Harvy Santos: from dancer to milliner


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Yay! My article on Harvy Santos, a former Ballet Philippines dancer and now a milliner who was recently declared a runner-up in a millinery contest, was published in the Philippine Daily Inquirer in its May 7, 2012 issue.

http://groups.yahoo.com/group/iwroteit/message/347
From dancer to milliner
By Walter Ang

Harvy Santos
Harvy Santos, a former dancer of Ballet Philippines, was announced as a runner-up in Grazia Magazine’s “Hat Factor” millinery contest, which is part of the Cultural Olympiad, a series of events celebrating the 2012 Olympics in London.

Judges included the United Kingdom’s top milliners Philip Treacy and Stephen Jones.

“Hooray! I’m chuffed!” he says. “I was inspired by the modern pentathlon, and this year marks its 100th year.” The modern pentathlon includes five sports: fencing, swimming, horse-riding, running and pistol-shooting.

“My entry comprises the first three sports. Fencing inspired the mask, swimming inspired the wavy drapes, and riding inspired the bridle and harness. It’s very straight to the point.”

Santos created the piece to be worn by any gender, though he had “shock-factor in mind, say, having it as a fashion editorial piece or something for Lady Gaga to wear.”

For materials, Santos used PVC and latex as well as sinamay, “which they loooove here [in the UK]!”

Dance to millinery
Santos’ entry to Grazia Magazine’s
“Hat Factor” millinery contest 2012
was declared runner-up.
Santos trained at the Cultural Center of the Philippines Dance School prior to joining Ballet Philippines 2, BP’s junior performing company. He moved to Hong Kong in 1997 to study at the Academy for the Performing Arts under a scholarship he’d won. After graduation, he joined the Hong Kong Ballet and danced in all its major productions for six seasons.

He left dancing in 2005 to start Harvash Creations, devoting himself to design projects full time doing hair and makeup, costumes, and wedding dresses. Projects ranged from bespoke costume and couture commissions for individual clients to large-scale productions for stage and television. He designed for the HK Ballet, including 20 tutus for “Paquita” and original headpieces for “Swan Lake.”

The name “Harvash” is from a nickname he got from a visiting French choreographer when Santos was still with BP. “Vache is French for cow, so, moooo,” he laughs.

In 2008, Harvy moved to London for love. One day, while shopping for materials to make a Halloween costume, he noticed a copy of “The Hat Magazine.”

Learning
Santos’ won third-place in the
Worshipful Company of Feltmakers 2011
“It opened up a whole new world for me. I’ve always wondered about hats and anything placed on the head. This magazine has been my millinery fairy godmother.” Through the listings in the magazine, he signed up for a five-day millinery course with Rose Cory, who used to make hats for Queen Elizabeth.

“From then on, I went literally hat-mad and just kept on making hats.” Santos won second place at a competition for the Royal Ascot in 2009. “I had a photo of my hat in ‘The Hat Magazine.’”

He enrolled in a full-year course at Kensington and Chelsea College where he was awarded a Higher National Certificate with Distinction last year. He also won an award from the Worshipful Company of Feltmakers for one of his creations last year.

Santos has apprenticed with Noel Stewart, where he made headdresses and hats for Kylie Minogue’s Aphrodite World Tour, and Stephen Jones, where he was part of the team that worked on hats for the collections of Marc Jacobs and John Galliano.

Opera
Santos won second-place in the Royal Ascot 2009
Santos started working for the Royal Opera House this year, currently working on headdresses for an upcoming production of “Falstaff.” “So far we have been dealing with massive deer antlers stuck on top of deer stalker hats, famously known as the Sherlock Holmes hat. There’s a total of 57 of them for the actors and chorus. We also make headdresses and headpieces for the dancers of the Royal Ballet.”

He’s done work on a revival of “La Boheme,” restoring hats from previous stagings. “It was really awesome knowing how old these productions are. It didn’t register much to me until I was replacing a hat-lining. Inside the lining I found a folded-up Daily Mail newspaper from Nov. 25, 1955 that they used to decrease the circumference of the hat to fit a performer’s head! That hat might have been made even earlier than 1955. That hat is definitely the oldest thing I’ve ever encountered.”

