Auditions for Tanghalang Ateneo's "Fireflies" Oct 13-14, 2011

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I wrote about Tanghalang Ateneo's 2011-2012 season line-up a few months ago and now they're already auditioning for their season finale. It seems they've changed the production. It was supposed to be a Tagalog adaptation of the "Oresteia" but now it's "Fireflies."

Announcement from Tanghalang Ateneo

Tanghalang Ateneo will be holding
OPEN AUDITIONS for its 2011-2012 season finale
Fireflies
by Suzue Toshiro

Oct 13-14, 2011
4:30-6:30 pm
Fine Arts Theater, 3/F Gonzaga Building, Ateneo de Manila University, Quezon City

Contact 0927-852-3961 or 0917-930-9247.

What do you think of this audition? Share your comments.

Resorts World Manila's "Sound of Music" Oct 15-Dec 30, 2011

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Yay! My article on the staging of "Sound of Music" by Resorts World Manila was published by Philippine Daily Inquirer in its Oct. 15, 2011 issue.

http://groups.yahoo.com/group/iwroteit/message/313
"Sound of Music" at Resorts World Manila starts Oct 15
By Walter Ang

Theater leading ladies Cris Villonco and Joanna Ampil will alternate as Maria Rainer in Resorts World Manila's staging of the musical "Sound of Music."

Both will bring to life the role of the earnest and determined postulant nun assigned as a governess to the untamed seven children of stern Navy Captain and widower Georg von Trapp.  Laughter and love blossoms when Maria wins the children (and their father) over with music.

Both have played other "Marias" prior to this production.

Villonco has played lead roles for Repertory Philippines, Dulaang UP and, recently, for Tanghalang Pilipino's "Noli Me Tangere" as Maria Clara.

Ampil has performed internationally, starting her career as Kim in the West End staging of "Miss Saigon" and recently as Maria in Stages Production Specialists' "West Side Story."

Leading men
Audie Gemora, Ed Feist and Jon Joven alternate as the Captain.

Gemora was last seen onstage playing the titular role in Repertory Philippines' "Sweeny Todd."

A former VJ for music channel Myx and theater actor (Bankard's "Diary of Anne Frank" and Actors' Actors' "Mother Tongue"), Feist returns to Manila after having been based in Australia the past few years as lead vocal for Soul Motel band.

Joven has played Thuy in the German staging of Miss Saigon and has credits on Broadway and off-Broadway.  Locally, he's played lead roles for TP such as Orly in "Himala the musical," and Crisostomo Ibarra in "Noli Me Tangere."

Memoir to musical
With music by Richard Rodgers and lyrics by Oscar Hammerstein II, audiences may be more familiar with the 1965 film version starring Julie Andrews ("Princess Diaries") and Christopher Plummer (Pixar's "Up," "Inglourious Basterds"), though the musical premiered on Broadway six years prior.  The musical is based on Maria Augusta von Trapp's memoir "The Story of the Trapp Family Singers."

Since the film's release, songs that were added for the movie, such as "I Have Confidence" and "Something Good," are usually included in revivals.  Previous Manila stagings have been done by Company of Players (1997) and Repertory Philippines (2006).

Big theater
This production will be staged at RWM's 1,500-seater Newport Performing Arts Theater.

Set design is by Mio Infante with video design by television commercial director Paul Soriano.  Video backdrops will be shown via the theater's 30meter by 8meter LED (light emitting diode) screen, touted as the largest in Southeast Asia.  10feet x 14feet LED walls will also be placed at each end of the stage. The screens allows for showing of 3D sceneries.

Cast and collaborators
Theater veteran Pinky Amador and jazz singer Lynn Sherman alternate as the captain's fiancée Baroness Elsa Schraeder.  Miguel Faustman and Robbie Guevara alternate as von Trapp family friend Max Detweiler.

Pinky Marquez and Sheila Francisco alternate as Mother Abbess. TV and film comedienne Debraliz Valasote plays the von Trapp's housekeeper Frau Schmidt.

