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Tanghalin ang Tanghalan:
Unang Pambansang Kumperensiya sa Estetika ng Dula
(First National Conference on Theater Aesthetics)
September 28-29, 2011
Cultural Center of the Philippines, Manila
through the support of
the National Commission for Culture and the Arts
and Teatro Sambisig
This conference aims to provide a venue for sharing and critical discussion among theatre artists and scholars.
The conference highlights include:
- a presentation of the results of the research project “Tanghalan: A Preliminary Survey and Research on Regional Theater Aesthetics"
- and a sharing-discussion among theater scholars, artists and students
The conference hopes to develop critical lenses in appreciating the richness and diversity of theatre work through the inputs of participating theater practitioners. Proceedings of the conference will be developed as resource materials for theater artists, teachers and students.
Preparations
Preparations for this conference began as early as 2009 when research materials were prepared in a preliminary survey of regional theater situations and experiences. Theater practitioners and scholars were tasked to prepare materials on various topics.
Joseph Ramos, artistic director of Pandacan-based community theater group Teatro Sambisig, was the research coordinator and worked with theater artists and scholars from the four regions (Luzon, Visayas, Mindanao and Nat'l Capital Region), to facilitate their own respective research efforts.
"We discovered that there is very little documentation available," he says. "We hope our efforts will become the beginning stage of what will become a long-term and sustained effort."
Researchers included Karl Gaspar from Mindanao; Cecil Nava and Lucien Letaba from Visayas; and Mary Carling and Rica Palis from Luzon; with Manny Pambid (Philippine Educational Theater Association), Dennis Marasigan (formerly of Tanghalang Pilipino and CCP), and Ricky Abad (Ateneo) from NCR, among others.
Sharing
"We invite you to share in the discussion with theater artists from different regions," says conference director Glecy Atienza. "Through your critical inputs and feedback, we hope to come up with approaches in appreciating current practices in theatre work."
“We’re after the articulation of what factors of Filipino theater are distinctively Filipino. What is Philippine theater? What makes Philippine theater, theater? What makes Philippine theater, Philippine?”
Theater scholars/practitioners such as Bienvenido Lumbera, Nicanor Tiongson, Prospero Covar, Priscelina Legasto, Don Pagusara, and others have been invited to share their observations and lead the discussion.
Sequence of activities:
Setyembre 28,2011
Pagbubukas ng Kumperensiya
Chris Millado, Sentrong Pangkultura ng Pilipinas
Ang Proyektong “Tanghalin ang Tanghalan”
Prof.Glecy C. Atienza, Direktor ng Kumperensya, Tanghalin ang Tanghalan
***
Tanghalan ng Dula: Mga Tampok na Karanasan sa Rehiyon
Luzon
Presentasyon ng Mga Buod ng mga Saliksik
Edward Perez, NCDA Luzon
Panimulang Pagtalakay ng mga Saliksik
Dr. Prospero Covar, Antropologo,Unibersidad ng Pilipinas,Diliman,Lungsod Quezon
G. Ventura Bitot,
Pagtalakay Mula sa Mga Delegado mula sa mga Rehiyon
NCR
Presentasyon ng mga Buod ng mga Saliksik
Dr. Jerry Respeto, Tanghalang Entablado, Ateneo de Manila University
Panimulang Pagtalakay ng mga Saliksik
Dr. Priscelina Patajo-Legasto, Dept. of English and Comparative Literature, UP Diliman
Dr. Lulu Torres-Reyes, Dept. of English, Ateneo de Manila University
Pagtalakay Mula sa Mga Delegado mula sa mga Rehiyon
Visayas
Presentasyon ng Buod ng mga Saliksik
Lutgardo Labad, Teatro Bol-anon, Bohol Province
Panimulang Pagtalakay ng mga Saliksik
Dr.Leoncio Deriada, University of the Philippines, Iloilo (retired)
Dr.Orlando Magno, University of Cebu
Pagtalakay mula sa mga Delegado mula sa Rehiyon
***
Panonood ng dula - Tanghalang Pilipino
Setyembre 29,2011
Balik-tanaw sa Unang Araw
***
Pagpapatuloy ng Tanghalan ng mga Dula: Tampok na Karanasan sa Rehiyon
Mindanao
Presentasyon ng Buod ng mga Saliksik
Fe Remotigue at Gng..Marili Fernandez-Ilagan
Panimulang Pagtalakay sa mga Saliksik
Agustin Pagusara
Arnel Mardoquio
Pagtalakay mula sa mga Delegado mula sa Rehiyon
***
Talakayan: Ang Tanghalan ng Dulang Filipino sa Pambansang Paglantaw
Dr.Nicanor Tiongson, Unibersidad ng Pilipinas
Dr.Bienvenido Lumbera,Pambansang Alagad ng Sining
Pagbubuhol: Mga Tunguhin ng Tanghalan ng Dulang Filipino
Nestor Horfilla, Manuel Pambid, Roberto Mendoza
Registration and fees
Interested parties are requested to register
through email at tanghalinangtanghalan@yahoo.com
or text 0916-431-0841 or 0927-7839159
A conference fee of P800.00 will cover meals for two days and a conference CD kit.
Attendees and guest from the regions who need assistance for their lodging can make arrangements with the organizers.
What do you think of this conference? Share your comments.
Theaterbator blog by Walter Ang features news on the theater industry in Manila, Philippines.
UPLB Samasining's "Junto Al Pasig" Aug 31-Sept 3, 2011
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Announcement from UPLB Samasining
UPLB Samasining stages Jose Rizal's Junto al Pasig
In celebration of Jose Rizal's 150th birth anniversary, University of the Philippines Los Baños Samasining, together with the Theatre Communication class of this semester, will stage Eljay Deldoc's Filipino adaptation of Jose Rizal's "Junto al Pasig": "Sa Tabi ng Pasig."
