We recounted incidents of corruption experienced by us, or ones we heard from family and friends. Those accounts became the basis for our first draft."
Collaborative
From personal experiences, the group moved on to interviewing other individuals who had experiences with corruption.
The group spoke with Jun Lozada, government-anomaly whistleblower in 2008, and the nun who helped protect him after his revelation, Sis. Mary John Mananzan, women's advocate and former St. Scholastica's College president.
"We also came across [journalist] Maria Ressa's speech for the graduation at Far Eastern University delivered earlier this year. She talked about corruption, zero tolerance, and how corruption is personal. Her ideas helped move our play articulate a notch higher in terms of what we really want to say.
"This production has been collaborative from Day 1. It must try to answer what we initially asked ourselves: Why do we want to do this? It is not to preach about corruption. It is simply putting another perspective to the concept. We have to jolt our audience. We have to provoke them to think."
Awareness
The production will feature all members of the Actors Company, TP's pool of resident actors, and guest actors such as Manila 6th District councilor and actor Lou Veloso and, in certain performances, rapper Gloc 9.
"We don't expect audiences to change completely and suddenly become vigilant against corruption, though we hope they will. We want them to become aware of the problem, even if it's just a sneak peek of what is really happening in our society. And, of course, they decide if they will still tolerate these things or they will do something about it."
With technical direction and lighting design by Katsch Catoy; production design by Jerome Aytona; and sound design by TJ Ramos.
After its run at the Cultural Center of the Philippines, the production will be open for bookings for shows around Metro Manila and nearby provinces.
"Walang Kukurap" runs until Oct. 7 at Huseng Batute Theater, Cultural Center of the Philippines. Call 8321125 loc. 1620 and 1621, 0917-7500107, 0918-9593949, 2183791.
Also published online:
http://lifestyle.inquirer.net/68106/tanghalang-pilipinos-suspense-thriller-walang-kukurap-runs-until-oct-7
What do you think of this production? Share your comments.
Yay! My article on Tanghalang Pilipino's upcoming production of "Walang Kukurap" was published in Philippine Daily Inquirer's September 24, 2012 issue.
http://groups.yahoo.com/group/iwroteit/message/372
Tanghalang Pilipino's suspense thriller 'Walang Kukurap' runs until Oct. 7
By Walter Ang
 |
| Scene from 'Walang Kukurap.' Photo by Erickson Dela Cruz, grabbed from https://www.facebook.com/enrico.dc3/info |
Suzette Ranillo plays Cristina, a first-time vice mayor candidate who is sucked into corruption, deceit and murder.
"We always connect corruption with the big fish, like the case of former Chief Justice [Renato] Corona as an example, but what's more frightening are the corruption done by the `small fish'—the towns and barangay, the grass roots," says TP associate artistic director Tuxqs Rutaquio, who is directing the production.
Written by Layeta Bucoy, the title is a play on words, with kurap homophonous to "corrupt," explains Rutaquio, as well as a play on notions of vigilance.
The material started off as a devised performance piece by TP's Actors Company, its resident pool of actors. "As a group, we started asking ourselves, Why do we want to do a play about corruption? We recounted incidents of corruption experienced by us, or ones we heard from family and friends. Those accounts became the basis for our first draft."
Collaborative
From personal experiences, the group moved on to interviewing other individuals who had experiences with corruption.
The group spoke with Jun Lozada, government-anomaly whistleblower in 2008, and the nun who helped protect him after his revelation, Sis. Mary John Mananzan, women's advocate and former St. Scholastica's College president.
"We also came across [journalist] Maria Ressa's speech for the graduation at Far Eastern University delivered earlier this year. She talked about corruption, zero tolerance, and how corruption is personal. Her ideas helped move our play articulate a notch higher in terms of what we really want to say.
"This production has been collaborative from Day 1. It must try to answer what we initially asked ourselves: Why do we want to do this? It is not to preach about corruption. It is simply putting another perspective to the concept. We have to jolt our audience. We have to provoke them to think."
Awareness
The production will feature all members of the Actors Company, TP's pool of resident actors, and guest actors such as Manila 6th District councilor and actor Lou Veloso and, in certain performances, rapper Gloc 9.
"We don't expect audiences to change completely and suddenly become vigilant against corruption, though we hope they will. We want them to become aware of the problem, even if it's just a sneak peek of what is really happening in our society. And, of course, they decide if they will still tolerate these things or they will do something about it."
With technical direction and lighting design by Katsch Catoy; production design by Jerome Aytona; and sound design by TJ Ramos.
After its run at the Cultural Center of the Philippines, the production will be open for bookings for shows around Metro Manila and nearby provinces.
"Walang Kukurap" runs until Oct. 7 at Huseng Batute Theater, Cultural Center of the Philippines. Call 8321125 loc. 1620 and 1621, 0917-7500107, 0918-9593949, 2183791.