“I have ex-colleagues from the English National Ballet and sometimes they do guestings in music festivals and other events and the dancers themselves ask for my help.”

The performing arts doesn’t have an exclusive hold on Santos’ hats, fascinators (a large hair decoration or a miniature hat), and headpieces. “I’ve done a few commissions here and there. I have put up my website initially as an online portfolio. People, magazines and bloggers have been inquiring lots and showing lots of interest.”

E-mail harvy@harvash.com or visit harvash.com.

Also published online:
http://lifestyle.inquirer.net/46801/from-dancer-to-milliner

What do you think of Harvy Santos' work as a milliner? Share your comments.

FREE ADMISSION Dulaang Laboratoryo's "Elevator Action" May 31-June 2, 2012

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Announcment from Dulaang Unibersidad ng Pilipinas' Dulaang Laboratoryo

FREE ADMISSION
to
Dulaang UP's Dulaang Laboratoryo's

Vladimeir Gonzales'
ELEVATOR ACTION

An adaptation of Harold Pinter's
The Dumbwaiter

May 31-June 2, 2012 7pm
Directed by Joey Geofferson Ting

An acting recital/thesis production of
Allen Edzfar Diansuy (Ben) and Stephen Vinas (Gus)






Synopsis
Paglalaro, dahas, barilan, patayan, at ang walang katapusang taas-baba ng pag-aabang--ilan lamang sa mga salitang naglalarawan sa Elevator Action.

Dinadala ng adaptasyong ito ang mga tauhang sina Ben at Gus—mga beteranong hired killer—sa isang basement sa isang gusali sa Bulacan.

Teaser poster without title of the production
Habang hinihintay ang detalye sa kanilang kasunod na assignment mula sa isang di pinapakilalang “boss,” kinukuwestyon ni Gus ang mga kumplikasyon ng kanilang trabaho. Sino ang naglilinis tuwing matatapos ang assignment?  Sino ang boss ng kanilang boss? Sino ang tunay na nagpapaandar ng lahat?

Sa pag-aabang nina Gus at Ben, sisingit sa eksena ang isang serving hatch—ang dumb waiter—na nagbababa-taas at nagpapahanda ng iba’t ibang klase ng pagkain mula sa dalawang hired gun.

Pinipilit ng dalawang bida na makasunod sa mga order ng maliit na elevator na ito, habang patuloy na inaabangan ang utos na kukumpleto sa kanilang misyon.

About the group
Dulaang Laboratoryo is under Dulaang Unibersidad ng Pilipinas.  It stages the thesis productions of students taking certificate and/or degree programs in Theater Arts under the university's Department of Speech Communication and Theater Arts.

Collaborators:
Scenic designer: Aaron Misayah
Costume designer: Project Runway Philippines season 3 contender Lhenvil Paneda
Lighting designer: Meliton Roxas
Technical director: Pat Gascon

Venue:
Tanghalang Hermogenes Ylagan,
Faculty Center Bldg.,
University of the Philippines, Quezon City

June 2 has a 3:00pm show in addition to that day's 7:00pm closing gala.

Admission is FREE! For slot reservations, contact 0927-8562141.

Bonus! Here's a video of the computer game "Elevator Action" by Nintendo. I used to play this as a child. In the Philippines, the console used to play this game is called "Family Computer." In America, if I'm not mistaken, the console is called "Nintendo Entertainment System or NES.

What do you think of this production? Share your comments.

Trey McIntyre Project performs in Manila and Iloilo May 10 & 12, 2012

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American Contemporary Ballet Company to Visit Manila and Iloilo

American contemporary ballet company Trey McIntyre Project will conduct master classes in ballet, modern dance and technical direction in Manila and Iloilo City during a ten-day visit to the Philippines.

The group will perform on May 10 at Central Philippine University, Iloilo City and on May 12 Market! Market! Mall, Taguig City.  Both performances are free and open to the public.