Synopsis
Jose Rizal's Junto al Pasig is a one-act play which shows a sensitive issue in religion and spirituality - Catholicism versus Paganism. It offers questions pertaining to what we believe in and what we do not believe in.
From a teenager's perspective in the character of Leonido, the play will portray a different view of the Virgin Mary and Satan as the evident symbols for spirituality. Which of the two is the real savior of mankind? Who is worthy to be worshipped? What doctrines should be followed? Who should we believe? Do you have to believe? In Junto al Pasig, these questions will find its answers while knowing the other side of the national hero Jose Rizal.
The play's provenance
During the teenage years of Dr. Jose Rizal, he wrote Junto al Pasig as a commissioned work for the feast of the patroness of Ateneo, Immaculate Conception of the Virgin Mary. The play was first performed by Rizal's schoolmates on the 8th of December 1880 at the Ateneo Municipal de Manila, with music written by a Spanish Professor, Blas Echegoyen.
About the group
UPLB Samasining, the laboratory arm of the Department of Humanities, aims to artistically develop faculty members and students by providing a hands-on experience in the literary, visual, and performing arts.
Collaborators
Directed by Dennis Gupa
Original music by Marie Angelica Dayao
Details
Venue: College of Arts and Sciences Auditorium, University of the Philippines Los Banos
Dates: Aug 31 to Sept. 3, 2011 at 3 p.m. and 7 p.m.
Contact +63917-209-7350
Announcement from UPLB Samasining
UPLB Samasining stages Jose Rizal's Junto al Pasig
In celebration of Jose Rizal's 150th birth anniversary, University of the Philippines Los Baños Samasining, together with the Theatre Communication class of this semester, will stage Eljay Deldoc's Filipino adaptation of Jose Rizal's "Junto al Pasig": "Sa Tabi ng Pasig."
Synopsis
Jose Rizal's Junto al Pasig is a one-act play which shows a sensitive issue in religion and spirituality - Catholicism versus Paganism. It offers questions pertaining to what we believe in and what we do not believe in.
From a teenager's perspective in the character of Leonido, the play will portray a different view of the Virgin Mary and Satan as the evident symbols for spirituality. Which of the two is the real savior of mankind? Who is worthy to be worshipped? What doctrines should be followed? Who should we believe? Do you have to believe? In Junto al Pasig, these questions will find its answers while knowing the other side of the national hero Jose Rizal.
The play's provenance
During the teenage years of Dr. Jose Rizal, he wrote Junto al Pasig as a commissioned work for the feast of the patroness of Ateneo, Immaculate Conception of the Virgin Mary. The play was first performed by Rizal's schoolmates on the 8th of December 1880 at the Ateneo Municipal de Manila, with music written by a Spanish Professor, Blas Echegoyen.
About the group
UPLB Samasining, the laboratory arm of the Department of Humanities, aims to artistically develop faculty members and students by providing a hands-on experience in the literary, visual, and performing arts.
Collaborators
Directed by Dennis Gupa
Original music by Marie Angelica Dayao
Details
Venue: College of Arts and Sciences Auditorium, University of the Philippines Los Banos
Dates: Aug 31 to Sept. 3, 2011 at 3 p.m. and 7 p.m.
Contact +63917-209-7350
What do you think of this production? Share your comments.
Dulaang UP's "Titus Andronicus" Sept 14-Oct 2, 2011
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I wrote about how I think this year is the year of the Titus Andronici, and now, the last one for the year has come out with its announcement for its cast and showdates:
Announcement from University of the Philippines' Dulaang UP
William Shakespeare's
TITUS ANDRONICUS
Translated to Filipino and adapted by Layeta Bucoy
Two weeks before the elections in a state of paranoia and extreme desire to win, the story of a hitman who fights back bloodily unfolds. Drenched in blood, this Filipino adaptation of William Shakespeare's Titus Andronicus intertwines political chaos and religious frenzy in a world where elections, showbiz and a town feast drown the people in murky violence.
Cast:
Bembol Roco as Titus Andronicus (Carding)
Shamaine Centenera-Buencamino and Mailes Kanapi as Tamora (Clarissa)
Paolo O'Hara as Tamora's lover, Aaron (Chua)
Rolando Inocencio as Marcus, brother of Titus (Berting)
Paolo Cabañero as Saturninus, son of the late emperor of Rome (Armando)
Mike Tan and Zaf Masahud as Bassianus, brother of Saturninus (Antonio)
Titus's (Carding's) children
Delphine Buencamino and Olive Nieto as Lavinia (Salve)
JR Macanas and Arnold Reyes as Lucius (Ryan)
JK Anicocho and Nar Cabico as Mutius (Ram)
Fitz Bitana as Martius (Richie)
Sigm Pecho as Quintus (Rocky)
Tamora's (Clarissa's) sons
Ross Pesigan as Chiron (Nathan)
Nicco Manalo and Cris Pasturan as Demetrius (Nomer)
Skyzx Labastilla as Tamora's Nursemaid (Maria)
and Dulaang UP Ensemble
with the special participation of Eula Valdez
Direction and set design by Tuxqs Rutaquio
Video direction by Jobin Ballesteros
Costume design by Santi Obcena
Lighting design by John Neil Ilao Batalla
Sound design by Jethro Joaquin
September 14, 15, 16, 21, 22, 23, 28, 29, 30 7p.m.
September 17, 18, 24, 25 / October 1, 2 10a.m. & 3p.m.
Wilfrido Guerrero Theater, 2/F Palma Hall Bldg.,
University of the Philippines, Diliman, Quezon City
Contact 0917-750-0107, 981-8500 loc. 2449, 926-1349, and 433-7840.
What do you think of this production? Share your comments.