Also published online:
http://lifestyle.inquirer.net/68106/tanghalang-pilipinos-suspense-thriller-walang-kukurap-runs-until-oct-7
What do you think of this production? Share your comments.
Ballet Philippines explores magical talismans in "Anting"
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Yay! My article on Ballet Philippines' upcoming production of "Anting" was published in Philippine Daily Inquirer's September 10, 2012 issue.
http://groups.yahoo.com/group/iwroteit/message/371
Ballet Philippines explores magical talismans in "Anting"
By Walter Ang
Ballet Philippines stages "Anting" for its "Neo-Filipino" series this September. The series features new works by Filipino choreographers and allows them a venue to tackle issues and experiment with form and choreography.
"'Anting' explores the world of talismans and amulets of Filipino magical traditions," says BP artistic director Paul Morales. "It's made up for four separate movements, each depicting a specific kind of amulet and its powers."
The libretto is by playwright Tony Perez, also known as the author of a series of books on how to cast spells and perform Wiccan rituals. He is also popularly known as the founder of Spirit Questors, a group of psychics who "communicate with earthbound human spirits and elementals."
'Magick'
Perez explains that anting is the street term for anting-anting (talismans). "'Anting' touches on indigenous Philippine 'magickal' systems practiced from the time of the Katipunan to the present day."
He notes, however, that Filipinos have been practicing these forms of "magick" since the pre-Hispanic era. "The mumbaki in the North and the babaylanes in the South; to when oraciones [prayers] were composed and distributed during the Spanish colonial period; to the continued practice of faith healers in the Cordillera; more than 200 existing cults on Mount Banahaw; and the numerous groups and individual practitioners until the present time."
The production will include projections of images of taladros, cloth with magickal patterns and oraciones drawn on and used by albularyos (rural medicine men); medalyones, brass and copper medallions; and anting-anting from Perez's personal collection, featuring the photography of Hedwig de Leon and video art of Andre Cawagas.
Movements
"Nang Wala Pang Mundo," is a creation story that traces the origins of the Dios Infinito sa Bato medallion. "This medallion is used for empowerment, establishing supremacy over others, escape from/evasion of danger, and enhancement of masculinity," he says.
In "Sinotris Gentillorum," a taladro comes to life and showcases the syncretic images of the Blessed Virgin Mary. "Specifically Atris, the Immaculate Conception; Matris, Ang Birheng Nagpapasuso; and Sinotris, La Virgin Milagrosa."
"Krus ng Alitagtag" shows the legend of the origins of the holy crosses in the churches of Alitagtag and Bauan in Batangas. Krus ng Alitagtag talismans are made from pieces of wood from the crosses and are worn as pendants for protection, power, success, and fame. "Variations of the talismans are set in gold, silver, copper and/or brass. Thousands of Krus ng Alitagtag have circulated over the years, so that it's difficult to determine which are authentic and which are not."
"Haring Bakal" is about a renegade member of the cult of Haring Bakal, a group that originated in Mindanao and was heavily influenced by the warrior rituals and movements of the area's ethnic groups. "The group is known to have its own distinct taladros and oraciones, and are most widely known for their training to be unaffected by blows dealt with bladed weapons."
Process
Unlike his involvement in plays in which he attends rehearsals to revise scripts based on actors' speech patterns, when it comes to dance, "I always give directors and choreographers the freedom and the creative space they need to bring the works to life on stage."
Each movement will have its own choreographer: Morales; BP associate artistic director Christine Crame; BP alumnus and E-Dance Theater artistic director Gerald Mercado; and Airdance artistic director Ava Villanueva-Ong.
They will work with the music of Jed Balsamo, Jerrold Tarog, Teresa Barrozo and Israel Rodriguez. Set design by Zard Eguia; costume design by Dennis Maristany; and lighting design by Jonjon Villareal.
"Neo-Filipino: Anting" opens Sept. 14 at Tanghalang Aurelio Tolentino (Aurelio Tolentino Theater), Cultural Center of the Philippines. Contact 551-1003 or Ticketworld at 891-9999. Student and senior citizen discounts apply. Visit www.ballet.ph.
Also published online:
http://lifestyle.inquirer.net/65698/ballet-philippines-explores-magical-talismans-in-anting-opens-sept-14
What do you think of this production? Share your comments.
Yay! My article on Ballet Philippines' upcoming production of "Anting" was published in Philippine Daily Inquirer's September 10, 2012 issue.
http://groups.yahoo.com/group/iwroteit/message/371
Ballet Philippines explores magical talismans in "Anting"
By Walter Ang
 |
| From left: Hedwig de Leon, Tony Perez, and Paul Morales. |
"'Anting' explores the world of talismans and amulets of Filipino magical traditions," says BP artistic director Paul Morales. "It's made up for four separate movements, each depicting a specific kind of amulet and its powers."