The group will work collaboratively with the Ramon Obusan Folkloric Dance Group.  McIntyre is a sought-after choreographer with a body of more than 90 works.  He had choreographed for American Ballet Theatre, Stuttgart Ballet, Hubbard Street Dance Chicago, New York City Ballet and Ballet Santiago, among others.  

He founded Trey McIntyre Project in 2008 and has since focused on creating "works that explore the human experience in transformative and captivating ways."

TMP's visit to the Philippines is part of DanceMotion USA, a program aimed at sharing the rich dance culture of the United States with international audiences. The program is under the US Department of State's Bureau of Educational and Cultural Affairs and produced by the Brooklyn Academy of Music.

In the Philippines, the DanceMotion USA program is under the auspices of the US Embassy Manila and the Cultural Center of the Philippines.

Contact 832-1125 loc. 1708 and 1709 or mnlinfooffice@state.gov.

What do you think of this outreach? Share your comments.

Philippine Ballet Theatre's "Coppelia" May 5-6, 2012

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Announcement from Philippine Ballet Theatre

PBT's Coppelia on May 5-6, 2012 for its 26th season

Philippine Ballet Theatre
presents
"Coppelia"
May 5-6, 2012
Tanghalang Nicanor Abelardo (Nicanor Abelardo Theater),
Cultural Center of the Philippines

Restaging by Ronilio Jaynario
after choreography of Arthur Saint-Leon

This comic ballet is about a life-size dancing doll created by Dr. Coppelius that is so lifelike that Franz becomes infatuated with it.  His true desire, Swanilda, dresses up as the doll to show him his folly.

The remaining production for its 26th season (2012-2013) is "Nutcracker," scheduled to be performed in November 2012.

Philippine Ballet Theatre is one of the resident ballet companies of the Cultural Center of the Philippines.

Contact 632-8848 or philippineballettheatre@yahoo.com

What do you think of this production? Share your comments.

Auditions for Dulaang Unibersidad ng Pilipinas' "Noli Me Tangere: The Opera" May 3-4, 2012


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Announcement from Dulaang Unibersidad ng Pilipinas

Dulaang UP holds AUDITIONS FOR 'NOLI ME TANGERE: THE OPERA' RESTAGING

Dulaang UP opens its 37th season with the restaging of
Felipe Padilla de Leon's "Noli Me Tangere: The Opera."

Auditions on May 3 and 4, 5:00 pm,
at the Wilfrido Guerrero Theater,
Palma Hall, University of the Philippines, Quezon City.

The production will be staged on July 18 to August 5, 2012.

For specific character audition songs,
request for musical scores by emailing nolitheopera2011@gmail.com:
Maria Clara - Kay Tamis ng Buhay
Ibarra (tenor) - Ang Aking Isinangguni
Sisa - Awit ng Gabi
Elias (baritone) - Ang Likong Buhay (Act 1)
Padre Damaso (baritone/bass baritone) -Ang Ibig kong Sabihin (Act 1, Scene 1) or Diyos na Makapangyarihan (Act 2)
Pilosopong Tasyo (bass) - Hindi Isang Kaduwagan (Act 1)
Ensemble- any kundiman

Direction by Alexander Cortez
Music direction by Camille Lopez- Molina
Choreography by Dexter Santos
Set and costume design by Gino Gonzales
Lighting design by JonjonVillareal
Video design by Winter David
Technical direction by Ohm David.

Contact 926-1349, 9818500 local 2449 or 4337840.

What do you think of this production? Share your comments.

Reaching out from the US with dance


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Yay! My article on a group of US-based dancers who will come to the Philippines for an outreach later this year was published in the Philippine Daily Inquirer in its April 30, 2012 issue.

http://groups.yahoo.com/group/iwroteit/message/346
Reaching out from the US with dance
By Walter Ang

Workshop done during Project Philippines 2008.
A group of dancers and artists from the US is coming to the Philippines in June to teach students in Northern Samar and Manila.