Liesl, the eldest of the von Trapp siblings is played by Tanya Manalang and Rachel Coates.  Rolf, Liesl's love interest, is played by former TV child star and current ABS-CBN talent Bryan Homecillo and 2009 Philstage Gawad Buhay! awardee for Best Featured Actor in a Musical ("Sweeny Todd") Marvin Ong.

The production is directed by dinner theater and concert director Roxanne Lapus. Lyn Fabella is vocal director.  Rodel Colmenar conducts the Manila Philharmonic Orchestra.  Choreographer is Terri Aldeguer of the dance duo Aldeguer Sisters.  Lighting design is by John Batalla. Costume design is by fashion designer Francis Libiran.

Discount
Since the theater's inauguration last year, it has hosted concerts of local and foreign artists (Lani Misalucha, Lea Salonga and David Pomeranz, Zsa Zsa Padilla and Basil Valdez, to name a few), beauty pageants, corporate events, and a Vegas-type musical spectacle show "Kaos."  Concerts will still be staged at the theater on days when "Sound of Music" is not running.

Newport Performing Arts Theater is located in Resorts World Manila, which combines hotels, restaurants, gaming facilities, entertainment spots and a luxury mall in one destination across Terminal 3 of the Ninoy Aquino International Airport, beside Villamor Golf Course.

RWM members using their Visa Platinum and Gold credit cards to purchase tickets can avail of up to 25% discount, applied to a maximum of four tickets per card per show, when transacted at RWM Box Office and Ticketworld outlets. RWM members can also use points earned in their membership cards towards purchase of tickets. Membership to RWM is free.

"The Sound of Music" runs Oct 15 to Dec 11, 2011. 8:00PM Wed to Sat with 3:00PM shows on Sat and Sun at Newport Performing Arts Theater, Resorts World Manila, Pasay City. Contact Resorts World Manila Box Office (836-6333) or Ticketworld (891-9999). 


UPDATE: Show is extended until Dec. 30, 2011

Also published online:
http://lifestyle.inquirer.net/18265/%E2%80%98sound-of-music%E2%80%99-at-resorts-world-manila-starts-oct-15

What do you think of this production? Share your comments.

UP Dance Company's "Past forward" Oct. 17, 2011

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Announcement from UP Dance Company

UP College of Music and UP Dance Comapany

present
PAST FORWARD
Ala-Ala Bagong Anyo

Oct. 17, 2011 7:00PM
Abelardo Hall, College of Music, UP Diliman


Featuring: UP Dance Majors
                Josiah Samaniego, Jesper Colleen Mercado, Kim Feliz, PIANISTS
                Jourdann Petalver, CONDUCTOR
                Dmitri Shostakovich Orchestra

Chorepgraphy by: Sarah Maria Samaniego, Chaya Joyce Baris and Michel Fokine

Music by: Frederic Chopin, Alexander John Villanueva and Dmitri Shostakovich

What do you think of this production? Share your comments.

24th Aliw Awards now open for nominations October 2011

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The Aliw Awards Foundation has no website, but it does have a Wikipedia entry.

Its 21st installment (2008) was panned for its strange nomination eligibility period by Gibbs Cadiz (read about it here).

Further Googling reveals that there seems to have never been any announcements for acceptance of nominations.  The announcement below to accept nominations for its 24th installment (2011) might be the first time it has done so.

The announcement below is a mix of information I Googled.  Their media release that has been picked-up by different publications does not indicate a deadline for submission of nominations nor any contact numbers, but they did indicate a mailing address and an email address.

(Using the venue of this year's awarding ceremonies as a clue, I have a feeling that I think I know which production and which roles will win the theater-related awards this year, kekeke. Let's see if I will be correct.)


The 24th Aliw Awards (2011) is now open for nominations
The 24th Aliw Awards (2011) is now open for submission of nominations. The Aliw Awards "honors the best in Philippine live entertainment."

Screening will be done in October 2011. The awarding ceremonies will be held at the Newport Performing Arts Theater, Resorts World Manila on Nov. 8, 2011.