The libretto is by playwright Tony Perez, also known as the author of a series of books on how to cast spells and perform Wiccan rituals. He is also popularly known as the founder of Spirit Questors, a group of psychics who "communicate with earthbound human spirits and elementals."
'Magick'
Perez explains that anting is the street term for anting-anting (talismans). "'Anting' touches on indigenous Philippine 'magickal' systems practiced from the time of the Katipunan to the present day."
He notes, however, that Filipinos have been practicing these forms of "magick" since the pre-Hispanic era. "The mumbaki in the North and the babaylanes in the South; to when oraciones [prayers] were composed and distributed during the Spanish colonial period; to the continued practice of faith healers in the Cordillera; more than 200 existing cults on Mount Banahaw; and the numerous groups and individual practitioners until the present time."
The production will include projections of images of taladros, cloth with magickal patterns and oraciones drawn on and used by albularyos (rural medicine men); medalyones, brass and copper medallions; and anting-anting from Perez's personal collection, featuring the photography of Hedwig de Leon and video art of Andre Cawagas.
Movements
"Nang Wala Pang Mundo," is a creation story that traces the origins of the Dios Infinito sa Bato medallion. "This medallion is used for empowerment, establishing supremacy over others, escape from/evasion of danger, and enhancement of masculinity," he says.
In "Sinotris Gentillorum," a taladro comes to life and showcases the syncretic images of the Blessed Virgin Mary. "Specifically Atris, the Immaculate Conception; Matris, Ang Birheng Nagpapasuso; and Sinotris, La Virgin Milagrosa."
"Krus ng Alitagtag" shows the legend of the origins of the holy crosses in the churches of Alitagtag and Bauan in Batangas. Krus ng Alitagtag talismans are made from pieces of wood from the crosses and are worn as pendants for protection, power, success, and fame. "Variations of the talismans are set in gold, silver, copper and/or brass. Thousands of Krus ng Alitagtag have circulated over the years, so that it's difficult to determine which are authentic and which are not."
"Haring Bakal" is about a renegade member of the cult of Haring Bakal, a group that originated in Mindanao and was heavily influenced by the warrior rituals and movements of the area's ethnic groups. "The group is known to have its own distinct taladros and oraciones, and are most widely known for their training to be unaffected by blows dealt with bladed weapons."
Process
Unlike his involvement in plays in which he attends rehearsals to revise scripts based on actors' speech patterns, when it comes to dance, "I always give directors and choreographers the freedom and the creative space they need to bring the works to life on stage."
Each movement will have its own choreographer: Morales; BP associate artistic director Christine Crame; BP alumnus and E-Dance Theater artistic director Gerald Mercado; and Airdance artistic director Ava Villanueva-Ong.
They will work with the music of Jed Balsamo, Jerrold Tarog, Teresa Barrozo and Israel Rodriguez. Set design by Zard Eguia; costume design by Dennis Maristany; and lighting design by Jonjon Villareal.
"Neo-Filipino: Anting" opens Sept. 14 at Tanghalang Aurelio Tolentino (Aurelio Tolentino Theater), Cultural Center of the Philippines. Contact 551-1003 or Ticketworld at 891-9999. Student and senior citizen discounts apply. Visit www.ballet.ph.
Also published online:
http://lifestyle.inquirer.net/65698/ballet-philippines-explores-magical-talismans-in-anting-opens-sept-14
What do you think of this production? Share your comments.
"The King and I": Pageant to enthrall Manila
[Share this news by using the Facebook "Share," Twitter "Tweet this," and Google+ "+1" buttons found at the bottom of this post.]
Yay! My article on Resorts World Manila's upcoming production of "The King and I" was published in Philippine Daily Inquirer's September 10, 2012 issue.
http://groups.yahoo.com/group/iwroteit/message/370
"The King and I": Pageant to enthrall Manila
By Walter Ang
Resorts World Manila is staging the musical “The King and I,” with Leo Valdes and Bo Cerrudo as King Mongkut and Monique Wilson and Sheila Valderrama as Anna, starting this September.
Based on the experiences of Anna Leonowens, the musical is set in the late 1860s and is about how the King of Siam (now Thailand) hires an English governess to tutor his children in ways of the Western world.
With music by Richard Rodgers and lyrics and book by Oscar Hammerstein, the Broadway musical was adapted into a movie in 1956 starring Yul Brynner as the king.
Directed by concert director Freddie Santos, the production will have close to 200 costumes designed by Rajo Laurel and Aksana Sidarava.
Full circle
“I am actually very familiar with the musical!” Laurel says. He was cast as one of the children in the 1978 staging by Repertory Philippines, where he shared the stage with Lea Salonga and Menchu Lauchengco-Yulo, who were also cast as children.