The group is led by dancers Kendra Samson, the first Filipina recipient of a full scholarship to the Julliard School's dance program, and Chelsea Ainsworth, also an alumnus of Julliard.

"I initially organized 'Project Philippines' with my Filipino dance colleague from Juilliard, Norbert de la Cruz.  The project brought five Juilliard dancers to the Philippines in 2008 for an outreach," says Samson.

Samson hails from Angono, Rizal and is a grandniece of Carlos "Botong" Francisco and Lucio San Pedro, National Artists for Painting and Music, respectively.

She trained at the Cultural Center of the Philippines Dance School and Philippine High School for the Arts.  She was accepted to Julliard in 2004 and received her permanent resident card for the US last year, however, she emphatically says, "The Philippines is still my home.  And so is New York. I love them both on different levels.  With this 'artreach' project, I feel as if I am having a different relationship with the Philippines where I lived in for 17 years. It's more than just a home this time."

Coming back
Kendra Samson
"I know that Filipinos feel passionately on the arts and it's culturally natural for us to want to dance to the beat, to sing, and to admire actresses and actors. One of our main goals is to make the arts relevant in the daily lives of the communities we encounter.

"The arts doesn't have to be a separate entity that only exists in the tube and theaters. It is around us and relevant to all our human experiences."

Naming this year's outreach effort as "Project Philippines 2012," the group will teach in the same places it visited in 2008: San Isidro and Bobon Central Elementary School in Northern Samar;  Philippine High School for the Arts in Laguna; and the Ayala Museum and Ballet Philippines in Manila.  The group will conduct workshops and hold recitals and performances.

"Project Philippines 2012 is inspired by our interest to teach and expand upon our art forms, specifically movement, music, and visual arts. We hope to learn from the Filipino culture as well as create meaningful exchange," says Ainsworth.

"The idea is to 'empower discipline and self-confidence' in Filipino children, to spread hope and a positive vision for our arts and our lives. After such a successful trip and in response to strong requests, [we were] inspired and excited to return in 2012."

Group
Chelsea Ainsworth
"Most of the original group has already graduated from school and are individually pursuing their careers in different parts of the world," says Samson. "I've also been establishing my dance career in New York and became excited at the prospects of reviving the outreach and reinventing it as well to involve other art mediums."

"This year brings a broader scope of team members.  Not all are Juilliard-trained, but all are exceptional artists in their respective fields."

Samson recruited another Filipino dancer, Leonides Arpon, to join the group.  Born and raised in Israel and a former member of Bat-Dor Dance Company, he relocated to New York in 1999 and is currently a member of Armitage Gone! Dance Company.

"He has been like a brother to me throughout my stay in NY and his passion and determinations in life inspire me."

Music and visual arts will be added to the program, to be taught by visual artist Kyle Netzeband, and musicians Brian Gnojek and Midori Samson (currently a sophomore at Juilliard, major in bassoon).

Raising funds
Leonides Arpon
When the group came to the country in 2008, they worked under a grant from Julliard.  This time around, they've been raising funds on their own since last year through workshops, shows and, on April 30, a fundraising show supported by the Philippine Consulate in New York.

They also started an account on Kickstarter.com, a "crowd funding" website that allows the public to donate to the projects listed.

However, the website dictates that if the target minimum amount of funds to be raised is not met by the set deadline of May 16, 2012, all pledges are forfeited and no funds will be collected.  "This is why we chose a lesser amount of USD2,500 as our target in the website although our real goal is to raise USD5,000."

"Art for a Cause: Project Philippines 2012" fundraising show runs April 30 7:30 pm at Kalayaan Hall, Philippine Center, 556 Fifth Ave., New York City.  For details, email projectphilippinesteam@gmail.com or visit projectphilippines2012ckmbk.blogspot.com.

Also published online:
http://lifestyle.inquirer.net/45625/reaching-out-from-the-us-with-dance

What do you think of this project? Share your comments.