I wrote about how I think this year is the year of the Titus Andronici, and now, the last one for the year has come out with its announcement for its cast and showdates:
Announcement from University of the Philippines' Dulaang UP
William Shakespeare's
TITUS ANDRONICUS
Translated to Filipino and adapted by Layeta Bucoy
Two weeks before the elections in a state of paranoia and extreme desire to win, the story of a hitman who fights back bloodily unfolds. Drenched in blood, this Filipino adaptation of William Shakespeare's Titus Andronicus intertwines political chaos and religious frenzy in a world where elections, showbiz and a town feast drown the people in murky violence.
Cast:
Bembol Roco as Titus Andronicus (Carding)
Shamaine Centenera-Buencamino and Mailes Kanapi as Tamora (Clarissa)
Paolo O'Hara as Tamora's lover, Aaron (Chua)
Rolando Inocencio as Marcus, brother of Titus (Berting)
Paolo Cabañero as Saturninus, son of the late emperor of Rome (Armando)
Mike Tan and Zaf Masahud as Bassianus, brother of Saturninus (Antonio)
Titus's (Carding's) children
Delphine Buencamino and Olive Nieto as Lavinia (Salve)
JR Macanas and Arnold Reyes as Lucius (Ryan)
JK Anicocho and Nar Cabico as Mutius (Ram)
Fitz Bitana as Martius (Richie)
Sigm Pecho as Quintus (Rocky)
Tamora's (Clarissa's) sons
Ross Pesigan as Chiron (Nathan)
Nicco Manalo and Cris Pasturan as Demetrius (Nomer)
Skyzx Labastilla as Tamora's Nursemaid (Maria)
and Dulaang UP Ensemble
with the special participation of Eula Valdez
Direction and set design by Tuxqs Rutaquio
Video direction by Jobin Ballesteros
Costume design by Santi Obcena
Lighting design by John Neil Ilao Batalla
Sound design by Jethro Joaquin
September 14, 15, 16, 21, 22, 23, 28, 29, 30 7p.m.
September 17, 18, 24, 25 / October 1, 2 10a.m. & 3p.m.
Wilfrido Guerrero Theater, 2/F Palma Hall Bldg.,
University of the Philippines, Diliman, Quezon City
Contact 0917-750-0107, 981-8500 loc. 2449, 926-1349, and 433-7840.
What do you think of this production? Share your comments.
Philippine Opera Company's "Harana" Sept 29-Oct 1, 2011
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Announcement from Philippine Opera Company
"Ang Bagong Harana"
Sept. 29-Oct. 1, 2011
Carlos Romulo Auditorium
RCBC Plaza Bldg., Makati City
For 2011 as a continuing commitment of Philippine Opera Company’s mission and vision, “Ang Bagong Harana” takes a newer and fresher version of immortal and classic Filipino songs that will be interpreted in “never before seen performances” by the country’s foremost artists in music.
A must-see production for every Filipino who wants to hear our very own music and also serve as a musical treat for foreigners who want to introduce themselves to Filipino music musical heritage.
What is Harana?
According to Wikipedia and jayars.tripod.com/harana.html, Harana, also known as Habanera Filipina, is a form of Philipipne lyrical song from the Spanish colonial period. It was used as courtship serenades in the Mexican-Spanish tradition based on the Spanish Tango or Habanera rhythm. While the Spanish version has a lively, seductive tempo; the Filipino version is romantic, lyrical and slow.
Filipino bachelors, accompanied by one or two companions, would bring along a guitar to serenade their ladies under starlit skies. The lady and her kinsfolk would open the home's window as a polite gesture of appreciation until the set of harana songs were completed.
In the 1920s harana became more mainstream, popularized by performers such as Atang de la Rama, Jovita Fuentes, Conching Rosal, Sylvia La Torre and Ruben Tagalog.
Why harana?
"Today, the young generation may not even know harana's real essence as far as Filipino folk traditions are concerned. And that is the one singular reason why POC is reviving this beautiful Filipino culture," says Karla Gutierrez, POC artistic director.
In 2008, POC staged "Harana" as a vehicle to showcase the evolution of Philippine music through song and movement. Harana went on a tour of Amsterdam in 2009.
It embarked on a Philippine tour in 2010, covering the cities of Cebu, Roxas, Antique, Bohol, Palawan. Earlier this year, it toured Bacolod, Ormoc, Tacloban, and Samar.
Who's in this show?
Directed by Floy Quintos, "Ang Bagong Harana" will showcase the best of all the Filipino composers from different music genres: Nicanor Abelardo, Ryan Cayabyab, Willy Cruz, Francisco Santiago, Antonio Molina, Resti Umali, George Canseco, Ernani Cuenco, Levi Celerio, Jose Estrella, Constancio De Guzman and Felipe de Leon, to name a few.
The show will feature Philippine opera and theater's celebrated singers: Karla Gutierrez, Aizel Prietos, Charley Magalit, Janine Santos, Marian Santiago, Lawrence Jatayna, Jack Salud, Nazer Salcedo, Marvin Gayramon, Al Gatmaitan, Floyd Tena and Jurgen Unterburg.
What makes “Ang Bagong Harana” different?
“Ang Bagong Harana” will integrate past, present, north, south, colonial, post-colonial experiences and put them into a revue where our whole souls will be the source of inspiration. The different suites shall mix old songs and new while talking about “who we are Filipinos” and where we have been.
For tickets, sponsorships and showbuyers, contact 0917-5272880 or 881-7163. Tickets also available at TicketWorld (891-9999 or www.ticketworld.com.ph).
What do you think of this production and its posters? Share your comments.
Announcement from Philippine Opera Company
"Ang Bagong Harana"Sept. 29-Oct. 1, 2011
Carlos Romulo Auditorium
RCBC Plaza Bldg., Makati City
For 2011 as a continuing commitment of Philippine Opera Company’s mission and vision, “Ang Bagong Harana” takes a newer and fresher version of immortal and classic Filipino songs that will be interpreted in “never before seen performances” by the country’s foremost artists in music.