He says it feels as if he’s come full circle by now designing costumes for the production. He’d been fascinated by the costumes in the Rep production and it made him realize he wanted to become a fashion designer.
Tasked to design for the lead characters, Laurel’s “plan is to just go in and update the 19th-century costuming with a more modern take. The costume history of this production is very rich, specifically Anna’s corsetry and hoop skirts set against the King of Siam’s traditional garb. All it needs is just a modern flourish!”
Laurel has designed costumes for Repertory Philippines (“Evita,” “My Fair Lady”); Atlantis Productions (“Dreamgirls,” “The Rocky Horror Picture Show”); Ballet Philippines (“Inamorata”).
Design process
“Designing for the stage is very particular because it deals with both practical functionality and presence. It has to do with all of the minute details whilst simultaneously appealing to the point of view of an audience member. Theatricality is key as the sum of all the details makes for visual impact.”
Sidarava, who hails from Belarus, will work on costumes for the rest of the cast. She says the preparations for costume design included research through books and the Internet as well as viewings of film versions of the story. “My guideline is the traditional costumes of that time period.”
Having started off as a dancer, Sidarava also incorporates her experience with body movement into her works. “As a costume designer, you always have to think about the actors and the way the costumes are going to flow around with their movements, and choose the right material for maximum stage effect and best comfort for the artists.”
With the participation of Philippine Ballet Theater and Manila Philharmonic Orchestra; musical direction by Rodell Colmenar; vocal direction by Lynn Fabella; sound design by Radz Corpuzset; design by Jo Tecson; and lighting design by John Batalla.
“King and I” opens Sept. 15 at Newport Performing Arts Theater, Resorts World Manila, Pasay City. Call tel. 8366333 or visit www.rwmanila.com.
Also published online:
http://lifestyle.inquirer.net/65716/the-king-and-i-pageant-to-enthrall-manila
What do you think of this production? Share your comments.
Yay! My article on Resorts World Manila's upcoming production of "The King and I" was published in Philippine Daily Inquirer's September 10, 2012 issue.
http://groups.yahoo.com/group/iwroteit/message/370
"The King and I": Pageant to enthrall Manila
By Walter Ang
 |
| A costume design sketch by Laurel |
Based on the experiences of Anna Leonowens, the musical is set in the late 1860s and is about how the King of Siam (now Thailand) hires an English governess to tutor his children in ways of the Western world.
With music by Richard Rodgers and lyrics and book by Oscar Hammerstein, the Broadway musical was adapted into a movie in 1956 starring Yul Brynner as the king.
Directed by concert director Freddie Santos, the production will have close to 200 costumes designed by Rajo Laurel and Aksana Sidarava.
Full circle
“I am actually very familiar with the musical!” Laurel says. He was cast as one of the children in the 1978 staging by Repertory Philippines, where he shared the stage with Lea Salonga and Menchu Lauchengco-Yulo, who were also cast as children.
He says it feels as if he’s come full circle by now designing costumes for the production. He’d been fascinated by the costumes in the Rep production and it made him realize he wanted to become a fashion designer.
Tasked to design for the lead characters, Laurel’s “plan is to just go in and update the 19th-century costuming with a more modern take. The costume history of this production is very rich, specifically Anna’s corsetry and hoop skirts set against the King of Siam’s traditional garb. All it needs is just a modern flourish!”
Laurel has designed costumes for Repertory Philippines (“Evita,” “My Fair Lady”); Atlantis Productions (“Dreamgirls,” “The Rocky Horror Picture Show”); Ballet Philippines (“Inamorata”).
Design process
“Designing for the stage is very particular because it deals with both practical functionality and presence. It has to do with all of the minute details whilst simultaneously appealing to the point of view of an audience member. Theatricality is key as the sum of all the details makes for visual impact.”
Sidarava, who hails from Belarus, will work on costumes for the rest of the cast. She says the preparations for costume design included research through books and the Internet as well as viewings of film versions of the story. “My guideline is the traditional costumes of that time period.”
Having started off as a dancer, Sidarava also incorporates her experience with body movement into her works. “As a costume designer, you always have to think about the actors and the way the costumes are going to flow around with their movements, and choose the right material for maximum stage effect and best comfort for the artists.”
With the participation of Philippine Ballet Theater and Manila Philharmonic Orchestra; musical direction by Rodell Colmenar; vocal direction by Lynn Fabella; sound design by Radz Corpuzset; design by Jo Tecson; and lighting design by John Batalla.
“King and I” opens Sept. 15 at Newport Performing Arts Theater, Resorts World Manila, Pasay City. Call tel. 8366333 or visit www.rwmanila.com.
Also published online:
http://lifestyle.inquirer.net/65716/the-king-and-i-pageant-to-enthrall-manila
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