Atlantis Productions announces casts for Rock of Ages and God of Carnage June-July 2012

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Announcement from Atlantis Productions

Casts for two Atlantis Productions shows announced

Rock of Ages
June 15 to July 8
Carlos Romulo Auditorium, RCBC Plaza Bldg., Makati.

A feel-good comedy love story told through ’80s hit anthems:
-I Want To Know What Love Is
-Don’t Stop Believin’
-We Built This City
-Hit Me With Your Best Shot
-Every Rose Has Its Thorn.

Book by Chris D' Arienzo
Directed by Chari Arespacochaga

Synopsis:
It's 1987 on the Sunset Strip in Los Angeles. Drew, a young busboy, dreams of being a rock star. He meets Sherrie, a small-town girl who goes to L.A. to pursue her dreams of becoming an actress. They fall in love and then lose each other when the (in)famous, sexy, over-the-top rock star, Stacee Jaxx, comes into the picture.

Cast includes:
Mig Ayesa as Stacee Jaxx, a role he played on Broadway
Nyoy Volante as Drew
Vina Morales as Sherrie
Jett Pangan as Lonny, the show's narrator
Jaime Wilson as Dennis Dupree, Drew's boss
Calvin Millado as Hertz, a German developer threatening to close down the bar
Aiza Seguerra as Regina, a bohemian activist
Jinky Llamanzares as Justice Charlier, owner of the Venus Club

God of Carnage
July 2012
2009 Tony Award Winner for Best Play
Written by Yasmina Reza
Translated by Christopher Hampton

Directed by Bobby Garcia

Synopsis:
Two pairs of parents, one of whose child has hurt the other at a public park, meet to discuss the matter in a civilized manner. As the evening goes on, the discussion devolves into chaos.

Cast includes:
Art Acuña
Adrian Pang
Menchu Lauchengco Yulo
Lea Salonga

The play has been adapted into a movie ("Carnage") directed by Roman Polanski.

Contact 892-7078 or 840-1187.

Atlantis Productions' full line-up for 2012 can be read here.

What do you think of these productions? Share your comments.

Review of PETA's "Care Divas" in Journal of Asian Perspectives in the Arts and Humanities

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Yay! A review I wrote on "Care Divas" was published in the Journal of Asian Perspectives in the Arts and Humanities in its Vol. 1, No. 2 issue in 2011.

This review is an expanded and reworked version of a blog post I'd written last year about my thoughts on the show (you can read it here).  Editor-in-chief Jovino Miroy pushed and pushed and pushed me to whip my blog post into shape.

My very last line for the review, the spirit of which I'd been thinking about but only gelled in my head and articulated itself after I had submitted my draft, didn't seem to make it to the final printed result even though I had tried to send it in.

Here is what I would have wanted the last line to be: "But only just so."

The review in the journal can be read here:
http://www.philjol.info/philjol/index.php/APAH/article/view/2374/2036

What do you think of this production? Share your comments.

We could have danced all week: Philippine Dance Week 2012

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Yay! My article on some activities for this year's Philippine National Dance Week and International Dance Day was published in the Philippine Daily Inquirer in its April 23, 2012 issue.

http://groups.yahoo.com/group/iwroteit/message/345
We could have danced all week
By Walter Ang

Airdance
Dance, dance and more dance will be celebrated during this year’s International Dance Day and Philippine National Dance Week.

Contemporary Dance Network Manila (CDNM) is staging Contemporary Dance Map Gala 2012 and the National Commission for Culture and the Arts (NCCA) is hosting a dance competition and workshop-festival.

Philippine National Dance Week, celebrated on the last week of April, began in 1993 as per Presidential Proclamation 154 signed by President Fidel Ramos.

International Dance Day was founded in 1982 by the International Dance Committee of International Theater Institute (ITI) of Unesco and is celebrated every April 29—the date commemorates the birthday of Jean-Georges Noverre, a French dancer and ballet master regarded as the creator of modern ballet.

Contemporary dance
Contemporary Dance Network Manila
performing in LRT2 station in 2010.
Contemporary Dance Map Gala 2012, featuring different contemporary dance groups, is directed by Ava Villanueva and Elena Laniog.