A must-see production for every Filipino who wants to hear our very own music and also serve as a musical treat for foreigners who want to introduce themselves to Filipino music musical heritage.
What is Harana?
According to Wikipedia and jayars.tripod.com/harana.html, Harana, also known as Habanera Filipina, is a form of Philipipne lyrical song from the Spanish colonial period. It was used as courtship serenades in the Mexican-Spanish tradition based on the Spanish Tango or Habanera rhythm. While the Spanish version has a lively, seductive tempo; the Filipino version is romantic, lyrical and slow. Filipino bachelors, accompanied by one or two companions, would bring along a guitar to serenade their ladies under starlit skies. The lady and her kinsfolk would open the home's window as a polite gesture of appreciation until the set of harana songs were completed.
In the 1920s harana became more mainstream, popularized by performers such as Atang de la Rama, Jovita Fuentes, Conching Rosal, Sylvia La Torre and Ruben Tagalog.
Why harana?
"Today, the young generation may not even know harana's real essence as far as Filipino folk traditions are concerned. And that is the one singular reason why POC is reviving this beautiful Filipino culture," says Karla Gutierrez, POC artistic director.In 2008, POC staged "Harana" as a vehicle to showcase the evolution of Philippine music through song and movement. Harana went on a tour of Amsterdam in 2009.
It embarked on a Philippine tour in 2010, covering the cities of Cebu, Roxas, Antique, Bohol, Palawan. Earlier this year, it toured Bacolod, Ormoc, Tacloban, and Samar.
Who's in this show?
Directed by Floy Quintos, "Ang Bagong Harana" will showcase the best of all the Filipino composers from different music genres: Nicanor Abelardo, Ryan Cayabyab, Willy Cruz, Francisco Santiago, Antonio Molina, Resti Umali, George Canseco, Ernani Cuenco, Levi Celerio, Jose Estrella, Constancio De Guzman and Felipe de Leon, to name a few.
The show will feature Philippine opera and theater's celebrated singers: Karla Gutierrez, Aizel Prietos, Charley Magalit, Janine Santos, Marian Santiago, Lawrence Jatayna, Jack Salud, Nazer Salcedo, Marvin Gayramon, Al Gatmaitan, Floyd Tena and Jurgen Unterburg.
What makes “Ang Bagong Harana” different?
“Ang Bagong Harana” will integrate past, present, north, south, colonial, post-colonial experiences and put them into a revue where our whole souls will be the source of inspiration. The different suites shall mix old songs and new while talking about “who we are Filipinos” and where we have been.
For tickets, sponsorships and showbuyers, contact 0917-5272880 or 881-7163. Tickets also available at TicketWorld (891-9999 or www.ticketworld.com.ph).
What do you think of this production and its posters? Share your comments.
Ralph Peña appointed as TCG board member 2011-2012
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Annoucement from USA's Theatre Communications Group
Ralph Peña of Ma-Yi Theater Company appointed board member of Theatre Communications Group
Ralph Peña, artistic director, Ma-Yi Theater Company (New York City, New York State) is one of seven new Theatre Communications Group (TCG) board members.
"I'm thrilled to be a part of the TCG Board of Directors," he says. "I hope to make a meaningful contribution in supporting the remarkable work of [TCG executive director] Teresa Eyring and the TCG staff. I have much to learn, but boy do I have great teachers.
TCG, the national organization for theatre, has announced new leadership of its board of directors.
Philip Himberg, producing artistic director of the Sundance Institute Theatre Program, will assume the position of board president. He succeeds Martha Lavey, artistic director of Steppenwolf, who concluded a two year term in June.
“TCG’s board is an extraordinary assemblage of theatre artists and practitioners that represent the aesthetic,
cultural and geographic diversity of the theatre community,” said Teresa Eyring, TCG executive director. “The insight and knowledge that these forward-thinking leaders bring to the table help TCG stay on the pulse of issues, trends and innovation in the field.”
Members of TCG’s board serve three two-year terms. Board officers serve terms of one-year, concurrent with the fiscal year of July 1, 2011 to June 30, 2012.
For 50 years, Theatre Communications Group (TCG), the national organization for the American theatre, has
existed to strengthen, nurture and promote the professional not-for-profit American theatre.
Founded in 1961, TCG’s constituency has grown from a handful of groundbreaking theatres to nearly 700 member theatres and affiliate organizations nationally and more than 13,000 individuals worldwide. TCG offers its members networking and knowledge-building opportunities through conferences, events, research and communications; grants approximately $2 million per year to theatre companies and individual artists; advocates on the federal level and serves as the US Center of the International Theatre Institute, connecting its constituents to the global theatre community.
TCG is North America’s largest independent publisher of dramatic literature, with 11 Pulitzer Prizes for Best Play on our booklist; it also publishes the award-winning AMERICAN THEATRE magazine and ARTSEARCH, the essential source for a career in the arts.
In all of its endeavors, TCG seeks to increase the organizational efficiency of its member theatres, cultivate and celebrate the artistic talent and achievements of the field and promote a larger public understanding of, and appreciation for, the theatre.
What do you think of this appointment? Share your comments.
![]() |
| Ralph Peña |
Ralph Peña of Ma-Yi Theater Company appointed board member of Theatre Communications Group
Ralph Peña, artistic director, Ma-Yi Theater Company (New York City, New York State) is one of seven new Theatre Communications Group (TCG) board members.
"I'm thrilled to be a part of the TCG Board of Directors," he says. "I hope to make a meaningful contribution in supporting the remarkable work of [TCG executive director] Teresa Eyring and the TCG staff. I have much to learn, but boy do I have great teachers.
TCG, the national organization for theatre, has announced new leadership of its board of directors.
Philip Himberg, producing artistic director of the Sundance Institute Theatre Program, will assume the position of board president. He succeeds Martha Lavey, artistic director of Steppenwolf, who concluded a two year term in June.