Theater/performing arts-related categories include:
Best Actor (Musical and Non-musical)
Best Actress (Musical and Non-musical)
Best Classical Performer (Male and female)
Best Stage Director (Musical and Non-musical)
Best Production (Musical and Non-musical)
Best Dance Company (Classical/folk and contemporary/modern)

To qualify, performances must have been staged from September 2010 to Oct. 15, 2011.

Aliw Awards members are not voting members except for the president.
The Board of Judges is invited by the Aliw Awards Foundation and it deliberates and chooses the winners.

Material of performances (such as CDs and DVDs of performances)
and write-ups for nominations may be sent to:
The Screening Committee Chair
2011 Aliw Awards.
39 Kirishima St., BF THAI, BF International,
Las Piñas City, Metro Manila 1740

Details of the nominations can also be sent to aliwawards2011@rocketmail.com

What do you think of this award-giving body? Share your comments.

Jay Españo in Theater Works' "The King and I" until Oct. 16, 2011

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I wrote about Jay Españo landing the lead role in a production of "King and I" in Chicago earlier this year (you can read about it here).

He apparently has landed the same role again for a different production in Phoenix.

He sent Theaterbator blog by Walter Ang an interview done with the director of the production he's currently in. This time, he's working with Theater Works, a theater company in Arizona, USA.



Announcement from Theater Works

Arizona’s Theater Works  casts Filipino actor Jay Españo for lead in "The King and I"

The Rodgers and Hammerstein classic story of an English governess going to Siam (now Thailand) in the 1860’s to teach the stern king’s royal children  in the hopes of modernizing his country continues to dazzle  people of all ages.   Multi Arizoni Award (Arizona’s equivalent of Tony Awards)-winning director Athena Hunting took time to answer a few interesting questions about her current theater endeavor.

(From left) Kristi McEwan (Anna Leonowens),
Athena Hunting (director), and Jay Españo (King Mongkut).
Why did you cast Jay Españo and Kristi McEwan in the title roles?
I cast Jay and Kristi because in them I saw authenticity, heart, and humor – the ‘ahh’ factor -- all of which I needed to fulfill my vision for the relationship between Anna Leonowens and King Mongkut.  From the beginning, Jay demonstrated such an understanding of the role, to which no one at auditions even came close.  There were many Anna’s to choose from, but Kristi has this Bridget Jones-like quality that is so endearing, I couldn’t resist.


You've seen the movie (with Yul Brynner) and you've seen productions of  "The King And I," how does this production compare?  What's different?  What's new?
Actually, I've not seen a staged version of this show, but I did play Tuptim years ago in a production of it in Washington , D.C.   Having watched the film many years ago, I sort of came into this project like Jay – no expectations!  We fused the screenplay with the stage script for our production, making cuts here and there to keep the show fresh.  It seems our version might be the first one of its kind!  The use of shadow puppets in “Uncle Tom’s Cabin” (in addition to our fantastic dancers, musicians, and singers) is a beautiful way of enhancing the re-enactment of Harriet Beecher Stowe’s beloved story.

Jay admitted  that he has never seen the movie version with Yul Brynner in the iconic role that catapulted him to stardom.  Is this a good thing or a bad thing? How did it affect your vision for the production?
Unlike Yul Brynner, Jay has a lot of hair!  Seriously, my vision before rehearsals begin for any show I direct, is quite broad, so that the actors can bring their own interpretations.  But the one thing we all have in common is the text – and as long as we are respectful of the text, I don’t think we can make a mistake.  Case in point: although Jay had never watched Yul Brynner in the role, a local reviewer wrote, “Jay Españo’s King is heavily influenced by Yul Brynner’s definitive original interpretation (which) works perfectly…”  It’s really all about the text!  And of course, great minds think alike!

The relationship of Anna and the King has a lot of very understated romantic moments. They bicker, they fight and they fall in love. Tell us about finding that chemistry in terms of motivating  your lead stars.

Sometimes finding the arc of a character, a relationship, a scene, and a play happens because the director is very specific, and sometimes it happens more organically, with everyone bringing their own perspectives to the table.  All I can say is, the trust I put in my leads paid off in spades!