Participating groups include UP Dance Co., Airdance, Chameleon Dance Theater, Lyceum of the Philippines Dance Troupe and Myra Beltran’s Dance Forum, among others.

CDNM, chaired by Angel Lawenko-Baguilat, UP Dance Company artistic director, is an organization of contemporary dance companies, artists, school-based organizations, and institutions, whose goal is to promote contemporary dance in the Philippines.

The show is part of CDNM’s Contemporary Dance Map series, where the group “maps alternative spaces for dance in a performance tour of these spaces.” The series started in 2005 and has since continued annually.

The Contemporary Dance Map series has included performances in spaces such as the LRT2 line (2010) and the streets of Araneta Center in Cubao (2011).

“Contemporary Dance Map Gala 2012” runs April 28-29, 8 p.m., Dance Forum Space, 36E West Ave., QC. Student and senior citizen discounts available. Call 0917-8514732.

Contests and workshops
Contemporary Dance Network Manila
performing in Araneta Center in 2011.
The National Committee on Dance of the NCCA is holding Sayaw Pinoy: The NCCA National Dance Competition as part of its efforts to promote dance in its various forms.

Now on its fourth year, the competition will be held April 23-24 at Music Hall of SM Mall of Asia, Pasay City. Folkdance, neoclassical and ballroom will be the categories on the first day. Contemporary and hip-hop will be on the second day.

The dance committee, chaired by Shirley Halili-Cruz (Shirley Halili-Cruz School of Ballet artistic director), notes that the contest aims to highlight competition as a means of motivation for artistic excellence and encourage emotional fitness through teamwork.

The NCCA is also hosting Dance Xchange 2012: Philippine International Dance Festival April 27-30 at Cebu International Convention Center, Cebu City.

The festival’s theme is “Cultural Connectivity through Dance.” Dance Xchange, now on its fourth year, will have activities like dance performances; dance workshops to be conducted by dance directors and dancers from participating countries; master classes; artists forum and cultural tours.

To register for the workshop, contact 5272209, 5272214, 0917-5296946, 0920-9514911; e-mail pmd@ncca.gov.ph; visit www.ncca.gov.ph.

Also published online:
http://lifestyle.inquirer.net/44607/we-could-have-danced-all-week

Bonus: here is a short video from Contemporary Dance Network Manila for this year's International Dance Day:


Another bonus: Every year, an eminent dance personality is chosen to give a message for International Dance Day:
http://www.international-dance-day.org/en/index.html

Last bonus: For readers who may not be familiar with the Broadway musical "My Fair Lady," the headline that the editors gave to my article is a play on the title of one of the songs from the musical:
What do you think of these productions/activities? Share your comments.

Auditions for Tanghalang Ateneo's "Sintang Dalisay" April 19-20, 2012

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Announcement from Tanghalang Ateneo


Open auditions for
Tanghalang Ateneo's
"Sintang Dalisay"
by G.D. Roke
(A Tagalog translation of Shakespeare's "Romeo and Juliet")
to be directed by Ricky Abad

April 19 and 20, 2012
4:30 p.m.-7:00 p.m.
Fine Arts Theater, 3/F Gonzaga Hall, Ateneo de Manila University


Auditionees must bring a 2x2 picture and must be prepared to read an "awit" text and follow an igal (a traditional Filipino dance) movement sequence.

We are also looking for musicians who can play native instruments (kulintang, gong, etc.). Auditionees will play native instruments as shown by the auditioner.

Accepted applicants are required to take workshops for music and dance.

The play will run on July 2012 at the Rizal Mini Theater, Ateneo de Manila University.

Contact 0927-752-2027.

Bonus! The text of G.D. Roke's "Ang Sintang Dalisay ni Julieta at Romeo" is here.

What do you think of this production? Share your comments.