“TCG’s board is an extraordinary assemblage of theatre artists and practitioners that represent the aesthetic,
cultural and geographic diversity of the theatre community,” said Teresa Eyring, TCG executive director. “The insight and knowledge that these forward-thinking leaders bring to the table help TCG stay on the pulse of issues, trends and innovation in the field.”
Members of TCG’s board serve three two-year terms. Board officers serve terms of one-year, concurrent with the fiscal year of July 1, 2011 to June 30, 2012.
For 50 years, Theatre Communications Group (TCG), the national organization for the American theatre, has
existed to strengthen, nurture and promote the professional not-for-profit American theatre.
Founded in 1961, TCG’s constituency has grown from a handful of groundbreaking theatres to nearly 700 member theatres and affiliate organizations nationally and more than 13,000 individuals worldwide. TCG offers its members networking and knowledge-building opportunities through conferences, events, research and communications; grants approximately $2 million per year to theatre companies and individual artists; advocates on the federal level and serves as the US Center of the International Theatre Institute, connecting its constituents to the global theatre community.
TCG is North America’s largest independent publisher of dramatic literature, with 11 Pulitzer Prizes for Best Play on our booklist; it also publishes the award-winning AMERICAN THEATRE magazine and ARTSEARCH, the essential source for a career in the arts.
In all of its endeavors, TCG seeks to increase the organizational efficiency of its member theatres, cultivate and celebrate the artistic talent and achievements of the field and promote a larger public understanding of, and appreciation for, the theatre.
What do you think of this appointment? Share your comments.
Atlantis Productions' "In the Heights" Sept 2-18, 2011
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Announcement from Atlantis Productions
Atlantis Productions
stages
Tony Award winning musical
In The Heights
Sept. 2 to 18, 2011
Carlos Romulo Auditorium
RCBC Plaza Bldg., Makati City
Team
Directed by Bobby Garcia
Choreography by Cecile Martinez
Set design by Mio Infante
Lighting design by Jay Aranda
Costumes by Twinkle Zamora
Musical direction by Ceejay Javier
Vocal coaching by ManMan Angsico
Story
In The Heights, with its hip-hop, salsa, merengue and soul music infused score by Lin-Manuel Miranda, took Broadway by storm when it opened in 2008. It garnered an astounding thirteen Tony Award nominations and winning four Tony Awards including the Tony Award for Best Musical.
In The Heights is a quintessential New York musical about a vibrant and tight-knit community at the top of the island of Manhattan. The music pulses with the hopes and dreams of three generations as they struggle to forge an identity in a neighborhood on the brink of transition.
Cast
Usnavi
Acoustic balladeer and songwriter Nyoy Volante plays the bodega owner who dreams of returning to his homeland Puerto Rico. Nyoy has been in Atlantis Productions’ stagings of Legally Blonde, Hairspray, Dreamgirls and The Rocky Horror Show.
Vanessa
Award-winning pop singer and Miss Saigon star Ima Castro takes on the role of Usnavi’s love interest who works at the Salon with Daniela. Ima recently played the titular role in Atlantis Productions’ Aida.
Daniela
Powerhouse singer Tex Ordonez plays a salon owner who may have to close shop due to skyrocketing rent. Tex was last seen on the Atlantis stage as Lorell Robinson in Dreamgirls. She was also a part of Hong Kong Disneyland’s opening cast.
Nina
Fil-Canadian singer and TV contest “Star Power” finalist K-La Rivera makes her professional musical theater debut as the Stanford student who returns to her old neighborhood with some surprising news.
Camila
Film actresses Jackie Lou Blanco makes her English language musical theatre debut as Nina’s loving and supportive mother. Jackie Lou has won critical acclaim in numerous films and TV.
Kevin
Calvin Millado returns to the musical theatre stage as Camila’s husband, who runs Rosario’s Car Service. Calvin is known for his performance as Roger in the Manila and Singapore productions of Rent. He has also appeared in Jesus Christ Superstar, The Rocky Horror Show, Dreamgirls, Disney’s Beauty & The Beast, Avenue Q and Legally Blonde.
Benny
Philippine theatre’s Golden Boy, Felix Rivera plays the dispatch driver who works at Rosario’s Car Service and finds himself falling in love with Nina. Rivera received critical acclaim as Gabe in Next to Normal and has appeared in some of the finest roles in Avenue Q, Spelling Bee, Legally Blonde, Xanadu, and A Little Night Music.
The neighborhood piraguero
TV contest “Star in a Million” second placer Jimmy Marquez joins the cast as the neighborhood ice shavings seller. The soul balladeer won the silver medal at the Shanghai MusicFest.
Abuela Claudia
Jay Glorioso, who received critical acclaim as Mdme. Armfeldt in Atlantis Production’s A Little Night Music in Manila and Singapore.
Also in the cast: Bibbo Reyes, Tanya Manalang, Jerald Napoles, Alys Serdenia, Johann dela Fuente, Japs Treopaldo, Carlos Canlas, Delphine Buencamino and Stanley Canete.
A limited number of shows are also now available for show-buying and fundraising opportunities.
Contact 892-7078 or visit www.atlantisproductionsinc.com.
What do you think of this production? Share your comments.
Auditions for METTA's "Twelfth Night" Aug 25, 2011
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Announcement from Marie Eugenie Theater of the Assumption
METTA (Marie Eugenie Theater of the Assumption) announces
AUDITIONS FOR PROFESSIONAL MALE ACTORS
for William Shakespeare’s "Twelfth Night" to be directed by Jose Estrella
August 25,2011 Thursday from 6:00pm-9:00pm
METTA Rehearsal Room, Assumption College, San Lorenzo Village, Makati City
Prepare a monologue from your chosen character.
Actors will be reading from the script.
Auditions are on a first-come; first-served basis.
Rehearsals begin September 2011 weekday evenings and weekends.
Show opens October 2011 and closes November 2011
If cast, 100% commitment is expected of all actors.