"The King and I" at The Peoria Center for  Performing Arts, Phoenix, Arizona runs until October 16, 2011.  Contact +1-623-815-7930 or boffice@theaterworks.org

What do you think of this production? Share your comments.

Deadline for submission of nominations to Broadwayworld.com Philippines' BWW Philippines Awards is Oct. 31, 2011

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Announcement from Broadwayworld.com Philippines

BroadwayWorld.com Philippines celebrates its third anniversary by launching the first-ever BWW Philippines Awards.

"Our theater scene in the Philippines, especially in Metro Manila, has never been as vibrant as in recent months, and we owe our hardworking, excellent theater practitioners the recognition and appreciation they deserve," says BWW Philippines executive editor, author and photographer Oliver Oliveros.

Short list of nominations will be made after October 31.
Voting period will be November to December 31, 2011.
BWW readers will vote online.
Winners will be announced and awarding will be held in January 2012.

Nomination form is here:
http://philippines.broadwayworld.com/2011nominations.cfm?region=Philippines

Eligibility
- Productions from September 2010 to October 2011
- Original Filipino musical/straight play productions
- Locally-produced Broadway and other foreign musical/straight play productions
- International touring productions
- Professional and school-based productions

BWW Philippines Awards Categories:
Best Musical
Best Play
Best Direction of a Musical
Best Direction of a Play
Best Leading Actor (Musical)
Best Leading Actor (Play)
Best Leading Actress (Musical)
Best Leading Actress (Play)
Best Musical Direction
Best Choreography
Best Costume Design
Best Lighting Design
Best Set Design
Best Sound Design
Best Performance by an Actor in a Featured Role/Ensemble Role (Musical)
Best Performance by an Actor in a Featured Role/Ensemble Role (Play)
Best Performance by an Actress in a Featured Role/Ensemble Role (Musical)
Best Performance by an Actress in a Featured Role/Ensemble Role (Play)
Best Theater Company
Best Theatrical Venue

For details, email ooliveros@gmail.com.

What do you think of this award? Share your comments.

Some shows this weekend of Oct 7 Friday to Oct 9 Sunday 2011

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Some shows this weekend of Oct 7 Friday to Oct 9 Sunday 2011

Opening this weekend
Atlantis Productions' "Next to Normal" re-run Oct 7-16, 2011
http://theaterbator.blogspot.com/2011/09/atlantis-productions-next-to-normal-re.html

Ballet Manila's "Swan Lake" Oct. 7-15, 2011
(featuring Lisa Macuja's farewell performances as Odette/Odile)
http://theaterbator.blogspot.com/2011/10/lisa-macujas-farewell-performance-of.html


Ongoing
Gantimpala Theater's "Sino Ka Ba Jose Rizal?" (until Oct 15, 2011)
http://theaterbator.blogspot.com/2011/08/gantimpala-theaters-sino-ka-ba-jose.html

Tanghalang Pilipino' "Tatlong Tabing: Three Plays by Tony Perez" (until Oct 23, 2011)
http://theaterbator.blogspot.com/2011/09/retrospective-trilogy-of-tony-perez.html

Rep Philippines and Stages’ “Peter Pan: a musical adventure” (until Oct 30, 2011)
http://theaterbator.blogspot.com/2011/09/repertory-philippines-and-stages.html

Repertory Philippines’ “Seussical” (until Dec 18, 2011)
http://theaterbator.blogspot.com/2011/08/seussical-unique-childrens-musical.html

Upstart Productions' "Much Ado About Nothing"(until March 2011)
http://theaterbator.blogspot.com/2011/09/upstart-productions-much-ado-about.html


Opening soon
Resorts World Manila's "Sound of Music" Oct 15-Dec 11, 2011
Please watch out for Theaterbator blog by Walter Ang's post on this show.