Dulaang UP's 2012 Summer Theater Workshops April 17-May 17, 2012

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Announcement from Dulaang Unibersidad ng Pilipinas (DUP)

Dulaang UP Holds Summer Theater Workshops

Learn the basics of acting, directing, stage movement, voice, makeup and more.

Join
Dulaang Unibersidad ng Pilipinas's
Summer Theater Workshops
April 17 to May 17, 2012.

Instructors:
Acting: Bryan Viray, Irma Adlawan and JK Anicoche
Directing: Alexander Cortez and Katte Sabate
Movement: Dexter Santos
Set design: Gino Gonzales
Costume: Lhenvil Paneda
Make-up: Carlo Cannu
Lighting design: Meliton Roxas
Props making: Paul Gaerlan

Fee: P6,500.  Contact 926-1349 or 218-3782.

Dulaang UP is under the university's Department of Speech Communication and Theater Arts, which offers certificate and degree programs in Theater Arts.

What do you think of this workshop? Share your comments.

Opera Haus now open for everyone; summer workshops offered

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Yay! My article on the new building of Philippine Opera Company was published in the Philippine Daily Inquirer in its April 16, 2012 issue.

http://groups.yahoo.com/group/iwroteit/message/344
Opera Haus now open for everyone; summer workshops offered
By Walter Ang

Lobby of Opera Haus
"It has been our dream to put up an arts center and build a permanent home for classical singers," says Philippine Opera Company artistic director Karla Gutierrez. "But, of course, it is open to all artists!"

She's referring to Opera Haus, now home to the administrative offices of POC and to classrooms for students and rehearsal spaces for performing artists (music and otherwise).

Enrollment is ongoing for the center's lessons in instruments (piano, guitar, violin), and basic theory or master classes for music.

Voice students can choose from varied repertoires: classical, pop, Broadway/musical theater, jazz and standards.

There are also special classes in music and movement for babies and toddlers.

"We have a program called `Buddy Lessons,' which offers voice and instrument lessons designed for couples or friends who may want to study voice or the same instrument, together," she says.

Something for everyone
Music room for classes
The lobby features a three-story-high glass-curtain window fountain designed by set designer and contractor Jo Tecson.

Aside from the classrooms, there are studios and rooms throughout the second and third floors that can be rented for rehearsals, auditions, production meetings. "For bands, chamber orchestras, string quartets, singers, dancers, everyone!"

"The space is very flexible. We want to have different kinds of workshops, like for acting, dance, painting or literature. It can be an art gallery. We can have film showings."

The center has a conference room and library "with a good number of music books and scores for reference."

Funding
"We have a small Opera Shop where we sell music-related merchandise," she says.  "All proceeds of the merchandise go to Friends of the Philippine Opera Foundation's Artistic Development Program. It's a program that provides free workshops and master classes for artists."

Proceeds from POCs different productions go to the ongoing construction of Opera Haus.

Upcoming productions this year include a restaging of its "Ang Bagong Harana," (June 6-10, 2012) a concert featuring classical Filipino songs.

POC also co-manages with Sony Music the "Operabelles," an all-female classical-crossover group that can be booked for corporate or private functions.

"We're building our patron system. The arts really needs patrons since the government is not helping us. We depend so much on personal and corporate sponsorships."

Fun
Rehearsal Hall
The fourth floor is intended to be a mini recital area in the future. "We can't afford to finish constructing it yet, so for now, it serves as an open roof deck for parties."

There is the small Opera Café at the lobby. "We also have a small garden at the back for barbecue or potluck parties. Artists like to eat!" she laughs. "Here, teachers, students and artists can bond before or after classes or rehearsals.

"There is also an audio-visual room where we will hold weekly free viewing of opera films and audiences can discuss the movie among themselves afterward.

"We have so many plans for Opera Haus because we want the other 'arts' to be part of it, it's not just for opera artists."

Opera Haus is at 3657 Bautista St., Makati City; tel. 881-7168 or 0917-527-2880.

Also published online:
http://lifestyle.inquirer.net/43647/opera-haus-now-open-for-everyone-summer-workshops-offered

What do you think of this news? Share your comments.