Call 817-0757 loc. 1162.
What do you think of this production? Share your comments.
Announcement from Marie Eugenie Theater of the Assumption
METTA (Marie Eugenie Theater of the Assumption) announces
AUDITIONS FOR PROFESSIONAL MALE ACTORS
for William Shakespeare’s "Twelfth Night" to be directed by Jose Estrella
August 25,2011 Thursday from 6:00pm-9:00pm
METTA Rehearsal Room, Assumption College, San Lorenzo Village, Makati City
Prepare a monologue from your chosen character.
Actors will be reading from the script.
Auditions are on a first-come; first-served basis.
Rehearsals begin September 2011 weekday evenings and weekends.
Show opens October 2011 and closes November 2011
If cast, 100% commitment is expected of all actors.
Call 817-0757 loc. 1162.
What do you think of this production? Share your comments.
Shows this weekend Aug 19-21, 2011
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This weekend only
Dulaang UP's UP Playwrights' Theater's "Fake" (until Aug 21 only)
http://theaterbator.blogspot.com/2011/08/up-playwright-theaters-fake-re-run-aug.html
Gantimpala Theater's "El Filibusterismo" (until Sept 10, 2011)
http://theaterbator.blogspot.com/2011/08/gantimpala-theaters-el-filibusterismo.html
Ballet Manila's "Tatlong Kuwento ni Lola Basyang" (until Aug 28, 2011)
http://theaterbator.blogspot.com/2011/08/ballet-manila-tatlong-kuwento-ni-lola.html
Ongoing
Ateneo Blue Repertory’s “Little Shop of Horrors” (until Aug 27, 2011 Saturday)
http://theaterbator.blogspot.com/2011/07/ateneo-blue-repertorys-little-shop-of_25.html
9 Works Theatrical’s “Sweet Charity” (until Aug 28, 2011 Sunday)
http://theaterbator.blogspot.com/2011/05/9-works-theatricals-sweet-charity.html
Philippine Educational Theater Association’s “William” (until Sept 2011)
http://theaterbator.blogspot.com/2011/08/philippine-educational-theater.html
Repertory Philippines’ “Seussical” (until Dec 2011)
http://theaterbator.blogspot.com/2011/08/seussical-unique-childrens-musical.html
What will you watch this weekend? Share your comments.
This weekend only
Dulaang UP's UP Playwrights' Theater's "Fake" (until Aug 21 only)
http://theaterbator.blogspot.com/2011/08/up-playwright-theaters-fake-re-run-aug.html
Opening this weekend
Gantimpala Theater's "El Filibusterismo" (until Sept 10, 2011)
http://theaterbator.blogspot.com/2011/08/gantimpala-theaters-el-filibusterismo.html
Ballet Manila's "Tatlong Kuwento ni Lola Basyang" (until Aug 28, 2011)
http://theaterbator.blogspot.com/2011/08/ballet-manila-tatlong-kuwento-ni-lola.html
Ongoing
Ateneo Blue Repertory’s “Little Shop of Horrors” (until Aug 27, 2011 Saturday)
http://theaterbator.blogspot.com/2011/07/ateneo-blue-repertorys-little-shop-of_25.html
9 Works Theatrical’s “Sweet Charity” (until Aug 28, 2011 Sunday)
http://theaterbator.blogspot.com/2011/05/9-works-theatricals-sweet-charity.html
Philippine Educational Theater Association’s “William” (until Sept 2011)
http://theaterbator.blogspot.com/2011/08/philippine-educational-theater.html
Repertory Philippines’ “Seussical” (until Dec 2011)
http://theaterbator.blogspot.com/2011/08/seussical-unique-childrens-musical.html
Gantimpala Theater's "El Filibusterismo" Aug 21-Sept 10, 2011
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Announcement from Gantimpala Theater
| Padre Florentino (Joe Gruta) confronts Simoun Ibarra (Roeder Camanag) |
Gantimpala Theater stages El Filibusterismo
Gantimpala Theater continues to commemorate the 150th birthday celebration of Dr. Jose Rizal this year (2011), as it stages its second the offering of its 34th season: “El Filibusterismo.”
Written by Jomar Fleras, the production has new directors Jose Jeffrey Camañag and Andre Tiangco. Andy Villareal is lighting designer.
| Dona Victorina (Flerida Capiral) and Paulita (Anna Decorea). |
“El Filibusterismo, whose alternate title is ‘The Reign of Greed,’ is a very dark novel, it was set in a dark time, written during the dark days of the Spanish tyranny,” says Camañag.
“The theme’s progression is wheeled by an unseen dark force, a force that is so powerful that it controls even the characters’ trivial actions and choices that often lead to nothing but tragic endings. This unseen and destructive force is greed.”
“We hope to challenge the audience, especially the students, to look beyond the entertaining value of our production and try to listen to the remarkable messages embedded in Don Simoun’s confessions to Padre Florentino,”
| Juli (Hazel Orecio) and Basilio (Alfred Urieta). |
Cast:
Roeder Camañag (Don Simoun/Mr. Leeds)
Joe Gruta (Padre Florentino)
Paolo ‘O Hara (Kabesang Tales)
Ku Aquino (Padre Camorra)
Mondrian Sampang (Padre Salvi)
Dante Balois (Tata Selo/ Don Custodio)
Alfred Urieta and Francis Cruz III (Basilio)
Hazel Orencio (Juli/Pepay)
Kristian Chua (Isagani)
Flerida Capiral (Donya Victorina)
Anna Deroca ( Paulita Gomez)
Jun-Jun Quintana (Juanito Pelaez)
Noel Escondo and Raymond Talavera (Placido Penitente/Imuthis)
Tony Espejo is artistic director of Gantimpala Theater. Gantimpala Theater’s “El Filibusterismo” is supported by the National Parks Development Committee, Jimm’s 7-in-1 Coffee, and Everbilena.