Leviathan Lab's "Twelfth Night" Nov 3-19, 2011 (New York City, NY, USA)
http://theaterbator.blogspot.com/2011/10/leviathan-labs-twelfth-night-nov-3-19.html

Teatro Tomasino's "Ang Huling Pahina" Nov 16-22, 2011
http://theaterbator.blogspot.com/2011/10/teatro-tomasinos-ang-huling-pahina-nov.html

Marie Eugenie Theater of the Assumption's "Twelfth Night" Nov. 18-19, 2011
http://theaterbator.blogspot.com/2011/10/marie-eugenie-theater-of-assumptions.html

What show/s will you watch? Share your comments.

Lisa Macuja's farewell performance of "Swan Lake" Oct. 7-15, 2011

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I once wrote about Lisa Macuja's silver anniversary as a ballet dancer in 2009 which you can read here.  When I wrote the piece, it was announced that she would perform her farewell shows as Kitri in Don Quixote, though in their announcement below, it seems she might still perform it again in the "next two to three years."


Announcement from Ballet Manila

Lisa Macuja Holds Farewell Performances of "Swan Lake"

Lisa Macuja
Prima ballerina Lisa Macuja-Elizalde will dance her last full-length Swan Lake in a series of performances with Ballet Manila starting October 7, Friday, 7:30 p.m., at Aliw Theater, CCP Complex, Pasay City. She is also featured in shows on: October 9, Sunday, 1 p.m.; and October 15, Saturday, 5 p.m.

Other performances of Swan Lake with Ballet Manila principal dancer Mylene Aggabao, company members from Korea Ja Young Kang and Hana Oh, and soloists Zaira Cosio and Abigail Cruz alternating in the lead roles, are slated on: October 8, Saturday, and October 15, Saturday.

Swang Song
This production kicks off Macuja-Elizalde’s “Swan Song Series,” her farewell full-length performances of her signature roles, starting with Odette/Odile in Swan Lake, and also including Juliet in Romeo and Juliet, Kitri in Don Quixote, and Giselle in the ballet of the same title. The entire series will unfold in the next two to three years.

“Not many ballerinas have the privilege of planning their own retirement, so I am blessed to be able to have this series,” says Macuja-Elizalde.

Swan Lake
In Swan Lake, Prince Siegfried meets and falls in love with Odette who is cursed to become a swan at night. But he is tricked by the evil Rothbart into falling for Odile, the Black Swan, whom he mistakes for Odette. Realizing his mistake, Siegfried asks for Odette’s forgiveness. The lovers then jump into the lake, break the spell on the other girls-turned-swans and vanquish the pair of Rothbart and Odile, before ascending to the heavens.

Dancing as Prince Siegfried is David Makhateli, principal dancer of The Royal Ballet in London, whom Macuja-Elizalde personally invited to be her partner for the production.

Odette/Odile for the last time
Macuja-Elizalde considers the dual role of Odette/Odile as one of the most challenging roles in ballet. Originally choreographed to feature two ballerinas, it later came to be danced by just one. “It’s a quite a superhuman feat and really demanding on your stamina as a performing athlete. It’s also difficult to transform into two completely different characters—the lyrical, vulnerable Odette and the seductive and cunning Odile.”

With David Makhateli, principal
dancer of London Royal Ballet
That Macuja-Elizalde is taking on the dual role for the very last time is a sentimental event for her. “The first full-length Swan Lake performance that I watched was the one that changed my life, when I saw Japanese ballerina Yoko Morishita dance as Odette and Odile. This performance was the tipping point for me as a teenager. I was truly inspired by Yoko’s White Swan and Black Swan. I thought that if this tiny Asian ballerina can dance this European classical ballet role so well—then maybe, just maybe, I will be able to dance Odette/Odile one day as well.”

In her career spanning 27 theater seasons, the ballerina has completed 122 performances of the White Swan and 72 of the Black Swan. S
he has also danced both parts in 20 full-length productions of Swan Lake, nine of those abroad.

Contact 400-0292, 525-5967, info@balletmanila.com.ph or 891-9999 (Ticketworld) or 470-2222 (SM Tickets). Visit www.balletmanila.com.ph

What do you think of this production? Share your comments.

Marie Eugenie Theater of the Assumption's "Twelfth Night" Nov. 18-19 and Dec 9 & 13, 2011

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Announcement from Marie Eugenie Theater of the Assumption

Assumption College San Lorenzo's
Marie Eugenie Theater of the Assumption
presents
William Shakespeare's
Twelfth Night

Directed by Jose Estrella
METTA Artistic Director/Acting Coach: Ana Valdes-Lim

Nov. 18-19 and Dec 9 & 13, 2011, 7pm
Black box Theater, Assumption College San Lorenzo, Makati City

Contact 817-0757 loc. 1161-64, metta.ac@gmail.com or www.facebook.com/metta.ac

What do you think of this production? Share your comments.

Bodie Cruz makes theatrical debut in Tanghalang Pilipino's "Sierra Lakes" Oct. 7-23, 2011

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Announcement from Tanghalang Pilipino


Bodie Cruz makes theatrical debut in Tanghalang Pilipino's "Sierra Lakes"

Bodie Cruz, son of Tirso Cruz III
Bodie Cruz, son of multi-awarded veteran actor Tirso Cruz III, is set to make his theatrical debut in "Sierra Lakes," one of the featured plays in Tanghalang Pilipino's "Tatlong Tabing: Three Plays by Tony Perez."

An actor, singer and commercial model, Bodie entered showbiz when he was around eight years old, appearing in ABS-CBN's "Ang TV." He left after a year to focus on his studies and earned a degree in computer programming. Bodie went back to showbiz three years ago through "Pinoy Big Brother."

Among his works for TV are: (for ABS-CBN) Love Spell Presents, Your Song, Eva Fonda, and ASAP; (for GMA-7) Gagambino, Zorro, Grazilda, Blusang Itim, Kaya Kong Abutin Ang Langit, and SOP; (for QTV) Bluffing with Paolo & Bodie, and Hayop ATBP.

Coming from a family of musical performers, Bodie has also shown his musical talent by performing in concerts and singing engagements. "I love to work with veterans in the industry who share their talents and acting techniques with me," Bodie shares.

Bodie plays Jusel Castro in "Sierra Lakes," a tension-filled drama that explores issues among four people caught in a complicated web of love and desire. It will be directed by Tess Jamias, an alumna of the Tanghalang Pilipino Actors Company.

"Sierra Lakes" will be presented in a twinbill with ""Bombita," a black comedy which questions the blind obedience and subservience of young rookies in the military (directed by former TP Artistic Director Dennis Marasigan).

"Sierra Lakes/Bombita" opens on Oct. 7, 2011 at 8:00pm at the Tanghalang Huseng Batute, Cultural Center of the Philippines, and runs until Oct. 23, 2011.

Contact 832-3661, 832-1125 loc. 1620/1621 or Ticketworld at 891999. Visit www.tanghalangpilipino.org.ph.

Full schedule of the interchanging shows here:
http://theaterbator.blogspot.com/2011/09/tanghalang-pilipino-tatlong-tabing.html

What do you think of this production? Share your comments.

Leviathan Lab's "Twelfth Night" Nov 3-19, 2011

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Announcement from Leviathan Lab

Leviathan Lab stages Wong Kar-wai-inspired "Twelfth Night" with Asian American Cast

From left: Tina Chilip (Viola), Eileen Rivera (Olivia),
Ka-Ling Cheung (Maria), Karen Lee (Maria)
Leviathan Lab, a newly-established Asian American theater company, presents its inaugural production, a "Wong Kar-Wai-inspired" production of William Shakespeare's "Twelfth Night" from Nov 3 to 19, 2011 at Arclight Theater in Manhattan, New York City.