Performances are on:
Aug 21 (Sunday) 7pm
Concert at the Park Open Air Auditorium, Luneta Park, Manila
Aug 26 (Friday) and Aug 27 (Saturday) 10am/2pm
Sept 2 (Friday) and Sept 3 (Saturday) 10am/2pm
AFP Theater, Armed Forces of the Philippines compound,
Boni Serrano Rd. (formerly Santolan Rd.) Quezon City
Sept 9 (Friday) and Sept 10 (Saturday)
Cinema 3, SM Southmall, Las Piñas City
Contact 899-5911 and 998-5622.
Visit www.gantimpalatheater.multiply.com and www.facebook.com/gantimpala.
What do you think of this production? Share your comments.
Ballet Manila "Tatlong Kuwento ni Lola Basyang" Aug 19-28, 2011
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Announcement from Ballet Manila
Ballet Manila brings back its most popular and critically acclaimed production of "Tatlong Kuwento ni Lola Basyang" as its 16th season opener. The trio of endearing tales from the beloved Filipino storyteller will go onstage on August 19, 20, 21, 27 and 28, 2011 at the Aliw Theater, CCP Complex, Pasay City.
Young ballerina Missy Elizalde will dance as “Ate Missy” who, along with veteran TV and radio talent Luz Fernandez as Lola Basyang, will be weaving the three stories together.
Tatlong Kuwento ni Lola Basyang is set to captivate audiences once more with dance and music artistry at its finest, combined with colorful sets and costumes.
Co-presented by Anvil Publishing, Bellarocca Island Resorts and Spa, Aliw Theater and Manila Broadcasting Company, the all-Filipino production features the following enchantment-filled and value-laden stories:
Ang Prinsipe ng Mga Ibon, a love story about the search and sacrifice for true love, as a princess falls in love with a bird, choreographed by Osias Barroso with music from selected National Artists as arranged by Mon Faustino;
Ang Kapatid ng Tatlong Marya, a fantasy set to contemporary neo-ethnic music which follows a hero’s journey to different kingdoms in search of his bewitched sisters, choreographed by Lisa Macuja-Elizalde to the music of Joey Ayala; and
Ang Mahiwagang Biyulin, a local Pied Piper tale with the hero, through his magical violin, showing how good ultimately triumphs over evil, choreographed by Tony Fabella with music by Ryan Cayabyab and arrangement by Arnold Buena.
The stories in the Ballet Manila production are based on the Anvil Publishing editions of Severino Reyes’ classics, as retold by author Christine Bellen and illustrated by Panch Alcaraz.
Tatlong Kuwento ni Lola Basyang is also sponsored by Bank of Singapore, Island Rose and Star City. Contact Ticketworld at 891-9999 or SM Tickets at 470-2222.
What do you think of this production? Share your comments.
Announcement from Ballet Manila
Ballet Manila brings back its most popular and critically acclaimed production of "Tatlong Kuwento ni Lola Basyang" as its 16th season opener. The trio of endearing tales from the beloved Filipino storyteller will go onstage on August 19, 20, 21, 27 and 28, 2011 at the Aliw Theater, CCP Complex, Pasay City.
Young ballerina Missy Elizalde will dance as “Ate Missy” who, along with veteran TV and radio talent Luz Fernandez as Lola Basyang, will be weaving the three stories together.
Tatlong Kuwento ni Lola Basyang is set to captivate audiences once more with dance and music artistry at its finest, combined with colorful sets and costumes.
Co-presented by Anvil Publishing, Bellarocca Island Resorts and Spa, Aliw Theater and Manila Broadcasting Company, the all-Filipino production features the following enchantment-filled and value-laden stories:
Ang Prinsipe ng Mga Ibon, a love story about the search and sacrifice for true love, as a princess falls in love with a bird, choreographed by Osias Barroso with music from selected National Artists as arranged by Mon Faustino;
Ang Kapatid ng Tatlong Marya, a fantasy set to contemporary neo-ethnic music which follows a hero’s journey to different kingdoms in search of his bewitched sisters, choreographed by Lisa Macuja-Elizalde to the music of Joey Ayala; and
Ang Mahiwagang Biyulin, a local Pied Piper tale with the hero, through his magical violin, showing how good ultimately triumphs over evil, choreographed by Tony Fabella with music by Ryan Cayabyab and arrangement by Arnold Buena.
The stories in the Ballet Manila production are based on the Anvil Publishing editions of Severino Reyes’ classics, as retold by author Christine Bellen and illustrated by Panch Alcaraz.
Tatlong Kuwento ni Lola Basyang is also sponsored by Bank of Singapore, Island Rose and Star City. Contact Ticketworld at 891-9999 or SM Tickets at 470-2222.
What do you think of this production? Share your comments.
Fourth Wall Theater Company's "Tatarin" Aug. 27, 2011
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Announcement from Philippine Normal University's Fourth Wall Theater Company
Nick Joaquin's
Tatarin
Aug. 27, 2011
1pm 3pm (possible 5pm show if there is demand)
Pope Pius Auditorium
UN Ave., Manila City
Directed by Mark Ryan Hernandez
About the play
The play is about the oldest and longest-running war known to man, the war between the sexes. Joaquin's problem then was how to make this war relevant again to jaded audiences (the play was written in 1975); his solution was to set the play in the 1920s, when male-dominated Western Culture was just beginning to tremble.
The battle lines are drawn, around a married couple—Don Paeng and Dona Lupe Moreta, on the evening of the Feast Day of St. John the Baptist, on the third night of the "Tatarin"--a pagan ritual where for three days out of the year women hold ascendancy over men.
The play explores the pagan forces in the Christian community, and the superiority of women to imperious men. It portrays and contrasts the men and women who simultaneously celebrate the recently introduced feast of St. John the Baptist and the ceremonial acts of the tatarin, a pagan ritual to the moon led by female priestesses.