Filipino Americans in the production include:
Nelson Eusebio III, director (assistant director, "All's Well That Ends Well," Shakespeare in the Park 2011)
Tina Chilip (Viola)
Eileen Rivera (Olivia)
Kurt Uy (Orsino, Fight Choreographer)
John Roque (Sir Toby Belch)
Jojo Gonzales (Feste )
Andrew Eisenman (Malvolio)

Collaborators and cast
From left: Marcus Ho (Sir Andrew), John Roque (Sir Toby), Jojo Gonzalez (Feste),
Eugene Oh (Antonio), Andrew Eisenman (Malvolio), Roger Yeh (Valentine)
The production will be directed by Leviathan Lab Artistic Director Nelson T. Eusebio III with original music by veteran Broadway actor/composer Jason Ma (The Sly Fox, Miss Saigon, Shogun the Musical), choreography by Dax Valdes, and sets & costumes by Maiko Chii (Oenslager Fellowship for Design, Elson Award for Design).

The production will feature an all Asian American cast from the Leviathan Lab acting company.

Synopsis
In "Twelfth Night," Viola, a young woman shipwrecked and stranded in the seaside city of Illyria, sets a series of events into motion that create a tangled knot of mistaken identities, bewildering desires, practical jokes, and ribald revelry that only time and fortune can untie.

Staging
Inspired by the films of auteur Wong Kar-wai, Leviathan Lab’s re-imagining of Shakespeare’s classic romantic comedy will be set in Hong Kong in the 1960’s during the twelve days of Christmas. “The lush sensuality and deep sense of nostalgia that permeates the Hong Kong depicted in Wong Kar-wai’s films set in the 1960’s ("In the Mood for Love," "Days of Being Wild") feels like the kind of Illyria that makes your heart swoon,” says Eusebio. “That feeling of being drunk on love and romantic spirit seems perfect for the world of 'Twelfth Night,' a play very much about emotion grown to excess.”

Eusebio adds, “The music of Hong Kong in the 1960’s was a crazy mix of Chinese opera stars, Nat King Cole crooned in Spanish, and a lot of 1960’s western pop sung by Filipino club musicians. This collage of musical styles provided Jason Ma with a feast of inspiration for Shakespeare’s most musical play.”

The company
Leviathan Lab is a professional creative studio founded in 2009 that includes more than 75 Asian-American actors, writers, and directors. Leviathan Lab invests in the advancement of both emerging and established Asian American performing artists by featuring them in new works by Asian American writers, in fresh interpretations of classical plays, and in original works for film, TV, and new media.

Performance details
Nov 3-19 (Thurs-Sat, 8PM; Sun, 2PM; Wed, at 8PM)
Arclight Theater is at 152 West 71st Street, Level 1
between Broadway and Columbus Avenues in Manhattan.

Tickets are $18 general admission, $15 students and seniors, with special prices for groups of 10 or more.
Contact +1.213.344.8499 or oliver@leviathanlab.com.

Leviathan Lab
244 Fifth Avenue, Ste. E282
New York, NY  10001
212.726.1059
info@leviathanlab.com
www.leviathanlab.com
Ariel Estrada, Founder and Executive Director
Nelson T. Eusebio III, Artistic Director

What do you think of this production? Share your comments.

Teatro Tomasino's "Ang Huling Pahina" Nov 16-22, 2011

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Announcement from Teatro Tomasino

Teatro Tomasino
the university-wide theater guild of the University of Santo Tomas
for its 33rd theater season
presents

“Ang Huling Pahina”
a one-act play
by Chris Martinez

Directed by Teatro Tomasino alumnus Chi de Jesus

“Ang Huling Pahina” presents an uncanny idea of the possibility of what might have happened to the three seemingly secondary characters of Noli Me Tangere (Tiyago, Victorina and Consolacion), questioning their existence and wanting more than what they were written to be – forgetting that their characters are pivotal and equally important to spark interest and open one’s mind to endless possibilities.


Professional Adviser: John “Sweet” Lapus
Faculty Adviser: Ralph Semino Galan

November 16, 17, 21 and 22, 2011 at 10:00 am, 1:00 pm, 4:00 pm and 7:00 pm
at the Philippine Educational Theater Association Theater Center,
No. 5 Eymard Drive, New Manila Quezon City.

Contact 786 - 1611 loc. 8484, 0915-505-2605 or 0932-540-0955.


What do you think of this production? Share your comments.