About the group
Fourthwall Theater Company is founded by teacher/artists-manned Drama Education and Theater Arts specialists of the Philippine Normal University. It is composed of active youth members, theatre enthusiasts and students who adhere to the precept that theater is a catalyst for educational advancement and personal development.
The group has performed in various schools and universities and rendered workshops to empower education through drama and theater arts by helping out schools and communities to establish their very own theater organization.
Contact 0922-866-6917 or mr.maglaya@gmail.com.
What do you think of this production? Share your comments.
Announcement from Philippine Normal University's Fourth Wall Theater Company
Nick Joaquin's
Tatarin
Aug. 27, 2011
1pm 3pm (possible 5pm show if there is demand)
Pope Pius Auditorium
UN Ave., Manila City
Directed by Mark Ryan Hernandez
About the play
The play is about the oldest and longest-running war known to man, the war between the sexes. Joaquin's problem then was how to make this war relevant again to jaded audiences (the play was written in 1975); his solution was to set the play in the 1920s, when male-dominated Western Culture was just beginning to tremble.
The battle lines are drawn, around a married couple—Don Paeng and Dona Lupe Moreta, on the evening of the Feast Day of St. John the Baptist, on the third night of the "Tatarin"--a pagan ritual where for three days out of the year women hold ascendancy over men.
The play explores the pagan forces in the Christian community, and the superiority of women to imperious men. It portrays and contrasts the men and women who simultaneously celebrate the recently introduced feast of St. John the Baptist and the ceremonial acts of the tatarin, a pagan ritual to the moon led by female priestesses.
About the group
Fourthwall Theater Company is founded by teacher/artists-manned Drama Education and Theater Arts specialists of the Philippine Normal University. It is composed of active youth members, theatre enthusiasts and students who adhere to the precept that theater is a catalyst for educational advancement and personal development.
The group has performed in various schools and universities and rendered workshops to empower education through drama and theater arts by helping out schools and communities to establish their very own theater organization.
Contact 0922-866-6917 or mr.maglaya@gmail.com.
What do you think of this production? Share your comments.
UP Playwright Theater's "Fake" re-run Aug 17-21, 2011
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I wrote about this production here and finally saw it and wrote about my thoughts on it here.
And now there's going to be a re-run in August 2011.
Announcement from Dulaang UP's UP Playwrights' Theater
After a highly-acclaimed summer run, Dulaang UP's UP Playwrights' Theater mounts a limited return engagement of Floy Quintos' "Fake" in August 2011.
Fake delves into the final days in the life of Jose Marco, a man who successfully foisted his forgeries of the Code of Kalantiao and La Loba Negra until the fake works were debunked by renowned historian, Henry Scott.
Fake scrutinizes our need as a people to cling and believe in something bigger than ourselves, something even bigger perhaps than truth.
Acclaimed actor and director Joel Lamangan takes on the lead role of Jose Marco and alternating with equally talented director, actor, and artist Leo Rialp.
Paul Holmes plays William Henry Scott
Ces Quesada and Alya Honasan alternate as Concepcion
Richard Cunanan plays George
Shamaine Centenera-Buencamino plays Sister Emily
Gerard Pizarras and Bryan Tibayan alternate as Old Miguel
Ross Pesigan appears as Young Miguel.
Set/Costume Designer Dante Nico Garcia
Technical Director Ohm David
Lighting Designer Meliton Roxas Jr.
Assistant Director/Dramaturg Emmanuel Feliciano
UPPT is subgroup of Dulaang UP. Dulaang UP is under the university's Department of Speech Communication and Theater Arts, which offers certificate and degree programs in Theater Arts. Dulaang UP also stages its students' thesis productions under its Dulaang Laboratoryo series throughout the year.
Fake will be staged at Teatro Hermogenes Ylagan, University of the Philippines-Diliman, Quezon City.
August 17- 21, Wednesdays to Fridays at 7:00 pm, and weekends at 10:00 am and 3:00 pm.
Contact 0917-7500107, 9261349, 9818500 local 2449 or 4337840.
I wrote about this production here and finally saw it and wrote about my thoughts on it here.
And now there's going to be a re-run in August 2011.
Announcement from Dulaang UP's UP Playwrights' Theater
After a highly-acclaimed summer run, Dulaang UP's UP Playwrights' Theater mounts a limited return engagement of Floy Quintos' "Fake" in August 2011.
Fake delves into the final days in the life of Jose Marco, a man who successfully foisted his forgeries of the Code of Kalantiao and La Loba Negra until the fake works were debunked by renowned historian, Henry Scott.
Fake scrutinizes our need as a people to cling and believe in something bigger than ourselves, something even bigger perhaps than truth.
Acclaimed actor and director Joel Lamangan takes on the lead role of Jose Marco and alternating with equally talented director, actor, and artist Leo Rialp.
Paul Holmes plays William Henry Scott
Ces Quesada and Alya Honasan alternate as Concepcion
Richard Cunanan plays George
Shamaine Centenera-Buencamino plays Sister Emily
Gerard Pizarras and Bryan Tibayan alternate as Old Miguel
Ross Pesigan appears as Young Miguel.
Set/Costume Designer Dante Nico Garcia
Technical Director Ohm David
Lighting Designer Meliton Roxas Jr.
Assistant Director/Dramaturg Emmanuel Feliciano
UPPT is subgroup of Dulaang UP. Dulaang UP is under the university's Department of Speech Communication and Theater Arts, which offers certificate and degree programs in Theater Arts. Dulaang UP also stages its students' thesis productions under its Dulaang Laboratoryo series throughout the year.
Fake will be staged at Teatro Hermogenes Ylagan, University of the Philippines-Diliman, Quezon City.
August 17- 21, Wednesdays to Fridays at 7:00 pm, and weekends at 10:00 am and 3:00 pm.
Contact 0917-7500107, 9261349, 9818500 local 2449 or 4337840.
What do you think of this production? Share your comments.
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